Welcome to our latest “Getting to know” questions that need answering. This month we’re talking to the one and only Balrog Showgirl, Nicole Roberts.
Hi Nicole and a very big thank you for taking part and for being so patient with me.
This first question is from Rosie-with-the-ribbons who’s latest costume for RingCon has been inspired by your Balrog Showgirl costume.
R-w-t-r: Do you make your costumes yourself?
Nicole: Rosie – that is awesome! Yes, for the most part the costumes I’ve been running around in for the past several years have all been of my own making. I only started sewing back in 2004, after I moved to Los Angeles and started hanging out with even more LOTR people. The first costume I made was to wear to Comic Con that year – I was the Mumak Mahud (the guy with the black and white painted face who steers the oliphaunt in ROTK), so you could definitely say I’ve always leaned towards costumes that were a little off the beaten path! I’ve done some costumes that were direct recreations (“Barf” from “Spaceballs”is the most well-known one), but as I’ve gotten more into the sewing, I really like doing things that are more of an original design, like the Balrog Showgirl. As someone who is not of supermodel proportions (and seriously, those chicks look like scary walking lollipops anyway), I like to have the opportunity to design something that I think is more flattering to me, and I always like to learn how to do something new, like dyeing feathers for the showgirl headdress.
Continue reading “Getting to know Nicole Roberts”
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Guardian columnist James Russell writes in a sure-to-be-controversial piece that he doesn’t think the move to make the Hobbit into a trilogy is all about money. Rather, he wonders, is Peter Jackson “pushing his new Tolkien project to ridiculous extremes because he has nothing else to offer?”
He writes: “I think something much more dispiriting has motivated the decision: creative stagnation.”
“Who knows, the movie(s) might be good, and I might have to eat my words. While it may be maddening for those who see cold, hard profit as the prime motivation behind The Hobbit, it looks sad rather than venal to me. Jackson used to be a genuinely capable and interesting figure, with a particular talent for pioneering technical accomplishments (his decision to film in 48fps is the most compelling thing about The Hobbit). It sounds crazy to say, in light of the visionary epic fantasies he has created, but surely he could choose more creatively ambitious projects than this.”
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From stuff.co.nz: New Zealand’s film and TV industry has risen to become one of the country’s most lucrative – reeling in more than $3.23 billion last year. The sector’s contribution to gross domestic product was $2.78 billion, representing 1.4 per cent of New Zealand’s total GDP, a PricewaterhouseCoopers report found. The sector also supported 21,315 fulltime-equivalent jobs. Film Auckland chairman Pete Rive welcomed the study as an opportunity to recognize and celebrate the local screen community. He hailed Spartacus, Mr Pip, Emperor (starring Matthew Fox), and The Hobbit as examples of recent successes. Read More…
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Warner Bros is sponsoring a new contest that gives artists the chance to re-imagine the world of The Hobbit. They call it the Treasures of Middle-earth Design Contest.
Enter your own original fan artwork for a chance to win some great Middle-earth prizes. Or if you’re not artistically inclined (I know I don’t have an artistic bone in my body!), you can rate your favorite fan-created imagery inspired by Bilbo Baggins’ adventure.
The four grand-prize entries will be chosen by John Howe, Alan Lee, and Richard Taylor. Entries close October 15, 2012.
NB: Entry is open only to legal residents of the USA and Canada (excluding Quebec). You can read all the T&Cs, including those pertaining to the assignment of intellectual property, here.
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You’ve probably already seen the that fabulous picture of Thorin holding Thrain’s key — the one that they need to get into Erebor.
Now Herr-der-Ringe has a spy image of the artwork.
The keys is exactly the same, but the runes on them seem to be slightly different? Was the artwork an earlier iteration that was subsequently simplified? Maybe it’s the equivalent of text greeking? Any runes experts out there able to help? Potential spoiler warning
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Now that we have three films to think about, one of the questions a lot of people are wondering is: “How will this affect the screenplay for The Hobbit: An Unexpected Journey?”. Just where will the first film end? In this Greenbooks guest post, Thomas Monteath outlines his thoughts on just how the first Hobbit film could work. These views are his own, and do not necessarily represent those of TheOneRing.net or its staff.
WARNING: Spoilers and speculation! Continue reading “Greenbooks guest post: unexpected journey; predictable break”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
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