Director Peter Jackson in the gallery of the Wellington Town Hall during the New Zealand Symphony Orchestra's recording sessions for 'The Hobbit: The Desolation of Smaug'. Photo / Hagen Hopkins.
Director Peter Jackson in the gallery of the Wellington Town Hall during the New Zealand Symphony Orchestra’s recording sessions for ‘The Hobbit: The Desolation of Smaug’. Photo / Hagen Hopkins.
Russell Baille from The New Zealand Herald gets the low-down on the recording process at Wellington Town Hall last month. He was present last month as the New Zealand Symphony Orchestra laboured mightily with orchestrator Conrad Pope, Peter Jackson and senior audio engineer Peter Cobbin to bring composer Howard Shore’s musical vision to life.

My favourite quote from Conrad Pope:

“It always pays to have great performers. Whenever you are in front of an orchestra you are in front of almost 2000 years of musical experience if you think about it. So you are taking that expressiveness and you are unleashing that. If you have a digital thing it is only one person. That is why it’s so remarkable to have that kind of power in this orchestra here.”

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