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‘The Hobbit: The Battle of the Five Armies’ receives an Oscar nomination

oscarsThe 87th Academy Award Nominations for the 2015 Oscars were announced this morning. Every year there are surprises and “snubs” and this year is no exception with chatter about films like “Selma” and “Gone Girl” lighting up Twitter and award blogs.

“The Hobbit: The Battle of the Five Armies” received only 1 nomination for its final outing for Sound Editing. “The Desolation of Smaug” and “An Unexpected Journey” each received 3 nominations so this a bit of a surprise. “The Battle of the Five Armies” missed out on a nomination this time in the stacked Visual Effects category despite being a finalist. Joe Letteri did receive a nomination for his work on “Dawn of the Planet of the Apes”. The other nominees in this category are “Captain America: The Winter Soldier”, “Guardians of the Galaxy”, “Interstellar”, and “X-Men: Days of Future Past”. Sadly, “The Hobbit” also missed out in the Original Song category. Here’s the list for Sound Editing:

SOUND EDITING
American Sniper – Alan Robert Murray and Bub Asman
Birdman or (The Unexpected Virtue of Ignorance) – Martin Hernández and Aaron Glascock
The Hobbit: The Battle of the Five Armies – Brent Burge and Jason Canovas
Interstellar – Richard King
Unbroken – Becky Sullivan and Andrew DeCristofaro

Full list of nominees at Oscars.com. Weta Digital won a scientific and technical Academy Award that was announced yesterday. Finally, congratulations to Benedict Cumberbatch who received his first Oscar nomination for Best Actor in “The Imitation Game”.
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Posted in Events, Headlines, Other Events, The Hobbit, The Hobbit: The Battle of the Five Armies

‘The Hobbit: The Battle of the Five Armies’ visual effects nominated for a BAFTA Award

ldlce-extrasve59Nominations for the British Academy Film Awards were announced today. The BAFTAs ceremony will be hosted by Stephen Fry on Sunday, February 8 in London. “The Hobbit: The Battle of the Five Armies” received a nomination for special visual effects with Joe Letteri netting two nominations — one for his work in “The Hobbit” and the other for “Dawn of the Planet of the Apes”:

SPECIAL VISUAL EFFECTS
DAWN OF THE PLANET OF THE APES Joe Letteri, Dan Lemmon, Erik Winquist, Daniel Barrett
GUARDIANS OF THE GALAXY Stephane Ceretti, Paul Corbould, Jonathan Fawkner, Nicolas Aithadi
THE HOBBIT: THE BATTLE OF THE FIVE ARMIES Joe Letteri, Eric Saindon, David Clayton, R. Christopher White
INTERSTELLAR Paul Franklin, Scott Fisher, Andrew Lockley
X-MEN: DAYS OF FUTURE PAST Richard Stammers, Anders Langlands, Tim Crosbie, Cameron Waldbauer

Source: BAFTA
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Posted in Events, Headlines, Other Events, The Hobbit, The Hobbit: The Battle of the Five Armies

‘The Hobbit: The Battle of the Five Armies’ receives Costume Guild nomination

HBT3-fs-340682.DNGNominations for the 17th Costume Designers Guild Awards were announced today. “The Hobbit: The Battle of the Five Armies” received a nomination in the category for Excellence in Fantasy Film:

EXCELLENCE IN FANTASY FILM
Guardians of the Galaxy – Alexandra Byrne
The Hobbit: The Battle of the Five Armies – Bob Buck, Lesley Burkes-Harding, Ann Maskrey
The Hunger Games: Mockingjay, Part 1 – Kurt and Bart
Into the Woods – Colleen Atwood
Maleficent – Anna B. Sheppard, Jane Clive

Congratulations to the team who worked on “The Hobbit” for this recognition! The winner will be announced at a gala event on Tuesday, February 17th at the Beverly Hilton Hotel.

Source: Awards Daily
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Posted in Events, Headlines, Other Events, The Hobbit, The Hobbit: The Battle of the Five Armies

‘The Hobbit: The Battle of the Five Armies’ receives 2 Critics Choice nominations

wpid-the_hobbit_the_battle_of_the_five_armies_thranduilNominations for the 20th annual BFCA Critics’ Choice awards were announced this morning. “The Hobbit: The Battle of the Five Armies” received 2 nominations in the categories for Best Hair & Makeup and Best Visual Effects, where they face tough competition:

BEST HAIR & MAKEUP
Foxcatcher
Guardians of the Galaxy
The Hobbit: The Battle of the Five Armies
Into the Woods
Maleficent

BEST VISUAL EFFECTS
Dawn of the Planet of the Apes
Edge of Tomorrow
Guardians of the Galaxy
The Hobbit: The Battle of the Five Armies
Interstellar

Congratulations to the talented crew who worked on “The Hobbit” for these deserving nominations.

Source: Critics’ Choice
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Posted in Events, Headlines, Other Events, The Hobbit, The Hobbit: The Battle of the Five Armies

‘The Hobbit: The Battle of the Five Armies’ music advances in Oscar race

1 howard shore OscarFor the upcoming 87th Academy Awards, “The Hobbit: The Battle of the Five Armies” has qualified and is eligible for nominations in the Best Original Score and Best Original Song categories.

114 film scores made the cut, including Howard Shore’s score for “The Battle of the Five Armies”. 79 songs qualified in this notoriously difficult category, including “The Last Goodbye” written by Billy Boyd, Philippa Boyens, and Fran Walsh. From these lists, final nominees will be selected and voted on. The Oscar nominations will be announced on January 15. View full lists of all eligible films for Best Score or Best Song.
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Posted in Events, Headlines, Other Events, The Hobbit, The Hobbit: The Battle of the Five Armies

‘The Hobbit: The Battle of the Five Armies’ nominated for a SAG award!

Hobbit cast posterNominations for the 21st annual Screen Actors Guild Awards were announced this morning. “The Hobbit: The Battle of the Five Armies” was recognized in the stunt ensemble category with a fairly elective mix of fellow nominees:

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
“FURY” (Columbia Pictures)
“GET ON UP” (Universal Pictures)
“THE HOBBIT: THE BATTLE OF THE FIVE ARMIES” (Warner Bros. Pictures)
“UNBROKEN” (Universal Pictures)
“X-MEN: DAYS OF FUTURE PAST” (20th Century Fox)

The televised ceremony airs on January 25, 2015. It’s worth noting that “The Desolation of Smaug” and “An Unexpected Journey” were not nominated so this marks the only SAG nomination for any “Hobbit” film. Congratulations to “The Battle of the Five Armies” stunt coordinators and performers for this worthy nomination!

Source: Awards Daily
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Posted in Events, Headlines, Other Events, The Hobbit, The Hobbit: The Battle of the Five Armies

The Hobbit in contention for the Oscars

Bilbo stingThe awards season is upon us with almost daily news about a critics group or association announcing nominations or awards. The Academy of Motion Picture Arts and Sciences have announced the 10 contenders that remain in the running for a Best Visual Effects nomination at the upcoming 87th Academy Awards. The contenders will present an effects reel to Academy branch members who are eligible to vote on January 10, 2015. The final Oscar nominations will be announced on January 15. This is now the 3rd time that “The Hobbit” has made the short list. It was previously nominated in 2012 and 2013 for “An Unexpected Journey” and “The Desolation of Smaug”. “The Lord of the Rings” took this Oscar home in 2001, 2002 and 2003.

“The Battle of the Five Armies” is up against stiff competition with the likes of “Dawn of the Planet of the Apes” and “Interstellar”. Here’s the list of the final 10 films:

Captain America: The Winter Soldier
Dawn of the Planet of the Apes
Godzilla
Guardians of the Galaxy
The Hobbit: The Battle of the Five Armies
Interstellar
Maleficent
Night at the Museum: Secret of the Tomb
Transformers: Age of Extinction
X-Men: Days of Future Past

Yesterday, the Grammy nominations were also announced. “The Desolation of Smaug” was recognized in the category Best Song Written for Visual Media for Ed Sheeran’s “I See Fire”. Congratulations to Ed Sheeran for also being honored with Album of the Year and Best Pop Vocal Album nominations for “X”.

Sources: Oscars.org, Radio.com


Join us in Los Angeles in February at The One Last Party

one last party logo We’re hosting a Party of Special Magnificence next February — a final toast to all SIX movies, both The Lord of the Rings trilogy and The Hobbit trilogy.

We’re inviting you to join us and make it happen through our Indiegogo campaign — so we can all celebrate Peter Jackson’s Middle-earth movies together!

Visit our campaign page and find out how you can get involved!

Posted in Events, Headlines, Other Events, The Hobbit, The Hobbit: The Battle of the Five Armies

Prancing Pony original craftwork inspired by Middle-earth

Prancing Pony mugsWe’re getting closer to the “One Dragon, One Party”! As part of this special event, we’ll be holding a live auction and raffle with unique items we hope all attendees will enjoy. We’re excited to highlight a generous auction donation from talented artist Sean Robinson.

For our party, Sean has donated one 20 ounce green mug and one 24 ounce brown mug featuring a Prancing Pony medallion. Both mugs are dishwasher, oven and microwave safe. They are thrown with a mid-fire stoneware clay and the medallion is washed with iron oxide to bring out the details.
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Posted in Creations, Events, Fans, One Dragon, One Party, Oscar Parties

Visual Effects Society Nominations Announced

headThe Visual Effects Society have announced their nominations for the 12th annual VES Awards. “The Hobbit: The Desolation of Smaug” has earned 5 nominations and will going up against its toughest competition “Gravity”. “Gravity” received 8 nominations over “The Desolation of Smaug”. Although, the mighty Smaug is the likely favorite to win Outstanding Animated Character in a Live Action Feature Motion Picture. Has there ever been a more magnificent dragon on screen before? See below for “The Desolation of Smaug” nominations or view all of the nominations.
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Posted in Events, Headlines, Other Events, The Hobbit, The Hobbit: The Desolation of Smaug

‘The Hobbit: The Desolation of Smaug’ receives 2 BAFTA nominations

Desolation of Smaug Poster The British Academy of Film and Television Arts (BAFTA) announced their annual award nominations this morning. ‘The Desolation of Smaug’ picked up 2 nominations. Peter Swords King, Richard Taylor, and Rick Findlater are nominated for Best Make-up and Hair. They are nominated alongside worthy contenders ‘The Butler’, ‘Behind the Candelabra’, ‘American Hustle’, and ‘The Great Gatsby’. Each film has its own unique style or time period, whether set in Middle-earth or a fantastical version of the roaring 20’s. The overall awards buzz (and love) for ‘American Hustle’ might swing momentum its way even in this category.

Joe Letteri, Eric Saindon, David Clayton, and Eric Reynolds are nominated for Best Special Visual Effects. In this tough field, ‘The Desolation of Smaug’ is going up against ‘Pacific Rim’, ‘Gravity’, ‘Iron Man 3’ and ‘Star Trek Into Darkness’. Smaug the Mighty is facing the most competition from the groundbreaking effects in ‘Gravity’, the odds-on favorite. ‘Gravity’ has the most nominations with 11 overall including for Best Film and Director. Following behind are ’12 Years a Slave’ and ‘American Hustle’ with 10 nominations each.

See the full list of nominees.

Posted in Events, Headlines, Other Events, The Hobbit: The Desolation of Smaug

“Out of the Shire”: Wonderful Art Show Tribute to Tolkien’s Middle-earth

Artwork by Ted Nasmith I’ve always found it fascinating how J.R.R. Tolkien’s Middle-earth continues to captivate generations of artists around the world. TheOneRing.net has proudly produced 6 art shows over the years, shining a spotlight on both professional and fan artists alike. I was delighted to attend the opening reception of “Out of the Shire”, a new gallery exhibit in tribute to Tolkien and his inspiring work.

Nucleus is an art gallery and store located at 210 East Main Street in Alhambra, California. It’s a charming space that sells various art books, crafts, t-shirts and more. The gallery side is perfectly set up for exhibits with fantastic lighting. The artwork was laid out in such a way that it allows each piece to stand on its own to be admired. And there is some truly incredible artwork on display!

Out of the Shire I Am No Man

Over 30 artists are on exhibit, showing a wide variety of styles – from paintings to illustrations, paper craft to sculptures, and more. I especially loved pieces that were original interpretations of beloved characters, not inspired by images from the Peter Jackson movies. You could see how the artist interpreted a character based on the writing of Tolkien himself, just as you do in your mind’s eye when you read “The Hobbit” or “The Lord of the Rings”.

Bilbo Meets Gandalf The Smallest Person Out of Trouble

Stand outs include the whimsical watercolors of Justin Gerard, an incredible fossilized Balrog by Tohru Patrick Awa, the lovely paintings by Caroline Hadilaksono, and a charming acrylic of Bilbo meeting Gandalf by Erik Krenz to name just a few. A special treat is the gorgeous artwork on display by TORn favorites Donato Giancola and Ted Nasmith. Keith Noordzy, who took part in our “An Unexpected Art Show” last February, is also part of the exhibit.

Ents and Orcs Embers of the Darkness

If you’re in the Los Angeles area, I’d highly recommend you check out this special exhibit in person. It’s well worth a visit. “Out of the Shire” is free and runs until January 12, 2014.

Posted in Artwork, Creations, Events, Exhibits

Mithril’s Review of ‘The Hobbit: The Desolation of Smaug’

Editor Note: Our latest staff review comes from Mithril… A friend of TORn since its beginnings, Mithril became a staff member in 2013 after The One Expected Oscar Party for which she created 20-foot-tall Dwarven and Elven banners. She is a moderator of The Great Hall of Poets, and you can oft times find her escaping to Middle-earth by writing poetry herself or slipping into one of its characters through cosplay. In the real world, she is an art director and designer, and her work appears in the film “Ringers: Lord of the Fans”.

 

 

 

 

 

 

 

 

====SPOILERS!!!!!====

Although Peter Jackson takes us on a non-stop wild ride from the edge of the wilds to the Lonely Mountain in “The Desolation of Smaug”, this fan did not always agree with the twists and turns it took. Besides prefacing my following remarks by saying I did not read any other reviews before writing this, I also want to say that I was not opposed to most of the changes that were made to the canon in the Lord of the Rings trilogy films. I welcomed the addition of Arwen to the greater part of the story and the changes that were made to accommodate her. I thought most of the changes worked well. I am not a Canon-Or-Nothing fan.

I know it is a movie, which ultimately and necessarily needs to be different than the book, but, IMHO, DoS goes too far.

The opening scene of Gandalf’s meeting with Thorin at The Prancing Pony was a welcome addition to the film. (Peter’s overt cameo made me laugh.) I have been fascinated with the Quest for Erebor and how it explains the origins of the Dwarves’ journey, and it was fun to revisit the Pony. But the next scene left me scrambling to place where the company was and remember where the last film had left us off. We get no view of the Eagles’ eerie or even that famous Tolkien landmark The Carrock.

Mikael Persbrandt rocked Beorn, which somewhat surprised me after all the negative speculation about what he would look like. His voice and movements were incredible and really gave the character stature and an almost other-worldy quality, but our stay with Beorn is much too hurried. It was such a magical episode in the book, and I wanted the film to recapture that more. Having seen the sets for Beorn’s house in person at The Book of New Zealand, I know they are beautifully detailed, but the span we spend in the house is so short, we don’t get to appreciate them enough. Even one Dwarvish song or tale there would have done wonders for me.

Herein lies the reason why I think DoS deviates so much from the original story. Though I disagree, critics had complained that “An Unexpected Journey” was too slow, especially the beginning, and so Peter (or the studio) felt the need to add more action to speed things up. This left no time for lingering on some of the more magic moments from the original Hobbit. I missed Bombur falling in the stream in Mirkwood and the tense moment when the deer leaps overhead. (Though the plausibility of the Dwarves carrying him would have been questionable, I am not sure his antics in the barrels makes up for it.) But the Elven feasts and will-o’-the-wisp fires in the woods I sorely missed. The trippy scenes of the disoriented Dwarves were effective at explaining why they left the forest road but did not support the reason the Elves were unhappy with them. Thankfully, Bilbo was not robbed of his heroism in freeing the Dwarves from the spider webs. (My greatest grievance about the LotR movies was that Frodo was robbed of the strength he displayed at Weathertop and at the crossing of the Ford). How he gets to hear the spiders is great, lending weight and meaning to the Ring. As does the excellent moment of him struggling with his emotions attached to it. When he climbs above the treetops is one of my favorites in the film.

WETA once more creates a spectacular Elven realm, more haunting than I ever imagined, and this time the cameras did linger to give us time to catch our breath in awe. As to its inhabitants, Lee Pace brought Thranduil’s haughty, immortal nature to full fruition. He looked and sounded amazing. And I was thrilled to have Orlando back as Legolas, and to me, it makes perfect sense – I think his absence would have needed to be explained. And I like that we got to see more of his character revealed.

And then to Tauriel. I want to say that I welcomed her into the story from when she was first hinted at. Of course there would have been female warrior Elves. Tolkien just forgot to mention them in The Hobbit. With hundreds, even thousands of years to train, they would have been every bit as skilled as their male counterparts. Tauriel does not disappoint. Her fighting skills and mannerisms are great. I do not mind her interest in Kili (Hey, he’s one hot Dwarf!), but I wish that it had been left at curiosity and not grown so quickly into emotional attachment. The love triangle that is developing robs all three characters. But I relished when she was speaking to him of starlight. It was one of the moments of the film that gave me chills. Her musings opened up the story to the wider wonders of Tolkien’s universe and hinted at backstory.

Gandalf’s travails at Dol Guldur do this as well. And it works because there is not an exact description of what happens there in the Appendices. Though in my mind, the preview we saw of Gandalf at the High Fells with Radagast was scarier than what we actually saw in the film and scarier than what happens at Dol Goldur. The device of the flaming eye was cool, though the battle with Gandalf’s bubble of light perhaps drawn out too long without enough substantial interaction between Gandalf and Sauron, but it will help people who do not know the history to make the connection between the Necromancer and Sauron. But when we see Gandalf caged and the wargs and orcs massing below, I couldn’t help but be reminded of Orthanc.

Once again, I was so thankful that Bilbo was allowed to have his moment when he rescues the Dwarves from their cells and helps them escape. There had been rumors that Tauriel would help him do this, and I am glad they were unfounded. I minded not at all that the Dwarves were not sealed in the barrels, for where would the fun have been in that on-screen? And the Orc attack made sense given that we know they were being tracked all along, and it made for good action. I was dismayed that Kili was shot, but did not imagine at this point that it would bother me even more later in the film.

I liked Bard’s appearance and the assistance he offers the Dwarves, and the entire sequence from when he first meets them to getting them into his house felt true to the story and introduced Lake-town and its characters well. Luke Evans was well cast – grim but not unlikeable. The Lake-town set and how it was filmed truly brought it to life. It was more real and gritty than I envisioned it when originally reading the book, and it felt completely right. Stephen Fry is admirably sleazy as the Master and Ryan Gage was good as Alfrid, though in my mind, too reminiscent of Wormtongue. I wish the townspeople’s reactions to the return of the legend of the King Under the Mountain had been more enthusiastic. I would have liked to see more spirit and heard at least one of the songs that were sung about the Dwarves’ return. That way the contrast when Smaug attacks would have been even more poignant.

From here on out, I am not sure I can reconcile what I would have liked to happen with what did. I can not believe that the four Dwarves would be willing to be left behind in Lake-town under any circumstances. It especially did not ring true to me since it just seemed like an excuse to show Kili and Tauriel’s growing romance. The Orc invasion into Lake-town and the arrival of Legolas and Tauriel felt out-of-place. Though I understand the sequential logic and the opportunity to let Legolas display some pretty epic fighting, it will rob the moment of surprise when the bad guys show up at the Battle of Five Armies. But when Tauriel takes on the role of healer… when she goes into Elvish trance talk and begins to glow JUST LIKE ARWEN…. I actually threw my hands up in the theater. The manner in which it was shown felt too similar to how Arwen was portrayed, diminishing both Elves. Throughout DoS, I felt the film was often riffing off LotR. I am not sure if it was meant to be an inside joke, but to me, it just seemed repetitive.

As the remaining Dwarves continue on, the discovery of the stairs was like a bludgeon to the head. I think it was meant to feel epic, and I hope it does the next time I see it, but at the first viewing it just seemed so obvious that they all should have seen it. Gone the nail-biting climb across the narrow ledge and the hauling up of supplies. This felt more like an afternoon jaunt than the final stretch of the quest. I hardly minded that it was the moon and not the sun that lit the keyhole. It even makes more sense and was more mystical, especially since the runes could only be read by the light of the moon. This was another place in the film that sent chills up my spine.

Bilbo’s entrance into the cave started off well. The shifting, endless mountains of gold and the way they sounded were stupendous. His first nuanced realization of Smaug was wonderful. But once he takes off the Ring, I started to question what was happening. Now that Smaug can see him, why doesn’t he kill him? OK, so he’s toying with him. I guess I can believe that. The way Smaug looks and sounds and moves is spectacular. BEST. DRAGON. EVER! I love how his belly starts to glow before he is going to breath fire. I did miss the jewels on his belly, though a plausible explanation was given of why he had the unprotected spot on his breast – that a black arrow had previously pierced him and a piece lodged there. Yet this may detract from Bard’s heroic take-down of him. (If this is indeed what happens.)

From here on out, all Mordor breaks loose. I could have accepted the Dwarves encounter with Smaug. I could have lived with them being chased through the halls of Erebor. But what made me cry out upon leaving the theater “I want a do-over!” was the Indiana Jones escapade that they were taken on. Not only was it completely outrageous, but it was confusing and unbelievable. Start the forges? What? Melt millions of gallons of gold in minutes? What? Stand on the nose of Smaug “Oh, greatest of calamities!” and not get eaten? WHAT!!?!?!?!????! And all the while, they are missing four Dwarves who might have made the action sequence more plausible and added some lightheartedness.

There were only two moments in the whole sequence that really worked for me: When Bilbo enters what I think Thorin calls “The Hall of Kings”; the contrast of little Bilbo lost in its vastness was an awe-filled pause. And the sight of Smaug bursting into the sky shaking off rivulets of gold was glorious. But I would have traded that image’s weight in gold to have just seen him spout fire into the night sky.

The critics of “The Unexpected Journey” wanted more action. They got it. The studio wanted better reviews. They’ll get them from the critics. I have heard speculation that the sequence in the mountain was a time filler which came about when two movies were made into three. But from this Tolkien fan’s perspective, there were better ways the time could have been filled.

Having written out all my thoughts and calmed down a bit, I’m sure the epic, tumbling pace of the film will grow on me. I have my doubts that the escapade inside the mountain will ever truly find its way into my heart, but I am looking forward to seeing Desolation again. Now that I know what happens, I’ll be able to focus on the incredible magic all their own that Peter Jackson and WETA always create.

POSTSCRIPT

Well, I saw “Desolation of Smaug” again last night. Over my initial shock, I went in telling myself to keep an open mind, sit back, relax and enjoy. And I really did. Because the vision of Middle-earth that Peter Jackson, Richard Taylor, WETA and all the crew bring to the screen blows me away. And somehow I have to accept the changes they made to the original story in order to be privileged to step into that incredibly detailed and vast world.

Many of the things that bothered me the first viewing seemed now to fit into the overall story. Granted, the overall story is not Tolkien’s story exactly. The story I am talking about is the one that began in “An Unexpected Journey”. And that story, I already agreed to go along for the ride on.

To detail some of the things that seemed less bothersome to me on the second viewing:

Perhaps Beorn is standing on the Carrock when he first appears, it’s just different than I envisioned it. And we definitely spend enough time in his house to linger on the amazing details. The changes to the barrel ride are a crowd-pleaser for sure. Bombur gets the biggest laugh in the film. Plus, all that white water looks amazing in 3D HFR. Dol Guldur felt much scarier to me this time – I even jumped in my seat, and the people I was with who had seen LotR were still asking me to explain the shape inside of Sauron’s Eye and why it was at Dol Guldur. Even though it seemed very over-the-top to me. This time the shiver I got was when the people of Lake-town realize who Thorin is. The Dwarves final trek up to Erebor seemed more epic on the second viewing. I got misty-eyed when Thorin and Balin first step into the mountain.

Most of the pieces fell into place, and in places the story is richer than the book which is more descriptive in a general sense than delving into character development. But how can you have a movie without strong characters? Perhaps now I see why the writers felt the need for changes to bring those characters to life.

I still am not happy with how the love triangle was portrayed. Nor am I completely OK with how unbelievable some of the action inside the Lonely Mountain is. But Smaug is absolutely and undeniably stupendous, and getting to spend that extra time with him is almost worth it. BEST. DRAGON. EVER!!!

And I think I’ll leave it there because I could pick DoS apart ad infinitum, or I can just sit back and enjoy the ride. I think I’ll do the later.

Posted in Hobbit Movie, Media Reviews, The Hobbit, The Hobbit: The Desolation of Smaug