This Saturday (August 4) at 10.30am, Billy Boyd will narrate the story behind the first ever stage production of of J.R.R.Tolkien’s The Hobbit on BBC Radio 4.
The very first stage production, written by Humphrey Carpenter with music composed by Paul Drayton, was performed at New College School in Oxford in 1967.
Some of the choristers in that first production are now eminent in the musical world: choral conductor Simon Halsey, Opera North’s Martin Pickard and artist’s agent Stephen Lumsden. Composer Howard Goodall watched his older brother Ashley perform. They talk about their memories and of Tolkien’s presence in the audience on the last night.
Thanks to Ringer Andrew for the heads-up.
Update: Ringer HuanCry adds that Radio 4 is also broadcasting a documentary Tolkien in Love the day before.
[Billy Boyd and the Hobbit] | [Tolkien in Love]
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After a successful run in Washington DC last
year Andrew Upton, Cate Blanchett and Richard Roxburgh have brought the Sydney Theater Company’s production of the famous Chekhov play Uncle Vanya to New York City. And it’s wowing audiences in the Big Apple.
Opening as a part of the Lincoln Centre Festival at the weekend, critics have praised the “uniformly brilliant cast” that includes Cate Blanchett and Hugo Weaving.
Cate Blanchett and Richard Roxburgh are still slightly terrified by the play ‘It’s excruciating,’ says Blanchett. ‘What I find the most difficult thing to exist within is what Tamas [Ascher, the Hungarian director] describes in Chekhov as the “stupid silences” where everyone just falls into a silence that is utterly stupid, and their stupidity is revealed to them, and they are staring into a void.’ The production continues at the New York City Centre until Saturday.
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[Part 1 in a series from The Frodo Franchise Author Kristin Thompson]
Me and My Book
I’m a film historian by trade. I got my Ph.D. in film studies in 1977 and have written several textbooks and academic books on various topics in the field. In 2007, my book The Frodo Franchise: The Lord of the Rings and Modern Hollywood, by Kristin Thompson, came out from the University of California press. As we all wait for the release of the first part of The Hobbit, I thought some of you might be interested in some of my experiences while researching the book. I had a lot of access to the filmmakers for interviews and was given facilities tours during the last part of the post-production on The Return of the King.
I first conceived the book in 2002, when it became obvious to me that Peter Jackson’s film (I call the three parts one film, as he does) was going to be very, very important historically for a wide variety of reasons. The technology (the techniques developed to animate Gollum, the selective digital color grading) would be revolutionary. The internet campaign was pioneering, as was the filmmaking team’s approach to cooperating with the video-game designers. It was a big franchise film—and a fantasy at that—and yet it won the respect of critics and Academy-Award voters as no such film ever had. (The Fellowship of the Ring had won “only” four Oscars, but I knew even then that The Return of the King would be awarded lots.) Somebody should write a book about it, I thought. But probably nobody would, not the way it should be done, with interviews with the people involved. Not while the film was still in production. I concluded that it was up to me. Was it possible, though, to get the kind of access I would need? I set out to find out.
In January of 2003, through a mutual friend, I was put in touch with producer Barrie Osborne. Fortunately, he was interested in having such a book written. Without him, my project would have been dead in the water. Continue reading “Researching THE FRODO FRANCHISE: Part 1, Off to Wellington without a Handkerchief”
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Tom Cardy from stuff.co.nz writes:
Today at age of 50,Peter Jackson has just wrapped up principal shooting on the two-part The Hobbit in Wellington, he has done what was considered the impossible.
How things have changed for Wellington, after the release of The Lord Of The Rings, the subsequent release of King Kong and The Lovely Bones has not only made him the best known New Zealander in the world – it had a direct impact on the city he lives in.
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Our HobbitCon (aka Comic-Con) recap continues with a look at the Sideshow Collectibles booth. Featured this year we many of the items that you have seen reviewed in this column as well as some great upcoming items to further your Middle-earth collection. The new items included the Ringwraith Statue (shipping in August), the Twilight Witch-King statue, and the imposing Ringwraith on Steed Premium Format. They also had two items that we know very little about: The Sauron Premium Format and the Frodo/Sam in Orc Armor statue. Both of these items ranked among the very best at their booth and are sure to be items that any The Lord of the Rings fans will want to add to their collection. As we get more information on these two collectibles you can count on TORn giving you the scoop on how you can add these to your collection. Follow the break for a video tour of the booth as well as our complete gallery! [Sideshow Collectibles]
Continue reading “Collecting The Precious – Comic-Con 2012 Sideshow Collectibles Booth”
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Thanks to Ringer David H from Auckland NZ, we have this link to a wonderfully revealing and in-depth PDF from The Department of Welfare and Housing Te Tari Kaupapa Whare. The document is titled: Compliance of barriers to a bridge located on a former film set at 501 Buckland Road, Matamata. You see, the bridge made famous in The Lord of the Rings and The Hobbit was considered to be not complying with Clause F4 Safety from falling of the Building Code, and and as a result seemed to ultimately be required to make some adjustments to allow public use. However, after a lot of discussion, notes and analysis, you’ll see that Manager Determinations John Gardiner has reversed a previous decision and decided the bridge, in its current form, qualifies for code compliance! Hobbits of Hobbiton rejoice! The bridge will remain open! [PDF]
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