Last week, as you know, Peter Jackson and Stephen Colbert surprised us all with the revelation that the next Middle-earth movie, to be made after The Hunt for Gollum, will be written by Colbert (together with his son Peter McGee, who is a screenwriter). It has been given the working title The Lord of the Rings: Shadows of the Past.
Two hobbits walk onto a Late Show set…
Though the exact reveal was a surprise, it was long-expected that Tolkien afficionado Colbert would take up some project associated with Middle-earth, once his Late Show comes to an end in May. Word has come to TORn, however, that Shadows of the Past is not the only Tolkien task the mega fan will have on his agenda come the Summer.
Colbert has often demonstrated his deep knowledge of the Professor’s lore and languages. Now we hear he’s going to put those skills to work, ‘re-translating’ the Red Book of Westmarch.
As readers will know, the Red Book is the ‘found manuscript’ which Tolkien created as an imaginary source for all his tales of Arda. Largely written by Bilbo and Frodo, there were also volumes of ‘Translations from the Elvish’ (by Bilbo), additions by writers such as Samwise, and even some records from Merry and Pippin. Further, the marginalia of the Red Book became The Adventures of Tom Bombadil.
The Red Book, as it appears in Peter Jackson’s movies
Just what would this task of ‘re-translation’ be?
The rumours our spies have brought us are unclear as to whether Colbert’s goal is to create a translation of all (or just some) of these works into Elvish – which would be a huge undertaking in and of itself – or whether he will seek to restore the ‘original’ manuscripts, which would require translating different volumes and passages into a variety of tongues of Middle-earth. The latter seems unlikely; Tolkien did not leave us with enough Westron for a translation of Bilbo and Frodo’s writings back to that language to be possible, without creating more vocabulary. Perhaps we should assume, then, that Colbert will be translating to Sindarin and Quenya – and possibly, therefore, only tackling the parts of the legendarium which are known to us as The Silmarillion.
Either way, this is a worthy project for an intellect and passion like Stephen Colbert’s. And – we’d like to suggest to Mr. Colbert that he make this a group project! We know that many fans have deep knowledge of the Professor’s languages; if the Late Show host would like to ‘share the load’, with individuals taking on a chapter each, many hands would make light work of such a gargantuan undertaking.
What do you think? Is such a re-translation even possible? Share your thoughts on our discord!
Unless you’re very new to Tolkien fandom, you know that the rights to The Professor’s creations are shared by various groups, making for sometimes complicated copyright ownership. Tolkien himself sold movie and merchandising rights to United Artists back in 1969; those rights are now owned by Middle-earth Enterprises, which is part of the Embracer Group – now known as Fellowship Entertainment. Rights to television adaptations of eight episodes or more remain with the Tolkien Estate – so Prime Video’s The Lord of the Rings: The Rings of Power is licensed directly by the Estate. Furthermore, the rights Tolkien sold were only for The Hobbit and The Lord of the Rings; so all other literary works by The Professor (including The Silmarillion) remain with the Estate.
Today Curtis Brown Heritage announced that The Tolkien Estate has joined the roster of writers and estates they represent. Curtis Brown are literary agents with a long history, and their ‘Heritage’ department represents literary estates including those of A.A. Milne, Iain Banks, and Douglas Adams. Their press release shared their delight in ‘working with the Tolkien Estate to preserve and celebrate J.R.R. Tolkien’s extraordinary literary legacy’. Here below is the full press release:
Curtis Brown Heritage to represent the J.R.R. Tolkien Estate
Curtis Brown Heritage is delighted to welcome the Tolkien Estate to their list of the literary estates of many of the twentieth century’s most renowned writers.
A writer, artist, scholar and philologist, John Ronald Reuel Tolkien (1892–1973) is best known for his tales set in the world of Middle-earth, widely considered foundational to the modern fantasy genre. Beloved by readers, writers and creators across the world, in almost every language, through literature and artworks, J.R.R. Tolkien set the standard for all that has come after.
Norah Perkins, Head of Curtis Brown Heritage, said, ‘It is a great honour and a joy to be working with the Tolkien Estate to preserve and celebrate J.R.R. Tolkien’s extraordinary literary legacy, and to help to bring new readers (and viewers and listeners) to his writing. I am thrilled to be joining the Estate on the next part of the journey.’
The Tolkien Estate said, ‘As a family, we remain deeply conscious of the responsibility of looking after J.R.R. Tolkien’s literary works and legacy. We are committed to keeping his stories alive for generations to come. In Curtis Brown Heritage we have found partners who share that passion, and we are delighted to be working with them.’
Jonny Geller, CEO of The Curtis Brown Group, said: ‘I’m delighted on behalf of Curtis Brown to welcome one of the great literary estates of the world to the agency. All of us who grew up passionate about reading have been influenced and dazzled by the works of J.R.R. Tolkien, and we are committed to help to bring a new generation of readers to the enduring pleasure of these great books.’
About J.R.R. Tolkien
J.R.R. Tolkien was born in the Orange Free State (now in South Africa) in 1892. He came to England aged three, and was brought up in and around Birmingham. He graduated from the University of Oxford in 1915, and saw active service in France during the First World War. After the war he worked on the Oxford English Dictionary as a lexicographer, and pursued an academic career teaching Old and Middle English. Alongside his professional life as an academic at the University of Oxford, he invented his own languages and began to create what he called a ‘Legendarium’, from which emerged The Hobbit (1937), The Lord of the Rings (1954/55) and The Silmarillion (published posthumously in 1977 by Christopher Tolkien). He was a member of the Inklings along with C.S. Lewis, and he wrote and illustrated children’s stories for his family such as Letters from Father Christmas, Mr Bliss and Roverandom, as well as fairy tales for adults, including Farmer Giles of Ham, Leaf by Niggle and Smith of Wootton Major.
About The Tolkien Estate
The Tolkien Estate (comprising The Tolkien Estate Limited and The Tolkien Trust) is the custodian of the works and legacy of J.R.R. Tolkien published in his lifetime, and the joint custodian with the Christopher Tolkien Estate of the works published after J.R.R. Tolkien’s death in 1973. Christopher Tolkien, J.R.R. Tolkien’s third son, was his father’s literary executor from 1973 until 2017, and produced twenty-four books of his father’s unpublished manuscripts, which significantly extend the accessible Tolkien canon. The Tolkien Estate remains managed directly by the descendants and family of J.R.R. Tolkien.
The Tolkien Trust is a UK registered charity established in 1977 by J.R.R. Tolkien’s children to enable the Tolkien family to give to charitable causes on a regular basis. Through the Trust, the Tolkien family continues to support a wide spectrum of causes and concerns in the UK and around the world.
About Curtis Brown Heritage
Curtis Brown Heritage was launched in 2016 and is the first bespoke literary estates division of a literary agency in the world. Built on Curtis Brown’s 125-year history, Heritage has a track record of success in creatively and sensitively managing the literary estates of beloved British writers (including those of Douglas Adams, Iain Banks, Gerald Durrell, Laurie Lee, Fay Weldon, A.A. Milne and Barbara Taylor Bradford) and some of the finest historians, poets and philosophers of the 20th century (including Isaiah Berlin, E. H. Carr, Nevill Coghill, C.L.R. James, Iris Murdoch and Stephen Spender). We recognise the immense cultural, literary and historical value of our writers, and it is our mission to combine our strong heritage with commercial savvy and passionate advocacy to celebrate, nurture and preserve their work for generations to come.
About The Curtis Brown Group
Founded in 1899 by Albert Curtis Brown, the company has a long and distinguished history as a world-renowned literary agency representing many famous writers, including Daphne du Maurier, John le Carré and A. A. Milne. Today, Curtis Brown also houses many other industry-leading divisions including a global Talent agency, representing leading actors and performers, as well as Unscripted and Entertainment and Musical Theatre & Production Arts. CBG is also home to a prestigious Theatre, Film and Television department (representing leading screenwriters, directors, producers, playwrights, and writer-performers) as well as a Media Rights department. The Curtis Brown Group is now home to over 250 members of staff and a vibrant ecosystem of companies that span the arts and culture sector. The Curtis Brown Group includes boutique literary agencies C&W (formerly Conville & Walsh) and Ed Victor Ltd, our in-house writing school Curtis Brown Creative, talent agencies Tavistock Wood and Markham Froggatt & Irwin and production company Cuba Pictures. In June 2022, United Talent Agency acquired The Curtis Brown Group.
These are heady days for fans who enjoy seeing Tolkien’s legendarium interpreted by ‘other minds and hands’! A year ago we reported that the Tolkien Estate had granted permission for composer Paul Corfield Godfrey‘s musical chapters from The Lord of the Rings to be released. We are delighted to reveal today that the recording of these works will be released this September – and is available for pre-order now!
Featuring 35 singers, most of whom are from Welsh National Opera, these chapters (and, in true Tolkien styles, some appendices) make up over 17 hours of music, and use text lifted almost entirely verbatim from Tolkien’s masterpiece. Looking at the cast list, we’re excited to see both Tom Bombadil and his fair companion Goldberry listed! The recording will be available as a 15 CD Deluxe Digibook with 64 page complete libretto and notes from the composer.
Here’s the official press release from Volante Opera:
MUSICAL CHAPTERS FROM THE LORD OF THE RINGS: THE CYCLE COMPLETED
The agreement by the estate of the late J. R. R. Tolkien last year to sanction the recording of Paul Corfield Godfrey’s “musical chapters from The Lord of the Rings” was hailed by listeners throughout the world as a milestone in the field of Tolkien adaptations.
For many years the Tolkien Estate has refused to allow any musical treatment of the works of the author which employed his own words. Now they have agreed to make a concession in respect of the music of Paul Corfield Godfrey, whose acclaimed cycle of “epic scenes from The Silmarillion” was finally completed in 2023 with the issue of a ten-CD series of recordings from Volante Opera and Prima Facie Records.
Ever since the 1960s the composer had been working on sketches, fragments and episodes of what was originally envisaged as a cycle of musical works based upon The Lord of the Rings. Following on from the success of the recordings of The Silmarillion he was persuaded to go back to these beginnings and fully explore, expand and complete the work which has now evolved as “musical chapters from The Lord of the Rings”. This fully operatic setting has now become a companion work on the same scale as The Silmarillion. The adaptation extends to thirty “chapters” designed for performance over six evenings – more than fifteen hours of music.
Cast
This recording of the complete work by Volante Opera has now finally been completed and Prima Facie will release a demo set of the complete cycle, in the same manner as their Silmarillion recordings, in a single volume on 5 September 2025. The professional singers, some thirty-five in number, come mainly from Welsh National Opera. Returning artists from The Silmarillion include: Simon Crosby Buttle as Frodo, Julian Boyce as Sam, Philip Lloyd-Evans as Gandalf, Stephen Wells as Aragorn, Michael Clifton-Thompson as Gollum, Helen Jarmany as Éowyn, Huw Llywelyn as Bilbo and Éomer, Emma Mary Llewellyn as Arwen and Goldberry, Laurence Cole as Boromir and Denethor, Martin Lloyd as Treebeard and the Herb Master, Helen Greenaway as Lobelia and Ioreth, Rosie Hay as Gwaihir, Sophie Yelland as the Barrow-Wight and Louise Ratcliffe as Lindir, with George Newton-Fitzgerald and Jasey Hall taking on a plethora of parts. Angharad Morgan is also reprising her role as Galadriel from The War of Wrath. Other new cast members include Rhodri Prys Jones as Legolas, Gareth Long as Gimli, David Fortey as Pippin, Dyfed Wyn Evans as Merry, James Schouten as Faramir and Elrond, Gavin Davies as Thëoden, Gareth Lloyd as Saruman, Peter Wilman, Owen Webb, Alastair Moore, Francesca Saracino and Steffan Lloyd-Evans in various other solo roles and Howard Kirk as Tom Bombadil and Quickbeam.
Plot
Although the text is inevitably abridged, it adheres without any but the most minor alterations to the author’s original words, and the original plot development remains unchanged – including such elements as Tom Bombadil and the Barrow-wight, the love story of Éowyn and Faramir and the ‘scouring of the Shire’. And some other passages, such as the coronation and wedding of Aragorn, are given expanded musical treatment. The issue includes not only the complete musical score, but also a substantial booklet containing full details of the recording (including the text as set) and a supplementary appendix disc giving more extended versions of some of the more substantial narrative poems. As with the earlier issues of The Silmarillion the cover art has been furnished by Ted Nasmith.
Physical copies directly from Volante Opera Productions available for pre-order now; orders from other retailers will be closer to the release date.
Digital purchase will be available to pre-order seven days before release date of Sept 5th. Streaming platforms will be very limited but specific platforms will be itemised closer to the release.
And just to make September 5th seem even longer to wait – here’s a teaser trailer to whet your appetite! (You can see a longer trailer here.)
Artists appear by arrangement with Welsh National Opera
The Paul Corfield Godfrey Trust was founded in 2021 with the objective of promoting the compositions of the composer, by the commissioning for musical works by the composer; the publishing of works by the composer (Zarathustra Music); the promotion and performance of works by the composer; the recording and distribution of works by the composer and the promotion of the composer’s music by means of lectures, tours and other events. Trustees: Paul Corfield Godfrey, Simon Crosby Buttle, Julian Boyce. Officers of the Trust: Klara Claesson, Larissa Martins Costa, Phillip Walch.
Here at TheOneRing.net we have a tradition of enjoying April Fools Day with some merriment. We hope you enjoyed our jokes today.
You’ll be glad to know that AI will not be creating more “Tolkien” works, nor updating the Professor’s language; at least, TORn is not aware of any such plan – yet…
Not today, Morgoth…
Alas, the more pleasant news of a Silmarillion stage show was also a joke. The Lord of the Rings – A Musical Tale IS a fabulous show (and is touring in Australia; it returns to the UK later this year). We heartily recommend seeing it if you can! AND composer Paul Corfield Godfrey HAS released recordings of his operas based on The Hobbit, The Lord of the Rings and The Silmarillion; check them out here.
We should also note that TORn’s good friends are in fact producer Kevin Wallace (not Walrus) and Middle-earth Enterprises’ Fredrica Drotos (not Doritos); thanks to them for being great sports. And we still think the wonderful Donato Giancola could create amazing sets. Maybe we’ll get a Silmarillion stage show one day. (Staffer greendragon would like to volunteer to direct it…)
We now resume our regular programming. Don’t forget to vote in Middle-earth March Madness; Final Four launches TONIGHT!
Breaking news: rights to bring The Silmarillion to life have finally been released, but it’s not to any of the media giants you might have expected.
Ever since Prime Video started work on The Lord of the Rings: The Rings of Power, there has been much speculation and anticipation as to whether the Tolkien Estate would finally sell the rights to bring The Silmarillion stories to life. In an exclusive reveal, our friends at Middle-earth Enterprises have told us that it looks like that will happen now; but it is the folks behind The Lord of the Rings – A Musical Tale who have gained the long sought-after permission.
The recent revival of the musical, which features music by A.R. Rahman, Värttinä, and Christopher Nightingale, with book and lyrics by Shaun McKenna and Matthew Warchus, has proved such a hit that it seems to have persuaded the Tolkien Estate that more live Middle-earth on stage could only be a good thing. The latest musical production began at The Watermill Theatre in the UK, in 2023; it has since played in Chicago, Auckland, and is currently touring in Australia, to great acclaim.
In addition, composer Paul Corfield Godfrey has in recent years been given permission by the Estate to release recordings of his operas based on The Hobbit, The Lord of the Rings and The Silmarillion. This indicated to some that there was a move towards allowing more performance work based on the Professor’s writings; but this most recent announcement will nonetheless no doubt take folks by surprise.
Kip Rasmussen’s Eru and the Gods singing the First Song of Creation
What we’ve been told
The same composition and libretto team who brought us The Lord of the Rings – A Musical Tale will now be creating The Silmarillion – An Adventure Three Ages in the Making (working title). It is as yet unconfirmed who the stage director and design team will be for this epic show, but we do know that producer Kevin Walrus is on board. He expressed his excitement to us, and hinted at the possibility for a series of shows:
We are thrilled to build on the global momentum that we’ve already seen in our world tour of The Lord of the Rings – A Musical Tale production, with this expanded opportunity to play in the realms that Professor Tolkien created. Our first task will be to decide how many shows these new landscapes allow us to produce!
Rumour is that the production will open in New Zealand, sometime in late 2027. Middle-earth Enterprises’ Fredrica Doritos told us:
We know that the epic stories of the early ages of Middle-earth, found in The Silmarillion, are beloved by fans. The great drama, romance, peril and poetry of these tales makes them perfect for the stage; and the track record of the team who created The Lord of the Rings – A Musical Tale means that we know these sagas are in safe hands. We can’t wait to see Eru Ilúvatar and Manwë brought to life on stage. What song of Lúthien Tinúviel was powerful enough to lull Morgoth to sleep? Perhaps we’ll hear such a song in this stage show. We hope the fans will be as excited as we are, to see Fëanor forge his gems on stage.
We’ve also heard that artists already known for their Tolkien-inspired paintings may be brought in to be part of the design team. Could some of the folks whose masterpieces we’ve been enjoying in Middle-earth March Madness be part of these future shows? Certainly TORn friend Donato Giancola would make epic scenery designs; and Kip Rasmussen’s ‘Eru and the Gods singing the First Song of Creation’ would make a wonderful show poster.
Donato Giancola’s Beren and Lúthien in the Court of Thingol and Melian
We here at TheOneRing.net are very excited by the news of this forthcoming stage production (or productions!), and staffers have started speculating as to exactly which stories will appear on ‘the boards’. Look for more content to explore our thoughts; and of course we’ll bring you updates as we receive them.
In an ambitious endeavor combining classic literature with modern technology, Middle-earth Enterprises today unveiled Bridging the Ages, an innovative initiative that employs a cutting-edge AI system—codenamed Silmadur—to compose new narratives and expand upon the works of J.R.R. Tolkien.
Drawing on decades of fan curiosity and meticulously sourced Tolkien archives, Silmadur’s mission is to fill the long-surmised gaps in Middle-earth lore, while offering subtle, modernized readings of the original texts.
To create Silmadur, a specialized team of Tolkien scholars, archivists—including staff from TheOneRing.net—and AI experts spent two years assembling a comprehensive digital library of source materials. The dataset encompasses The Hobbit, The Lord of the Rings, and The Silmarillion, as well as early drafts, marginalia, personal letters, lecture notes, and lesser-known writings. Previously unreleased texts, once locked away in private collections, were added alongside appendices, genealogical charts, and decades’ worth of fan analyses. By drawing on this extensive treasury, the developers aimed to ensure that Silmadur faithfully mirrors the depth and tone of Tolkien’s original vision when crafting new passages.
EXCERPT 1: “At sunrise, a solitary figure stood at the borders of Fangorn, holding a single bloom of yellow niphredil. Some say it was Quickbeam himself, tending a secret garden of the Entwives—at last discovered across the river.” – Silmadur’s ‘lost chapter’ on the fate of the Entwives
“Our hope is to illuminate corners of the legendarium that Tolkien left tantalizingly unexplored,” says Thomas Cressman, a representative for Middle-earth Enterprises. “From the lost lineages of Elven lords to passing mentions of vanished cities, there are countless threads, begging to be woven into a fuller tapestry.”
The Bridging the Ages initiative also involves creating “light-touch” revisions to Tolkien’s original texts—expanding genealogies, clarifying linguistic nuances, and elaborating on references left intentionally vague. The team insists that all of this respects Tolkien’s style while carefully modernizing certain language choices.
EXCERPT 2: “In a letter addressed to Aragorn, just days after the coronation, Éowyn recounted how dreams of the Witch-king’s final shriek still haunted her… until Faramir reminded her that courage can live on beyond fear, lighting a path through any darkness.” – Silmadur’s exploration of Éowyn and Faramir’s early marriage
“Far too often, fans get locked into gatekeeping over what can and can’t be done with these stories,” reflects Calisuri, co-owner and co-founder of TheOneRing.net. “We live in an age of creativity and technology—why not use an advanced AI trained on the entire Tolkien corpus to bring hidden narratives to light? It’s not about replacing the original texts – nothing will ever do that – but about enriching them for a new generation of readers.”
While Bridging the Ages and Silmadur remain in early development, those involved hinted that future plans include an AI-generated supplement to The Silmarillion—complete with newly “unearthed” letters between legendary Elven figures—and additional chapters that reach beyond the conclusion of The Lord of the Rings. Middle-earth Enterprises will share select previews of these expansions exclusively on TheOneRing.net in the months ahead.
For more details on this evolving project, and for a first look at Silmadur’s creations, stay tuned to TheOneRing.net. Additional updates, including genealogical diagrams and in-depth explorations of minor characters, are expected soon.
