The International Astronomical Union (IAU) recently approved a proposal to assign names to nine impact craters on the planet Mercury.
What does this have to do with Tolkien fandom? Well, in keeping with the established naming theme for craters on Mercury, they are all named after famous deceased artists, musicians, or authors or other contributors to the humanities. One of the craters has been named in honour of JRR Tolkien.
The IAU has been the arbiter of planetary and satellite nomenclature since its inception in 1919.
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Parma Eldalamberon (The Book of Elven-tongues) is a journal of the Elvish Linguistic Fellowship, a special interest group of the Mythopoeic Society. This new issue presents previously unpublished writings by J. R. R. Tolkien about an early version of one of his invented scripts, edited and annotated by Arden R. Smith, under the guidance of Christopher Tolkien and with the permission of the Tolkien Estate.
The Qenya Alphabet is an edition of Tolkien’s charts and notes dealing with the circa-1931 version of the writing-system later called Fëanorian Tengwar. It includes 40 documents in which Tolkien’s examples of the scripts are reproduced using electronic scans of black-and-white photocopies of the original manuscripts. Continue reading “New Eldalamberon from Elven Linguistic Fellowship”
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Novelist Helen Cross, who herself lives in Birmingham, uncovers the story of the young J.R.R. Tolkien, falling in love with Edith Bratt. Their relationship was the inspiration for the love story of Beren and Luthien at the heart of The Silmarillion.
Listen to Cross in this BBC radio program broadcast just last weekend as she visits key locations in Birmingham, Cheltenham and Oxford, and tells the story of Tolkien’s young life and the love story at the heart of it. NB: you may have to be in the UK to listen to this. Thanks to Ringer David for the tip.
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We all listened to and read Peter Jackson’s words from Comic-Con about three possible “Hobbit,” movies carefully. But we didn’t listen to all the words and we missed a few things.
He told us. He told us — he did.
He said exactly what he meant, he said it plainly and the media and fans (and me) tried to figure out what he meant when he told us in plainness. Monday, Jackson dropped an atomic bomb of news and fandom reacted accordingly.
“The Hobbit,” adapted for the screen from the 300-page, 75-year-old book by J.R.R. Tolkien changed from from two movies to three in the blink of a Facebook post.
AMBITION
More on the words we ignored in a minute. We need to figure out when these films break, what it means for fans and websites and studios and cinema and the director, but lets not rush past the size and scope of this news. Lets not walk around Paris admiring all the cafes and churches without also pausing and noticing the big tower in the center of town.
We witnessed, the last few weeks since Comic-Con, something monumental, unprecedented, unparalleled and a little bit crazy. Jackson (and when we say “Jackson” we always mean the director and Walsh, Boyens and a team of others supporting their vision) is in unchartered territory here. Continue reading “The bold ‘Hobbit’ trilogy decision and what to expect”
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This Saturday (August 4) at 10.30am, Billy Boyd will narrate the story behind the first ever stage production of of J.R.R.Tolkien’s The Hobbit on BBC Radio 4.
The very first stage production, written by Humphrey Carpenter with music composed by Paul Drayton, was performed at New College School in Oxford in 1967.
Some of the choristers in that first production are now eminent in the musical world: choral conductor Simon Halsey, Opera North’s Martin Pickard and artist’s agent Stephen Lumsden. Composer Howard Goodall watched his older brother Ashley perform. They talk about their memories and of Tolkien’s presence in the audience on the last night.
Thanks to Ringer Andrew for the heads-up.
Update: Ringer HuanCry adds that Radio 4 is also broadcasting a documentary Tolkien in Love the day before.
[Billy Boyd and the Hobbit] | [Tolkien in Love]
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Alan Jacobs muses in The Atlantic that “from the beginnings of modern fantasy, in the work of Tolkien, technology has always been the enemy of the good life. But does it have to be that way?”
It’s an interesting thought piece that draws on some key comments Tolkien made in letters around the time Lord of the Rings was published.
“Anyway all this stuff is mainly concerned with Fall, Mortality, and the Machine.” Letter 131. Letters of JRR Tolkien.
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