Just a reminder that the incredible Tolkien: Maker of Middle-earth exhibition is still on at the Bodleian Library in Oxford. You have until October 28th to see this astonishing collection of manuscripts and artefacts from Tolkien’s work and life. American fans will then have the opportunity to see most of the exhibition, together with some new additions, at the Morgan Library & Museum in New York, from January 2019; and from October 2019 to February 2020, an even bigger collection (which will include some of this current display) will be on show at the Bibliotheque nationale de France. (This will be the first time that the French national library has ever curated an exhibition about a non-French author, and will include items from their own collection, setting Tolkien’s works in the wider context of fantasy literature.)
Earlier this summer, TORn staffer greendragon had the opportunity to sit down with the Bodleian’s Tolkien archivist, Catherine McIlwaine, to find out some more about the behind-the-scenes work which went into creating this exhibition. McIlwaine was already a big fan of Middle-earth herself, so it has been the perfect job for her; as she put it herself, she was in the right place at the right time! Originally hired to create a detailed catalogue of the library’s Tolkien collection – a job which she thought would last for a couple of years – McIlwaine never expected to find herself, fifteen years later, curating such an extensive exposition of the Professor’s life and work.
The Bodleian owns a very large collection of material relating to J.R.R. Tolkien, totaling approximately 500 boxes of manuscript items! Much was donated by the Tolkien family in 1979; though manuscripts for The Hobbit, The Lord of the Rings and Farmer Giles of Ham had been sold to Marquette University by Tolkien himself in the late 1950s, the rest of his manuscripts, academic and personal papers reside with the Bodleian. The current display features over 200 items, roughly half of which have never been seen by the public before; fascinating doodles on the back of completed crossword puzzles, and scribblings such as the opening lines of Beowulf written in tengwar, are amongst the treasures.
Staffer greendragon with exhibition curator Catherine McIlwaine (left)
Marquette University have been very supportive of the exposition, and have allowed many items from their collection to be included; McIlwaine said that the highlight of planning the exhibition, for her, was the opportunity to travel to Milwaukee twice, and to get to know the staff at Marquette. The ‘Maker of Middle-earth’ show sees some of Tolkien’s manuscripts and original art works being reunited for the first time since the 1950s!
Also featured in the current display are Tolkien’s own writing desk, chair, and some of his pipes, exclusively loaned by the Tolkien family, who have been very supportive of the endeavour. Christopher, Tolkien’s son and the editor of many of his works, was unfortunately not able to travel to visit the show, but his wife attended, and was delighted by it.
This enormous exposition (which still only reveals about three-quarters of the Bodleian’s current Tolkien archive – which is still growing!) was five years in the planning, with 18 months of full-time work in the run up to opening. The release of Peter Jackson’s Hobbit movies was the chief impetus, prompting the Bodleian to think that the time was ripe for such a showing; and the Tolkien Trust were eager to support it, to give something back to the fans. (Tickets to the exhibition are free!) Much of the content on display is usually only available to researchers – and access is closely restricted. Here, fans have the opportunity (in many cases, for the first time) to peer closely at Tolkien’s tengwar scrawl on an academic paper; and to gain an insight, through personal letters, into his family relationships.
For me (greendragon), highlights of the exhibition included Tolkien’s letters from his mother. I had no idea that she had taught him his beautiful calligraphy – I always assumed it was something he dreamed up himself. When you see the letters from his mother, however, it is very clear whence that unique script originated. Another family touch I loved were the sketches Tolkien created for his son Michael, to help him deal with nightmares. There was a recurring ‘monster’ which tormented Michael, and following his description, his father drew the beast – now named ‘Owlamoo’ – to help Michael confront and defeat his fears. I love the rather cross-looking owl-creature; and this display of fatherly affection is very touching.
Throughout the run of the exhibition, there have been various lectures and events in Oxford. A self-guided walking tour of ‘Tolkien’s Oxford‘ has been very popular, and many of the evening lectures have been sold out. Some exhibition tickets, however, have deliberately been held back for each day, so that there are always some available.
For anyone who can’t make it over to Oxford, I heartily recommend the exhibition catalogue. It is the biggest catalogue the Bodleian has ever produced, and it even includes archival items not seen in the display! As the exhibition website states, the book ‘brings together the largest collection of original Tolkien material ever assembled in a single volume. Drawing on the archives of the Tolkien collections at the Bodleian Libraries, Oxford, and Marquette University, Milwaukee, as well as private collections, this exquisitely produced catalogue draws together the worlds of J.R.R. Tolkien – scholarly, literary, creative and domestic – offering a rich and detailed understanding and appreciation of this extraordinary author.’ Worth every penny; visit the exhibition shop to see some of the other goodies on offer.
Newsweek: J.R.R. Tolkien – Celebrating the Professor’s Greatest Creations[Media Lab Publishing] is on newsstands and store check-out lanes now.
This is a beautiful, high-quality, glossy 100-page issue full of articles, information on both books and films, and many full-page photos. A wonderful collectible opening with an introduction by Shaun Gunner, Chair of the Tolkien Society.
Earlier this summer, TORn staffer greendragon had the great pleasure of going across to Edinburgh to meet with the good folks at Oscha Slings, a Scottish company who are our fellow licensees with Middle-earth Enterprises. This company, created by a father and daughter who are both big fans of Tolkien, makes beautiful fabrics, primarily for baby wraps, but also for wonderful throws, scarves and bags.
The company started after daughter Zoe fell in love with using a baby sling with her own children. She wanted to support parents who like the ‘baby wrap’ way of carrying (or even ‘wearing’!) an infant, and felt that most fabric designs were based on what the children would like, rather than what parents might like to wear. There was a gap in the market for elegant fabrics, and so Zoe and her graphic designer father began creating celtic, mythical and art nouveau weaves. As big fans for Middle-earth, they were delighted to be able to secure a license from Middle-earth Enterprises, and so begin dreaming up amazing designs, in a variety of art styles to represent the different races of Tolkien’s realm.
All of Oscha Slings fabrics are designed in Scotland and woven in England. They source their materials in the UK as far as is possible, and always make sure that anything they use is cruelty free, as organic as possible, and uses no harmful chemicals. (The company feel strongly that being as ecologically friendly as possible would be approved of by the Professor.) They have an army of fans, and when you see their incredible work, it’s not surprising! Many of the baby wrap fans are also Tolkien fans, and they are very vocal about what they want to see; one fan even designed a Mithril pattern for Oscha Slings! They have very active fans on Facebook, and 35,000 members in their international fan-run community – they’re no strangers to passionate fan bases!
Oscha also have plenty of items for those of us who don’t have babies to transport! Fans have even been known to hang their fabrics on the wall, as beautiful tapestries. Others have ordered smaller pieces of the fabrics to use for their own quilting projects.
We’re hoping to have some goodies from Oscha Slings for fans to look at (and maybe even take home) at DragonCon and New York ComicCon this year. Meanwhile, you can check out all the gorgeous items available at Oscha Slings here.
It’s official…”The Fall of Gondolin” by J.R.R Tolkien, edited by Christoper Tolkien, and illustrated by Alan Lee, is indeed being published. It will be released on August 30, 2018. While rumored, the release still comes as a very welcome surprise given that many expected “Beren and Lúthien” to be Christoper Tolkien’s final release. “The Fall of Gondolin” will be available in hardback, deluxe hardback, large print and e-book worldwide as well as a companion Tolkien Calendar. The Guardian has a wealth of interesting background on the story. Further details as well as reaction can also be found at The Tolkien Society.
From the HarperCollins Press Release:
In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar.
Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs.
Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.
At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.
Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.
J.R.R. Tolkien and Edith Bratt, soon to be Tolkien
Tolkien fandom finds itself with an embarrassment of riches in 2018. The Tolkien Biopic has wrapped principal photography and is currently in post-production. There will be a new book out featuring Gondolin, edited by Christopher Tolkien. The most recent update about the Amazon Studios’ TV series is now confirmed to be a 5 season commitment. And then word starts to filter through that there are current negotiations for an actual Middle-earth Theme Park.Continue reading “There is a cornucopia of Tolkien stories coming this year”
Welcome to The Great Hall of Poets, our regular monthly feature showcasing the talent of Middle-earth fans. Each month we will feature a small selection of the poems submitted, but we hope you will read all of the poems that we have received here in our Great Hall of Poets.
So come and join us by the hearth and enjoy!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.netOne poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Ambarussa
by: Laurelindorenan
I had a dream, little brother
A terror of the night
That when Father burned the swan-ships
In that fire dread and bright
You had crept aboard
To sleep over the waves
And that the flame-lit ocean
Was your grave.
I woke, by icy panic
Robbed of breath
But found you lay beside me, still
In sleep, not death.
Your face, a mask of quiet
That mine lacked
More peaceful than I’d seen
Since fire-words sealed our pact.
I was quick to Father’s oath
You took it slow
Slow to farewell our mother
Or to go.
And when the others left
We swore an oath
That death would take us
Neither one, or both.
Gone is the hope
I clung to when we came
I guess not what downfall
Our breath will claim
Though death will have its due
For our rash curse
We’ll breathe our last
Together, as our first.
~~ * ~~
Thèoden’s passing
by David McG.
As I lay here, body broken, bones shattered
I feel no pain.
I feel calm and strangely satisfied and at peace.
The soft grass comforts me as I feel the the presence of an old friend. Death.
Snowmane.
My most trusted of friends!
How far we have come to reach this, our moment of glory.
Will they remember how you smashed through spear and shield wall ?
Will they see how you never faltered or failed to rise to my demands?
Snowmane.
Broken now as am I and yet, in death, still my shield.
Tirelessly you rode through feared wood and plain to bear me here.
We broke the Haridrim ranks and took their Black Serpent banner.
My friend, my companion, my protector.
Èomer
Sister-son and blood of my blood.
I have led you to this place of death and destruction.
You have not faltered or strayed to the whispers of false allies as did I!
True and fearless you are, as befits a Lord of the Riddermark.
Èomer
Tall in the saddle you ride to lead the First Èored.
Fierce and proud you have honoured our Kin and fulfilled our pledges and oaths.
Kingly you are and King you will be, my beloved Sister-son.
Aragorn
Arisen we are, we riders of Théoden!
Fell deeds have been awoken to fire and slaughter.
Spear shaken and shield splintered,
A sword-day and a red day and the sun has risen!
Now at Gondor’s gate I lay here.
Aragorn
My eyes grow dim and Death stands over me.
I believe in you and kept faith with you, though you have yet to come.
But come you will, though we parted in doubt at the Dwimorberg were you sought the Dark Door.
Théodred
I see you there my son. Tall and proud and unscathed by the White Hand.
Yes I will willingly walk with you to the Golden Hall of Meduseld to join our fore fathers.
For I have killed the Black Serpent and regained my honour.
Thèodred
We go now in glory to join Bèma and Nahar in the everlasting hunt .
There we shall ride in the warm sun and oceans of green grass and forever watch over our people and lands.
I am ready now.
Èowyn
………………………Èowyn?
~~ * ~~
The Lay of King Brian
from the heart and hand of Veracity O’M.
As Bilbo, so Brian
A man of comfort, conversation, and culinary interests
He would of frequent occasion gather to himself
those who were of like mind and likes
And on such times he told tales vere and feign
Tales of heroes, of maidens, of imps and animals
He sang oft of the fairy realm whence he journeyed
Many miles, many days, hardships and heartwarmings
Filled his time and his travel—of those he sang
To brothers, sisters, their children and his
And upon a magic fiddle he put forth his music
Music to conjour dreams, images fair and fantastic
Music to move the heart, well the eye, enchant the mind
Music, it is said, to coax animals of skills fantastic
To come close for conversation and company
Dragons, unicorns, pegacorns, and pegapigs
Hazirim that would dance and swoop in the heavens
And on the right note, would light close at hand
And listen, and look, and laugh
At his friends and at his tales
It (the fiddle!) has come to this humble brother of his
And from his hand it was set among the most valuable things
Found on earth or in heaven
Come if you would, and try your hand
And see if from the sky you could coax to your side
Dragons, unicorns, pegacorns and pegapigs
But, if you can, make sure you have tales fantastic to tell
As King Brian, whom we all miss so well.
~~ * ~~
A Legend from Times Forgotten
by: Quimey DA
Neither sword nor bow
Could tell the fate
Of those lands that
Where under moon, and under spell.
The brightest steel, of mighty spears
Could not undone, what had been made.
The kingdoms there, they felt the doom
And fear then, filled all their souls.
For It was made with malice great
The heart so dark, in turmoil burned.
The other one deceived and slain
His name preserved, beyond the times of mortal lands.
He looked for it, no rest no sleep
His army bound to the oath they took
To fear the One and to serve Him
Behind the walls, and towers dim.
It called him loud, He could not hear
But swift as wind, nine horses sped
To lands unknown, in quest for it
To look for him who stole the fire
And wields the wicked, almighty power.
~~ * ~~
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Just a reminder that the incredible Tolkien: Maker of Middle-earth exhibition is still on at the Bodleian Library in Oxford. You have until October 28th to see this astonishing collection of manuscripts and artefacts from Tolkien’s work and life. American fans will then have the opportunity to see most of the exhibition, together with some new additions, at the Morgan Library & Museum in New York, from January 2019; and from October 2019 to February 2020, an even bigger collection (which will include some of this current display) will be on show at the Bibliotheque nationale de France. (This will be the first time that the French national library has ever curated an exhibition about a non-French author, and will include items from their own collection, setting Tolkien’s works in the wider context of fantasy literature.)
For me (greendragon), highlights of the exhibition included Tolkien’s letters from his mother. I had no idea that she had taught him his beautiful calligraphy – I always assumed it was something he dreamed up himself. When you see the letters from his mother, however, it is very clear whence that unique script originated. Another family touch I loved were the sketches Tolkien created for his son Michael, to help him deal with nightmares. There was a recurring ‘monster’ which tormented Michael, and following his description, his father drew the beast – now named ‘Owlamoo’ – to help Michael confront and defeat his fears. I love the rather cross-looking owl-creature; and this display of fatherly affection is very touching.
