Welcome to The Great Hall of Poets, our regular feature showcasing the talent of Middle-earth fans. Each month we will feature a small selection of the poems submitted, but we hope you will read all of the poems that we have received here in our Great Hall of Poets.
So come and join us by the hearth, and enjoy!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Memories of the Second Age
By H. Wiggins
We look to old days, and hold to them fast.
When woodlands were green, and Arda still young,
From Autumn to Spring, and days now long passed.
Of rings and their lords, and sonnets once sung.
Before Elves crossed the west in ships of grey,
And Fellowships were formed to follow their road.
When Dwarves delved deeper into the fray,
And men’s lives were long, the seas their abode.
The shadows linger, though chained they were thought,
And the light of two trees fades into night.
Peace will not last, though for long it was fought.
Alliances form to carry the light.
Free folk will stand true and Sauron will rage
For these are the days of the Second Age.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
We are finally going back to Middle-earth and we get to see so many more places than we’ve ever been able to visit before on Tolkien’s map.
Juan Antonio ‘J.A.’ Bayona (Photo by Stuart Wilson/Getty Images)
Amazon Prime has finally released the full airing schedule, as shown below. Start marking your calendars to remind you when you can watch the show.
The first two episodes will drop together, and these are the episodes directed by J.A. Bayona. Because they drop together, it is important to note that the first episode is entitled “Shadow of the Past” so that you start off with the correct episode. These will become available on Amazon Prime on Thursday, September 1 starting at 6 pm PT, 9 pm ET and 2 am UK time early Friday, September 2. You will want to sync this info up with your own time zone.
The remaining episodes will drop once a week afterward, starting with Episode 3 on Thursday, September 8 at 9 pm PT, Midnight ET, and 5 am UK time on Friday, September 9, and continue on that same schedule. The 8th episode finale will air on Thursday, October 13 at 9 pm PT, Midnight ET and 5 am UK Time on Friday, October 14. The full schedule is posted below!
Global release occurs on either September 1, 2022 or September 2, 2022 depending on your location
The first TWO episodes will debut together on release night.
Release night timing is the following: September 1, 2022 at 6 PM PT which is 2 AM UK Time on September 2, 2022.
Both Episode 1 and 2 will be available immidiately. Amazon Studios suggests you ensure you first choose Episode 1 titled “SHADOW OF THE PAST” for the best viewing experience. Don’t choose the second episode first by accident!
Episodes 3 to 8 will be singular weekly releases. That is, one episode per week. These episodes will air at 9 PM PT each Thursday. This corresponds to 5 AM UK Time Friday.
The week-by-week Rings of Power schedule
Week 1: Episode 1+2
Episode 1+2 will be available at 6 PM PT THURSDAY NIGHT on September 1, 2022. This is equal to 2 AM UK Time on FRIDAY MORNING, September 2, 2022.
With this schedule, you should be able to plan a Viewing Party or two, for Debut night and Finale night, if not all 7 weeks. If you choose to do so, please do share in the fun with our Twitter/Facebook/Discord social channel of choice and let us know your thoughts. There will also be some live posting, especially in our Discord on show nights, so come play along during the show, or directly afterward for a discussion on what you have just seen.
Before we plunge into news junkets and global premiers, here’s one more look-back at SDCC 2022.
This was my 5th adventure with TORn for an experience that continues to be as overwhelming as it is incredible. Bookending Covid closures, the cons of 2019 and 2022 were completely different for TORn. Three years back we were in 20th Anniversary mode, and our panel of familiar faces brought both reminiscent nostalgia as well as the “rare good ballast” of Dispatches from Middle-earth that our faithfully devoted Comic Con fans love (hello the Button Lady!), as well as a discussion of the then far-off Rings of Power series.
Before
Roughly two decades earlier, the convention was a much smaller enterprise, and so were we. Hall H was just a room with a lot of seating capacity and a big screen. A handful of us presented on our panel and we didn’t have so much as a folding table on the exhibit hall floor. The Lord of the Rings films were a great big unknown for most not too far beyond the bounds of Tolkien fandom. Weta’s 1st line of FotR movie collectibles were on display at the Sideshow Toy booth while the Weta team wandered the floor like we did; I was shooting pictures with my mother’s digital camera and couldn’t get the date set right…
We could see the wave coming on some distant horizon. We knew we were building something, part of something. Something that crossed boundaries and minimized identities of nation, ethnicity, faith, gender, economic status, ability. The last thing we were thinking about was 2022.
A merry gathering
For me, this year’s Comic Con was absolutely an unexpected party. Two panels, a booth, and hosting the Prime Video Rings of Power fan event was not in the early forecast! Understanding the moment, TORn leadership reached out to fandom colleagues we met for the first time in person in London, inviting them to join our panels and staff our booth.
And they came! From London proper and destinations sprinkled throughout the US, they came by planes, trains, and yeah – automobiles. Planes dead on the tarmac, nasty weather, overnight flights, crazy transfers and rerouting, driving through 115 degree heat… nothing stopped these new friends from coming together to do what we love the most: celebrate the writings of JRR Tolkien.
Celebrate we did! And represent. And engage. Crowds at the booth were often five people deep, in an area dedicated to books that is usually pretty quiet by con standards. Willie (Knewbettadobetta) holding court alongside Matt (Nerd of the Rings) and Jed Brophy (Nori, orcs #5, 6 & 7, elf #5, Ringwraith, writer…). Kaitlin’s (Tea with Tolkien) calming presence. Kellie (author and Happy Hobbit) sharing her books and signing for her fans. Kris (Elf_boi) scripting the names of fans in elvish on an iPad. Lauren in her now-famous Galadriel cosplay. Chris (TORn Tuesday camera man and all-around ninja) tirelessly handling exchanges to move the small mountain of merch we had to sell. Cliff (our own Quickbeam) booming trivia with the voice of an ent. Tireless Justin (TORn Tuesday) seeming to be everywhere and nowhere, the nuclear power making it all happen.
Panels, halls and a party
This year we hosted not one, but TWO panels. Thursday’s set featured a more typical TORn offering, with Justin at the helm, engaging staffers Cliff, Kellie, Cathy (Garfeimao), and Josh (Collecting the Precious), and special guest Kris. Richard Taylor and Philippa Boyens kicked of the conversation with a War of the Rohirrim-themed welcome video! (Demosthenese interviewed Boyens recently re: WotR here.)
Straight from the panel this Took struck out to find the Day Before line for Hall H. Highlights: Hanging with LadyNico and her intrepid British Posse; scoring a ticket to see Shatner on Shatner from Cathy; late night blues with Varking and Knewbettadobetta, literally sleeping on the concrete wrapped in a thin blanket; meeting Dianne from our Discord; jamming to the disco cabs riding by (also a low-light); finally getting banded and marching to the next line.
As you may have heard, the Prime Video Rings of Power Hall H panel was astounding. Check out this piece by staffer Garfeimao for details.
Two hours after Hall H ended, it was time for our staff to report for duty at what promised to be the fan event of the weekend: the Prime Video party! Showrunners Patrick McKay and Lindsey Weber mingled with us after a special cast signing for holders of a Golden Mallorn (leaf) ticket. Actual costumes graced the hall, as you can see in this post by staffer Mithril. The event was spectacular, and being able to select cosplayers to meet the cast was truly memorable.
Sunday, TORn’s second panel was serious, funny, and exemplary. Moderated by Justin, the focus was on Middle-earth’s 2nd Age, and it was a whopper. Tolkien Professor Corey Olsen, Cliff, Willie, Anna Marie, and Matt held some serious court in a room fixated on every word. Time compression seemed to actually happen as a rich discussion of the 2nd Age’s known elements, and the wide open spaces between them inviting new storytelling, unfolded. Here it is!
TORn 3.0
This isn’t just a new era for Middle-earth storytelling – it’s a new era for Tolkien fandom too. After a long slog by many faithful and hard working staff, TORn 3.0 has bloomed! It’s incredible to be here. Hosting and sharing Comic Con with our friends in fandom enriched everyone’s experience and illustrative of how times have changed. We look forward to continued collaborations as the community swells and the influence of JRR Tolkien broadens through time and place. Forth Ringers!
Preview Night! Christ – Matt – Will – Jon – Jed – JustinJed and Fans – check that autographed axe!Quickbeam – Knewbettadobetta – TookishDurin’s Family ReunionCliff snappin’ RoP wrappin’TORn Thursday Panel: Justin – Cliff – Kellie – Cathy – Kris – JoshRichard Taylor and Philippa Boyens open the TORn Thursday panel.TheOneRing.netHall H Day Before Line. Green flag marks the start of the line.The rest of the Hall H Day Before line.RoP Party – Garfeimao does a great Bilbo!RoP cast ready to sign for fans: Trystan – Sophia – Sara – RobertSuzy – Cliff – PatrickPatrick pointedly NOT telling LadyNico where Glorfindel is…Jed and Daisy Yep, that’s the legendary TORn Sunday panel!… and the audience (well, part of it) …
September 2nd draws ever closer; and Prime Video is getting ready with special event screenings of The Lord of the Rings: The Rings of Power in various cities. The Big Apple gets its turn on Tues 23rd August – and TORn has tickets to give away!
The event will be in the evening on Tuesday 23rd, in Manhattan. If you’d like to claim a ticket for you (and up to one friend), then you need to head on over, without delay, to this Eventbrite link. When they’re gone, they’re gone!
Some details of the event, from our friends at Prime Video:
The Lord of the Rings: The Rings of Power – Special Screening, In collaboration with Film at Lincoln Center
Tues Aug 23, 2022
6pm Cocktail Reception
7:30 Screening
Alice Tully Hall
1941 Broadway at W 65th St, New York
Panel discussion with cast and showrunners immediately following screening
Proof of Vaccination required for Entry
Masks required inside theater
Dress code: Business Attire
Additional details to be shared upon confirmation of attendance.
To be in with a chance to claim one of these tickets, simply sign up at this link. You’ll need to give first and last name (as shown on ID you’ll bring to gain access to the party), and an email address. You’ll also have the option to fill in details for ONE other person; be sure to use their name. Do not sign up for two tickets in the same name!
Please note – there is no wait list for this event. ONLY people confirmed via Eventbrite will be admitted (with the appropriate ID and Covid information – see the Eventbrite for details on that). So please don’t be the half of the Shire who show up anyway; sadly, you won’t be let in. Hope to see you in Manhattan!
Note: The following is an opinion piece written by volunteer staff member Kellie, also known as “Kili” from the YouTube series Happy Hobbit.
In an effort to clear up some misconceptions, I want to tell you my story.
Kellie Rice at San Diego Comic Con’s Rings of Power party venue, 2022. Photo by Kaitlyn of Tea with Tolkien.
On February 13th, I was invited to participate in a livestream hosted by both TheOneRing.net and Amazon Prime Video to watch and analyze the very first teaser trailer for Amazon’s new series, The Lord of the Rings: The Rings of Power. It was my sister’s birthday, so while I was excited for the end of the “Middle-earth dearth,” I only committed to participating for an hour, and I was relieved I had an excuse to slip away after said time, for the initial teaser trailer failed to impress. In fact, it was even worse; it left me confused, worried, and underwhelmed. The visuals were dazzling, but I felt no connection to the imagery on the screen. I was far from alone.
Like many, I feared Amazon was producing the most expensive TV show in history (allegedly around 1 billion) because they saw Tolkien’s work as a cash cow and were going to milk it for all they could.
I am a fiction author (under my pen name K.M. Rice) and a screenwriter with a Master of Fine Arts, so workshopping creative material is second nature, as is finding ways to express what is not working in an articulate manner. “I am not getting the mythic tone I look for in Tolkien,” I remember saying (which is a paraphrase).
A few months later in May, I was invited by Prime Video to a special press event in London, England, as the representative for my sister and my webshow, Happy Hobbit (which strives to bring a dose of Middle-earth to our viewers’ daily lives), and as the co-author ofMiddle-earth from Script to Screen: Building the World of the Lord of the Rings and The Hobbit, which I helped write with Daniel Falconer at Weta Workshop in New Zealand. My fellow Tolkien content creators and I, along with traditional press, were taken on a field trip to Oxford University where we had the pleasure of wandering Tolkien’s old stomping grounds both as a student and as a professor. You can check out what we did and saw by watching the video here.
Kellie Rice, or “Kili” in Oxford in May of 2022. Photo by Kaitlyn of Tea with Tolkien.
The following day, we were treated to footage and costumes from Rings of Power (ROP) and a Q&A with the showrunners, John Howe (concept artist), Leith McPherson (dialect coach), and Ramsey Avery (production designer), along with the showrunners J.D. Payne and Patrick McKay, and producer Lindsey Weber.
I once more was not impressed with the footage I saw, for while there was nothing wrong with it, there was no context. I had no idea what had just happened before the scene we were shown, where in the story it fell, and in fact, what the story was at all. It looked and sounded lovely, but there was no beating heart. My own heart sank as I realized I was going to have to just accept that this show wasn’t going to fulfill my expectations.
Once the showrunners spoke, however, I was left with the juxtaposition of hearing from two people intensely passionate about Tolkien (to the point that they opened every day of shooting with a Tolkien quote and discussion) and the marketing that didn’t convey that love and respect.
What I saw in London didn’t raise my excitement level, but hearing from the showrunners and knowing that such a capable team was producing the series did leave me with a sense of cautious optimism.
To reiterate, none of us Tolkien content creators have seen the show. We were not paid or bribed in any way, but rather have been treated as “Tolkien press.” We have no idea if ROP will be good, bad, or somewhere in between. Our opinions are our own, as they should be, and this is just my story.
While attending San Diego Comic-Con International at the end of July to speak on one of TheOneRing.net’s two panels, Prime Video invited me to a luncheon with many of the cast members from ROP. Before sitting down to eat, we were treated to viewing the first official trailer, which finally had some heart and showed a hint of the plot. I am no Tolkien lore expert, but many in the room with me were. They could name things on screen that I couldn’t, nevertheless, I felt excited. In fact, I shed a few tears and I don’t cry easily, especially in public. But being in that room and feeling so much unbridled excitement and joy was deeply moving, especially after having missed that human connection and communitas for so long during the pandemic. When we came out to meet the cast after, I felt a level of energy and anticipation that many of us had not yet felt over the show.
Sophia Nomvete (Disa)Benjamin Walker (Gil-galad)Morfydd Clark (Galadriel)Maxim Baldry (Isildur)Owain Arthur (Durin IV)Ismael Cruz Cordova (Arondir)
Everyone we met at the lunch was incredibly kind, down-to-earth, and passionate about Tolkien and storytelling. No one had an ego that prevented them from addressing gritty topics with strangers they had just met, and several of our conversations grew deep quickly. I later had an opportunity to converse with Patrick McKay, one of the two showrunners, who shared that they were given complete creative freedom. As such, whether the show does well or poorly, he feels he and his fellow showrunner are to blame. Talk about accountability!
Fellow Tolkien content creators Matt (Nerd of the Rings), Justin (TORn Tuesdays), and Willie (KnewBettaDoBetta), with actor Jed Brophy and showrunner J.D. Payne at San Diego Comic-Con 2022. Photo by Chris Saint.
I have a healthy skepticism about Amazon and most major corporations. I am not here to defend a company or TV show that I have yet to see, but I am here to share what I have learned:
Amazon never approached the Tolkien Estate to ask for the rights to make the show. Rather, the Tolkien Estate approached both Amazon and Netflix (and possibly other streaming platforms, as well), asking them if they would be interested. Amazon was.
Christopher Tolkien (the Professor’s son) was in charge of the Estate at the time the deal was made in 2017. He passed away three years later in 2020 after production on the show had already begun, and the directorship was passed on to his son, Simon Tolkien.
What’s more, the production invited Simon Tolkien, the grandson of the late Professor who has a love of cinematic storytelling and is the current director of the Estate, to be involved. For context, no other production has ever given the Tolkien Estate a seat at the table.
Amazon, as a corporation, is also not strapped for cash, which means they could invest whatever was needed to bring the vision of the Second Age to life.
Jeff Bezos is a big Tolkien fan.
One thing that limited them was the rights. They could not touch The Silmarillion or The Unfinished Tales. The rights are only for The Hobbit and The Lord of the Rings. As such, the inclination is naturally to turn to the appendices of Return of the King, but even that is a gray area.
If a plotline smelled too much like it was getting into Silmarillion territory, the Estate didn’t permit it in a script. The production was then pushed into the difficult situation of having to originate their own material.
Knowing this, engage with me in a thought experiment for a moment:
Imagine you, as a Tolkien fan, just heard that this up-and-coming film studio out of New Zealand, the UK, or Colorado received a billion dollars to produce a Tolkien TV show set in the second age using partially original material and that to do so, they not only brought the Tolkien Estate on board, but hired showrunners, writers, and a cast that cared deeply for the source material to ensure fidelity. That sounds pretty exciting, doesn’t it?
In many ways, Amazon is fighting against the public image of its own brand. Remove the name “Amazon” from the equation and suddenly many are more forgiving. I know I am. That so many of us have knee-jerk reactions to corporations’ names is worth noting, but the subject of a different conversation.
Amazon’s Prime Video logo.
It all comes down to trust, and anyone who wants to involve our fandom needs to earn it. Some of us are more open than others. Some of us love the Peter Jackson films, while others didn’t enjoy them at all. But remember this: no one is touching the books. They will always be there. Tolkien’s texts are sacred for many, and no one is here to dispute that. But a book is a book. A film is a film. A TV show is TV show. None of these forms of storytelling are the same. And the existence of one does not threaten the other. If anything, they can be a boon. I would never have read Tolkien if not for Jackson’s Lord of the Rings films.
No artist considers their art “finished.” There is always room to expand and change as the artist grows and ages as a person. Tolkien himself was a revisionist to the point that his heirs have gone to a great deal of trouble trying to decide which version of a story or piece of Arda’s history should be seen as “canon.” His Middle-earth writing often also contradicted itself. Importantly, he intentionally left bits open to interpretation.
J.R.R. Tolkien in 1925
When writing to publisher Wilton Waldman in 1951 about the scope of his literary aspirations to create a body of “more or less connected legend,” Tolkien shared:
I would draw some of the great tales in fullness, and leave many only placed in the scheme, and sketched. The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama.
J.R.R. Tolkien, 1951
The Professor’s dream has been fulfilled. His work has inspired artists of all genres and arguably established the Fantasy genre of literature.
Not only are other minds and hands interpreting his work, but adapting it and expanding upon it, thus fleshing out the ideas he left merely “sketched.” Tolkien did not want his life’s work to fade. He wanted it to live and breathe with the generations, even if that meant it arrived with a new twinkle or twist every now and again to suit the era, just as myths have done since the dawn of the human experience.
We have been through some trying times of late. A global pandemic, economic hardship, war, and loss, to say nothing of our more personal struggles. We look to tales like those told by Tolkien to make some sense of it all. I long to return to Middle-earth: a place where, even in the darkest of times, there is still a star shining. Love, hope, courage, and a love of the simple pleasures in life prevail in some form, as does the deep goodness that ties us all together. We don’t all have to agree and entertainment is highly subjective at the best of times, but even the most butchered adaptations cannot shake how at home I feel in the aged pages of my books, nor should they.
We all walk different roads on this Middle-earth, and in times of stress, it is easy to begrudge others their happiness. But life is short, opportunities are rare, and I for one am excited to revisit Tolkien’s world on screen.
Optimism is a choice, a more difficult one than pessimism, and I am choosing to go forth on this journey with an open heart and welcome any and all joy along the way. The same choice is also yours.
Happy Hobbit by Kili (Kellie) and Fili (Alex) can be found on YouTube
Welcome to The Great Hall of Poets, our regular feature showcasing the talent of Middle-earth fans. Each month we will feature a small selection of the poems submitted, but we hope you will read all of the poems that we have received here in our Great Hall of Poets.
So come and join us by the hearth, and enjoy!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Winter Kings
In the heart of lonely winter, beneath branches bare, wearing thorny crowns, they dash through frosty air. Kings of the woodlands, royal with noble grace, among dark trees they run, finding sport in the chase. Over tall hills they travel, winding through misty glens, these wild stags of the forest, racing in the winter winds.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
