Yesterday saw not only the launch of the new The Hobbit: The Desolation of Smaug trailer, but also another exciting release for Tolkien fans – the publication of the latest edition of the book which started it all! You may remember TORn’s post about Jemima Catlin, the young illustrator behind the first new illustrated edition of The Hobbit since Alan Lee’s iconic version in 1997. (Catlin is also the featured illustrator for the 2014 Tolkien Calendar.)
This book is now available for purchase in the US! (It was released by HarperCollins in the UK in September.) It’s a beautiful edition. The hardcover, with cloth binding, is charmingly old fashioned, and the cover illustrations have gold accents, which shimmer with the promise of the magic contained within. Catlin’s images are a combination of pencil, ink and watercolour; there are many little pictures decorating the text, as well as more than ten full page, full colour pieces. The story is interpretated in lively, delightful drawings which show a new interpretation of old friends.
This is an edition to treasure, and would particularly be a wonderful introduction to The Hobbit for children. It’s a great reminder that, as spectacular as the movies are, the enchantment began in the pages of a fabulous book. If you’re thinking about holiday shopping already, add this to the list! I for one feel I can never have too many editions of The Hobbit; this beautiful new edition is certainly worth adding to your collection.
[Click here to order the new illustrated edition of The Hobbit.] [Click here to order the 2014 Tolkien Calendar]
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There are some fabulous, exclusive pieces up for grabs – including some things which, usually, money can’t buy! Time is running out on some of our auctions too, so best check them out now. Here are just a couple that might tickle your fancy:
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Here are three quite interesting descriptions from The Hobbit: The Desolation of Smaug Annual 2014 of the areas of Middle-earth that Thorin & Company will be passing through early on in The Desolation of Smaug.
Not much that’s new, but it’s certainly more confirmation of divergences from Tolkien’s novel. If you’re trying to remain unaware of these little surprises, don’t read on — here be SPOILERS!
But if you like what you see, you can order your copy of the book from Amazon.
Bilbo’s travels with Thorin and the rest of The Company have taken him far from his home in The Shire. From towering mountains to cavernous depths, the heroes find themselves passing through some truly amazing places.
Beorn’s cabin
When the group are searching for somewhere to rest after their dangerous journey through the Misty Mountains, Gandalf leads them here. But after they are chased by a huge bear, Bilbo thinks that htey might have been safer if they’d stayed up a tree surrounded by Wargs!
However, the Shape-shifter Beorn reveals that he is the bear, and welcomes everyone into his home. They Company are able to rest here in peace before continuing their quest.
Mirkwood
When Gandalf heads south on a quest of his own, The Company are faced with travelling through this weird wood on their own. Blanketed in shadows and filled with decay and evil, Mirkwood has claimed the lives of many an unwary traveller. If the deadly waters of its dark rivers don’t claim you, then one of the horrible creatures lurking in the shadows surely will…
The Hall of the Elvenking
The fortress of Thranduil, the King of the Wood Elves. Thranduil sees Mirkwood as his private realm and has little patience for those who enter it without his premission — especially if they happen to be Dwarves. Built over the swift river that leads to the Long Lake, it is here Thorin and his companions are taken when they are captured by the Elves. Luckily for them, Bilbo has a trick or two up his sleeve.
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As you know, we’re currently conducting our pledge drive to raise funds and keep our servers running. We also have some very exciting auctions going on over at Ebay.
There are some fabulous, exclusive pieces up for grabs – including some things which, usually, money can’t buy! Time is running out on some of our auctions too, so best check them out now. Here are just three that might tickle your fancy:
Continue reading “TORn Light the Beacons auction: Jerry Vanderstelt LOTR art, and Hobbit Magazine or paperback Hobbit signed by Dwalin and Bifur”
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As you know, we’re currently conducting our pledge drive to raise funds and keep our servers running. We also have some very exciting auctions going on over at Ebay.
There are some fabulous, exclusive pieces up for grabs – including some things which, usually, money can’t buy! Time is running out on some of our auctions too, so best check them out now. Here are just three that might tickle your fancy: Continue reading “TORn Light the Beacons auction: Oscar Party replica of Bilbo contract, LOTR PEZ gift-set and People’s Guide to J.R.R. book”
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Yours truly has been ever-so-slowly getting through the newest Tolkien book The Fall of Arthur for the last month-and-a-half with a hope of at some point stringing together a few poor words on the subject.
I’ve also been reading other what others have had to say in the media. This piece, by Tolkien scholar John Garth, is a good place to start if you’re interested.
Early in The Fall of Arthur, long awaited by fans of J.R.R. Tolkien and now edited for publication by his son Christopher, an army rides to Mirkwood where they see in a storm above it, Ringwraith-like:
wan horsemen wild in windy clouds
grey and monstrous grimly riding
shadow-helmed to war, shapes disastrous.
But this isn’t Middle-earth: it is Europe on the brink of the Dark Ages, and the army is led by Arthur and Gawain. Mirkwood is simply the old name for Germany’s eastern forests, which Tolkien borrowed for the children’s story he was writing in the same period in the early 1930s, The Hobbit.
Tolkien was a writer of endless stories. And as with most of them, The Fall of Arthur is literally endless: unfinished. It’s been lying among his vast legacy of papers, almost unknown but for a paragraph in Humphrey Carpenter’s 1976 biography and a single reference in Tolkien’s published letters. Publication follows that of the more difficult The Legend of Sigurd and Gudrún in 2009, which Christopher Tolkien probably elected to publish first because it was complete. Like Sigurd and Gudrún, The Fall of Arthur is in alliterative verse, a mode last fashionable in the 14th century.
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