These guys are pretty popular – we’ve received MANY emails from people out there, telling us about their new music video. So here it is, for those who have not yet seen it! Whether you’ve been celebrating Thanksgiving today and you’re now too full to move, or you’ve been working hard all day and need to relax, this music video is sure to please. The Piano Guys (Al van der Beek, Jon Schmidt and Steven Sharp Nelson) use piano, cello, percussion and vocal textures to recreate well known tunes – and this video is a compilation of favourite motifs from Howard Shore’s Lord of the Rings scores. Check it out:
We received a message from Weta Workshop saying that Richard Taylor would like to set the record straight about who built the installation at the Embassy Theatre in Wellington. Everyone has been ooh-ing and aah-ing over the amazing Hobbit themed installations popping up all over the ‘Middle of Middle-earth’ – and Weta were concerned that 3Foot7 were not getting the kudos due to them. Here’s what they had to say:
To all our friends and readers at TORn – Please note that although our local newspaper has kindly credited Weta Workshop as having built the Gandalf on the front of the Embassy, this is not in fact the case. It is very important to us as a company to not receive credit for others’ work and we therefore wish to confirm that the Gandalf is the work of friends and colleagues of ours from 3foot7’s art department. We congratulate them on the opportunity to do this prize commission.
Neil Finn talks to Andrew Dickens of News Talk ZB about recording “The Song of the Lonely Mountain” for the end credits of The Hobbit: An Unexpected Journey.
Choice quote regarding the “anvils” used in the song:
“I’d love to paint a picture of a big, blacksmith’s anvil sitting in the middle of the studio but, in actual fact, it was my son Liam […] poised over an electronic keyboard.”
At the beginning of August, TheOneRing.net reported on allegations by a former animal wrangler that “incompetence” lead to the deaths of several animals used in the production while they were being housed at a farm outside of Wellington.
Now, The Associated Press has spoken with three other wranglers who said the farm near Wellington was unsuitable for horses because it was peppered with bluffs, sinkholes and broken-down fencing. They said they repeatedly raised concerns about the farm with their superiors and the production company, owned by Warner Bros., but it continued to be used. They say they want their story aired publicly now to prevent similar deaths in the future. Continue reading “Animal wranglers say farm was unsuitable for horses”
Philippa Boyens. Photo: KENT BLECHYNDEN/Fairfax NZ Wellington’s Philippa Boyens is one of the most successful screenwriters in the world. She’s won an Oscar, a Bafta and has been a nominee for many more, including a Writers Guild of America Award.
Boyens owes much of this to her screenwriting debut with Sir Peter Jackson’s The Lord of the Rings. She went on to co-write King Kong and The Lovely Bones with Jackson and Fran Walsh, as well as co-produce both films.
So with the fruits of her most recent labour, the US$500 million trilogy The Hobbit, soon to be revealed to the world with the release in December of An Unexpected Journey, we’d be forgiven for assuming Boyens was keen from the very beginning to return to Middle-earth.
When asked, there’s a long pause before she answers. “I loved the world. I loved [JRR] Tolkien’s writing. [But] I think there was a quality about myself where I felt like ‘I’d done it’,” she says while in Wellington.
HotHouse Music (the music supervisors and film composer agents at Abbey Road Studios in London) report on Twitter that — after three months of recording and mixing — The Hobbit score is finally complete.
Choice quote: “It’s going to be epic. #TheHobbit #Needaholiday”.
It’s all getting serious now. Isn’t the film supposed to be signed, sealed and delivered in a day or so, too? Thanks to Ringer Tolktolk on the forums for the heads up!
