No doubt about it, shoehorning Celeborn (the Wise) into The Rings of Power storyline is one of the trickiest problems that the show must navigate. Importantly, for it to matter, I feel the show has to do it soon — this coming season, even.

But as my TORn Discord colleague, Webcrawler, points out, this is a self-inflicted challenge — the showrunners did this to themselves. They consciously chose to absent Celeborn from the story (a story where, by some of Tolkien’s drafts, he plays more than a minor part in events). Thus, I would assert (I would hope) that they must have some clever idea or resolution in mind.

Once you grasp this rather important fact, it also prompts the question: “Why did they choose to do this?”.

Hold that thought, we’ll return to it later. First, I’d like to posit four different scenarios for finally bringing Celeborn into the story.

Of course, keep in mind this is my own theory-crafting, not set rumours.

THEORY ONE: Re-embodiment in Valinor

This is the most straightforward solution I can think of right now. Per Laws and Customs Among the Eldar (sometimes abbreviated to LACE) in HOME Volume X, it is possible for elves to re-embody post-death after a time spent in the Halls of Mandos.

Tolkien Gateway has an excellent and succinct summarisation of the process Tolkien outlined in LACE:

A houseless fëa that chose or was permitted to return to life was typically only able to be reembodied through childbirth. The reborn fëa would experience childhood again, but would only remember its previous life upon achieving mastery of its body. Through the joy of this second childhood, the griefs of the fëa’s previous life could be redressed.

The most well-known instance is that of Glorfindel, re-embodied after his death in the Fall of Gondolin and subsequently sent back to Middle-earth by the Valar to assist with the Second and Third Age struggle against Sauron. (Aside: arguably, if the show had been going to introduce Glorfindel, then S2 and the destruction of Eregion would have been the ideal time since as Tolkien outlines in HOME XII: Last Writings, assisting survivors out of the destruction and pairing up with Elrond and Gil-galad against Sauron’s war in Eriador is his big Second Age moment.)

What if the show were to, instead, apply this re-embodiment to Celeborn?

What if Celeborn had, in fact, perished on the field of … the Nirnaeth, I guess, that we saw in the S1 prologue, and his spirit was summoned to the Halls of Mandos.

It would provide a thoroughly logical explanation for exactly what Celeborn has been doing for the last 1,000 years and more: he’s been stuck in the Halls of Mandos, and then, quite literally, growing up all over again – and for an elf to grow to adulthood is around 100 years, minimum — in Valinor.

It would fit with Galadriel’s words to Theo in S1: “When he went to [the war], I chided him. His armour didn’t fit properly. I called him a silver clam. I never saw him again after that.”

Now, at the right time, he might return to Middle-earth either of his own volition, or at the behest of the Valar. That’s right, kindasorta stealing Glorfindel’s role.

This is a complete invention at odds with, well, every variation of the Galadriel and Celeborn story. But given the many unresolved contradictions within Celeborn’s (and Galadriel’s) textual history, it’s probably better for The Rings of Power to strive for its own internal consistency.

Re-embodied Celeborn might actually offer the cleanest resolution.

A re-embodied Celeborn could also be an interesting boost to his character — LACE states that “the Re-born (they say) are stronger, having greater mastery of their bodies and being more patient of griefs.” Galadriel, in LOTR, tells the members of the Fellowship that “…the Lord of the Galadhrim is accounted the wisest of the Elves of Middle-earth, and a giver of gifts beyond the power of kings.”

Re-embodiment could help make him less anodyne than the “Cele-boring” we see in PJ’s rendition.

THEORY TWO: Imprisoned by Thranduil

This idea is, I think, kinda cracked, but it’s inspired by recently re-reading The Hobbit. What if Thranduil* had imprisoned Celeborn at the turn of the Second Age, and simply not informed anyone?

Just riffing off what occurs with Thorin in Mirkwood:

“Very well!” said the [elven]-king. “Take him away and keep him safe, until he feels inclined to tell the truth, even if he waits a hundred years [emphasis mine].'”

Then the elves put thongs on him, and shut him in one of the inmost caves with strong wooden doors, and left him.

Flies and Spiders, The Hobbit

But what could even prompt Thranduil to imprison Celeborn — a fellow Sindar — for more than 1,000 years, and not tell anyone? Simple trespassing seems an enormous stretch.

One explanation that comes to mind from The Silmarillion is Thingol’s choice to not join Maedhros and Fingon’s assault on Angband that becomes the Nirnaeth Arnoediad, and his reluctant assent for Mablung and Beleg to join Fingon’s force.

This feels a bit of a reach, but, what if Celeborn (a kinsman of Thingol according to the Silmarillion tale) had also gone to the battle, but without Thingol’s permission? Galadriel does state in The Rings of Power that she “chided him”, and that his armour did not fit. This sounds tender, but could also hint at some underlying “sneaking away” subterfuge — if the writers chose to interpret it like that.

Further, what if, much, much later, he somehow, ended up in Thranduil’s realm. Might Thranduil (also a Sindar elf of the former realm of Doriath) imprison him, exactly like with Thorin, as a long-delayed punishment for such an disobedience.

Like I said, it does feel a crack theory. Holding a continuing (well-documented) grudge against dwarves for perceived ancient wrongs is one thing; holding one against one of your own folk over someone else’s ban on consorting with the Noldor seems quite another. More, you have to set against that the technicality that Thranduil and Oropher spent much of the early Second Age in Lindon and did not migrate to Greenwood, east of the Misty Mountains until at least SA750.

* I’ve written Thranduil here since I feel for the sake of story simplification, we’ll never see his father Oropher in The Rings of Power. Simple as that.

THEORY THREE: Lost in the woods

Consider, first, the situation of Thingol and Melian, lost in each other’s eyes in the deep woods of Nan Elmoth for a vast stretch of time.

Alternatively, consider how Old Man Willow trapped Pippin and Merry by the Withywindle, or how Nimrodel goes missing for a long time after being separated from Amroth on the long journey from then-Lorinand to Edhellond in Gondor’s south.

Or consider how Morwen goes conveniently missing between Glaurung’s assault on Nargothrond, and the end of the Narn i Hîn Húrintale where she meets Húrinat Cabed-en-Aras.

I think it’s fair to conclude from these handful of examples that folks get lost or trapped (in the woods) in Middle-earth now and then.

I want to pair this observation with Celeborn’s curious warning to the members of the Fellowship against Fangorn.

‘Yet [the Fellowship] should not go too far up that stream, nor risk becoming entangled in the Forest of Fangorn. That is a strange land, and is now little known. But Boromir and Aragorn doubtless do not need this warning.’

Farewell to Lórien, The Lord of the Rings

Aragorn also says in LOTR in an exchange with Legolas:

‘Yes, it is old,’ said Aragorn, ‘as old as the forest by the Barrow-downs, and it is far greater. Elrond says that the two are akin, the last strongholds of the mighty woods of the Elder Days, in which the Firstborn roamed while Men still slept. Yet Fangorn holds some secret of its own. [emphasis mine]’

The Riders of Rohan, The Lord of the Rings

What if Celeborn’s long disappearance involved Fangorn? Might he have been trapped there somehow — long-captured by some angry Huorn in an episode resembling what happened to Pippin and Merry in the Old Forest? Even if something like that occurred though, there’s the challenge of elegantly explaining how Celeborn got all the way from Beleriand to Fangorn (or even to the Old Forest if you used that area).

Perhaps the best option here is actually the old lost-my-memory-and-ran-away trick (similar to Nienor’s experience) as the consequence of some significant battlefield trauma. Perhaps even as the result of a confrontation with Glaurung. I’m pretty sure the showrunners did at one point say at an event or convention that they wanted a dragon, and there’s been discussion of the possiblity since.

Bringing him all the way to Fangorn (a place that, despite the “strangeness” Celeborn describes, does not seem hostile towards elves) might be a little hard to convincingly sustain, but it is usefully close to Lorien — a location we will hopefully be introduced to in Season 3.

I’m worried that amnesia is a little too much like what happened with Gandalf. I’m not sure I like that. Convenient amnesia is one of the Celeborn theories that Cliff and Justin considered on TORn Tuesday a while back as well. If you want to listen in, the discussion starts around 25 minutes into the VOD.

THEORY FOUR: Shamed thrall of Morgoth

Alternatively, Morgoth might have imprisoned Celeborn. Angband contained many elven thralls during the First Age. We could see a scenario where Celeborn was captured in the aftermath of the battle Galadriel refers to in The Rings of Power and forced to labour for the Enemy until the War of Wrath and Morgoth’s overthrow.

Many of the Noldor and the Sindar they took captive and led to Angband, and made them thralls, forcing them to use their skill and their knowledge in the service of Morgoth.

Of the Ruin of Beleriand and the Fall of Fingolfin, The Silmarillion

Alone that’s insufficient to explain Celeborn’s thousand-year absence. But consider also the experience of the vast majority of escaped elven thralls…

…ever the Noldor feared most the treachery of those of their own kin, who had been thralls in Angband; for Morgoth used some of these for his evil purposes, and feigning to give them liberty sent them abroad, but their wills were chained to his, and they strayed only to come back to him again. Therefore if any of his captives escaped in truth, and returned to their own people, they had little welcome, and wandered alone outlawed and desperate [emphasis mine].

Of the Ruin of Beleriand and the Fall of Fingolfin, The Silmarillion

Yes, there are exceptions such as the ease with which Gwindor son of Guilin slots back into the hierarchy of Nargothrond. Yet Húrin Thalion is shunned by his folk — and Turgon — after his release from Angband. Even once he realises he is no longer Morgoth’s thrall, “he wanders out of all knowledge” and supposedly throws himself into the sea.

Similarly, even if the source of the angst is different, Maglor commits himself to a perpetual exile of regret, wandering the shores of Middle-earth after he and Maedhros take the remaining Silmarils from Eönwë by force in the wake of the War of Wrath.

What if, in The Rings of Power, after the overthrow of Angband, Celeborn was one of the “multitude of slaves” who came forth from its deep prisons, “looked upon a world that was changed” and, whether through shame or PTSD, turned away to become a solitary recluse who avoids all society.

One might protest that this overlaps Adar’s background. But Adar’s corruption is a bit different. He has become an Uruk. In this instance the thrall concept is not a rerun; it’s exploring a different phenomenon entirely.

Where would Celeborn be, though? Well, there’s an awful lot of Middle-earth coastline that hermit!Celeborn could share with Maglor. A lot of dense, unexplored forest, too, especially around Eryn Vorn given that during the Second Age much of southern Eriador was still heavily forested.

…in the earlier days, at the time of the first explorations of the Númenóreans… Minhiriath and Enedwaith were occupied by vast and almost continuous forests, except in the central region of the Great Fens.

The History of Galadriel & Celeborn, Unfinished Tales of Númenor & Middle-earth

There’s something appealing, to me at least, about the thought of the Telerin/Sindar Celeborn hiding out (maybe even with a handful of Ents or some of the Drúedain) somewhere around Drúwaith Iaur, or even the Belfalas coast and spending S3 raging against the rapacious logging efforts of Kemen and friends. It’d be a nice nod to the temporary Third Age sojourn of Galadriel and Celeborn in that area that Tolkien described in his initial iteration of their story.

Where is less important than why

The reality is that it doesn’t really matter where Celeborn actually is in this scenario — the showrunners will manufacture a way and a reason for Galadriel to find him.

What is more important, I think, is why Celeborn exists — the role he’ll play in the drama.

Of course, Celeborn is a box that The Rings of Power needs to tick if only for continuity. Mechanically, to not have Celeborn co-ruling Lorien with Galadriel so that together through ages of the world they can fight “the long defeat” would be, well, outrageous.

And that need to ultimately match both the book text and PJ’s LOTR is why I’ve always thought it was a bit mad to insist “Celeborn is dead”, and should stay that way.

Who dis?

But the showrunners have always stated that The Rings of Power is about the characters becoming the individuals we know at the end of the Third Age.

Right now, Galadriel’s personality flips between “Artanis” and “Nerwen”: she’s very capable of being the lady of the court — the noble woman of her father-name — but undeniably The Rings of Power has leaned heavily into the “man-maiden” warrior nature of her mother-name.

Still in Season 2 she regularly wears her hair in some sort of crown. It’s surely a nod to “Galadriel” — the epessë (a nickname or honorific) given to her by none other than Celeborn. What better way for Galadriel to rediscover her true self (and stop being torn every which way) than by finding the lover who gave her that name in the first place?

This does not have to be boring.

In the first instance there’s the fact that, in-show, Galadriel seems to have blithely assumed that Celeborn perished in the Nirnaeth yet spent 1,000 years obsessively criss-crossing Middle-earth trying to hunt down Sauron.

Depending on Celeborn’s recent history, the obverse could apply, too — especially if he’s hidden himself away. The text of LACE mentions that elven couples “do not necessarily dwell or house together at all times” despite remaining wedded forever, so the passage of time should not be an insurmountable barrier to the pair reconnecting. Still, they must decide if (and why) it’s worth resurrecting their relationship in such circumstances.

What if Celeborn is mentally, or physically, scarred from his experiences? Consider Gwindor’s return to Nargothrond:

At first his own people did not know Gwindor, who went out young and strong, and returned now seeming as one of the aged among mortal Men, because of his torments and his labours…

Of Túrin Turambar, The Silmarillion

It feels reductive to say this a “she can fix him” situation, but there’s a precedent with what happened with Nenya and Adar in the final episode of S2. It could help bring a blighted Celeborn back to himself. More prosaically, Galadriel also (inadvertently) uses Nenya to heal a fellow elf in S2 E4.

In “fixing” Celeborn (props to Webcrawler for pointing this out), Galadriel can also heal herself. It’s a chance to recognise a healthy partnership and true love — as opposed to the poisonous, controlling version that Sauron/Halbrand keeps trying to offer. One with things like not using each other for personal gain, and not flipping out when you get corrected. Simple stuff!

It’s still going to be a long journey for Galadriel to reach that point where she has the strength to reject the One Ring when Frodo finally offers it. But, for The Rings of Power, accepting Celeborn should be the start.

About the author: Staffer Demosthenes has been involved with TheOneRing.net since 2001, serving first as an Associate News Editor, then as Chief News Editor during the making of the Hobbit films. Now he focuses on features and analysis. The opinions in this article are his own and do not necessarily represent those of TheOneRing.net and other staff.

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Recent SPY REPORTS for Season 2 of Prime Video’s The Rings of Power series sourced from anonymous but now-deleted posts on internet messageboard 4Chan are currently prompting a wave of discussion about their veracity and implications across Discord and Reddit .

WARNING: potential SPOILERS for Season 2 abound below.

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Last chance to not be spoiled by significant story leaks for The Rings of Power.

Without further ado, here’s the potentially explosive leak about the story direction for Season 2 of The Rings of Power. While TheOneRing.net has no way of confirming this, the sources are allegedly people close to the series Producers.

Continue reading “SPY REPORT: The Rings of Power Season 2 to expand on Sauron in huge new ways”

What is ‘The Song of the Roots of Hithaeglir’ and where does it fit into Tolkien works? Is Amazon’s The Rings Of Power making up new lore?

In this article, TORn Discord Moderator DrNosy examines the introduction of a new Elven Folklore – ‘The Song of the Roots of Hithaeglir’ – in Season One’s fifth episode as a plot device in The Rings Of Power.

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What is “The Song of the Roots of Hithaeglir”? 

In the words of Elrond himself, ‘The Song of the Roots of Hithaeglir’ is “an obscure legend regarded by most to be apocryphal” [Ed note: emphasis added]. Elrond is underscoring the point that this legend is folklore.

The fantasy works of Tolkien are based in European folklore. Folklore is described as the beliefs, customs, and stories of a community, that might be passed within that community through the generations. Folklore often contains details specific to the beliefs of the community.

Now, this is what makes folklore interesting — their origins are often based in truth. Not literal truths but something akin to parables and fables that hint at a truth. After all, you may have heard it said, “the truth is [more frightening] than fiction”.

For example, in Western folklore, we are familiar with the concept of ‘werewolves’. This lore is entirely fictitious. Yet the lore itself arises from a truth, and has a purpose. That purpose was our ancestors’ way of warning us about metaphorical wolves in our midst, i.e., ‘serial killers’.

Werewolf legends derive from early Nordic folklore. Specifically, The Saga of the Volsungs tells of a tale of a father and son who discover wolf pelts with the power to turn people into wolves. Donning these pelts, the father and son duo embark on a rampage killing many. There is also have a fifteenth-century account of a vicious serial killer in Bedburg, Germany, whose actions were enshrined into local folklore as a man that turned into wolf-like creature at night before his killing spree.

Folklore and fables are essential to human survival. They function as a warning to the listener about the realities of the world without exposure to the brutality of its truths. They are a way to keep us safe.

Nobody goes off-trail and nobody walks alone

Returning to our `apocryphal` origin of mithril, ‘The Song of the Roots of Hithaeglir’ is not based in any Tolkien texts. Within The Rings of Power story, however, it functions as an Elven folklore founded on the nature of mithril and the truth of what else might lie beneath the Misty Mountains.

Note the words of Celeborn, one of the wisest of Tolkien’s Elves, who offers a pertinent reminder to not cheaply discount (their) lore.

‘Then I need say no more,’ said Celeborn. ‘But do not despise the lore that has come down from distant years; for oft it may chance that old wives keep in memory word of things that once were needful for the wise to know.’

Farewell to Lórien, The Fellowship of the Ring

Making mythril 

`True creation requires sacrifice`

An Elven warrior (`with a heart as pure as Manwë`) and a Balrog (`all his hatred`) poured themselves into a tree bearing the light of Silmarils. One seeking to protect it, the other seeking to destroy it. Lighting (likely from Manwë) struck the tree which resulted in the creation of the tree’s roots… veins of mithril into the mountain.

This sacrifice made by both warrior and Balrog resulted in the subcreation of mithril — a thing of unimpeachable goodness yet also of unsurpassed peril.

`The Song of the Roots of Hithaeglir` is a cautionary fable for all the peoples of Middle-earth. While mithril will bring glory to Dwarves, salvation to the Elves, and riches to Men, it will also bring inevitable Doom upon those who seek it.

In this fashion, Gil-galad’s hope in mithril (as of Episode 5) also mirrors an aspect that Tolkien described in a letter to Milton Waldman:

[But] the problem: this frightful evil can and does arise from an apparently good root, the desire to benefit the world and others.

Letter #131, The Letters of J.R.R. Tolkien

Thus, even though mithril comes from a good root a frightful evil will arise from it.

About the author:

DrNosy is a scientist (physical science), scholar, and Tolkien enthusiast. Her primary interests lie in review and analysis of The Lord of the Rings: The Rings of Power. She is an active contributor and Moderator on TheOneRing.net Discord where she also hosts live open-forum panel discussions on The Rings of Power, The Silmarillion,  and a variety of Tolkien-related topics. You can reach her on Twitter.

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Here’s a question. If you’re LOTR on Prime, and if your main series material is centered on the Second Age, why tease/lead with an image that show something from a vastly earlier period in the history of Tolkien’s world?

I’ve been pondering this a lot.

Unless LOTR on Prime has gone collectively mad, then there has to be a purpose — some link between that panorama, and the Second Age story that we know is coming.

So, let’s analyse that.

The location itself may offer a link.

Why? Because Númenor — much, much later — tries to invade Valinor. Problem is, that period of Númenor’s history has little to do with the dwarf-elf interactions we seem to be promised if spy reports are correct. So, it’s probably not Valinor itself that’s important, nor the Two Trees in themselves (sorry TREES! fans, I empathise).

That leaves the events that happen in Valinor, and the key protagonists in those events.

Events are — by and large — resolved by The War of Wrath. However, some of those protagonists remain and become involved in the new dramas of the Second Age in Middle-earth (and Númenor).

And I feel this could offer a clue to what’s going on.

Of the chief actors through the events of the Second Age, I can think of four (five, technically) who are also players in during the final Years of the Trees.

Sauron

The first is Sauron. But the link between Sauron and Valinor/The Two Trees is tenuous to non-existent. According to The Silmarillion, he rebelled much earlier and then spent much of Melkor’s imprisonment lurking in and around Angband. He doesn’t really feature strongly in First Age events until Beren and Lúthien’s quest.

Neither the trees — nor any of the events that occur around them — are useful to solidify the background of Sauron for the audience. If you wanted to use Sauron as a link, you’d need to begin somewhere else. For this reason I eliminate Sauron.

Galadriel and Celeborn

The next two come as a pair: Galadriel and Celeborn.

Here, it’s a twofold opportunity.

One, it’s a way to establish Galadriel’s prominence among the Noldor, and the strength of her ambition. Recall Galadriel’s role in the rebellion of the Noldor and their exile. Fëanor is instigator, but in the Silmarillion version she is also involved:

Galadriel, the only woman of the Noldor to stand that day tall and valiant among the contending princes, was eager to be gone. No oaths she swore, but the words of Fëanor concerning Middle-earth had kindled in her heart, for she yearned to see the wide unguarded lands and to rule there a realm at her own will.

Of the Flight of the Noldor, The Silmarillion.

My thinking is that portraying some of Galadriel’s early life in Valinor could be used as a way to support her desire and capacity to (at least to according one tradition outlined in Unfinished Tales) establish Eregion much later in the Second Age with the assistance of Celeborn.

It would also serve to underpin — whether through continued pride, or Ban (or both) — why she did not return to Valinor for so long. There’s vast amounts of drama to be wrung here should LOTR on Prime do it right. A sort of “How I became a massive troublemaker and learnt to love the Ban” sort of thing.

Galadriel is also LOTR on Prime’s most natural and relatable link to Peter Jackson’s movies: well-liked and well-remembered even among those who aren’t Lord of the Rings aficionados.

Celebrimbor

Next is Celebrimbor. To my surprise (for I wasn’t aware of it until very recently), Tolkien outlined that Celebrimbor was born in Valinor during the Years of the Trees, not in Beleriand during the First Age. That he subsequently followed his father, Curufin, into exile, while his mother remained behind, suggests to me that he was well into adulthood by the time of the Noldor’s rebellion against the Valar.

His identity as the grandson of Fëanor makes him a close witness to events in Valinor while his (presumably) growing talents as a smith and craftsmen can be contrasted against the immense skill of Fëanor (and Galadriel). In particular, Fëanor’s achievements with the Silmarils could be used as a dramatic spur for his own creations.

For Celebrimbor, Eregion is not so much a place to rule but a place where he can be free to create with the ultimate aim of someday surpassing the works of his grandfather. Celebrimbor is also a more natural tie for recent spy reports of dwarves and elves meeting. Unless it’s a very frosty meeting, that’s not very likely to be one involving Galadriel and Celeborn (even if Galadriel is not entirely unreceptive to dwarves).

Glorfindel

Glorfindel is the final option. Also an exile, also born in the Years of the Trees. Coincidentally, also blonde. As The Fellowship of the Ring describes it, “his hair was of shining gold”.

Moreover, Glorfindel returns to Middle-earth sometime during the Second Age to play a role in helping keep Sauron at bay after he forges the One Ring. Tolkien writes that this was probably sometime between SA1200 and SA1600 though, and I wonder whether even the first full season would get that far.

Any other elf is a poor fit.

Cirdan did not make the journey to Valinor. Gil-galad is too young — born near the end of the First Age in Beleriand. Elrond is in the same boat. And the rest of the chief Noldorin exiles either died in the long wars against Melkor, or returned to Valinor at the conclusion of the War of Wrath.

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Amazon Studios has announced the casting of ‘Young Gollum,’ voiced by renowned character actor and comedian Patton Oswalt. (YES – This was an April Fool’s Day Prank – 2021!)

Patton Oswalt Cast at Baby Gollum

With a celebrated ensemble cast already gathered for Amazon’s show, this latest release implies that Oswalt will voice a child-like Smeagol character. It goes without saying that a ‘Young Gollum’ did not exist in the initial intended scope of the show, nor in the scope of the rights purchased from the Tolkien Estate. The addition of a – dare we say it – ‘Baby Gollum’ appears to be a clear attempt to attract a broader and younger audience. The vast majority of us at TheOneRing.net are big fans of Oswalt – so we look forward to seeing where this goes!

AMAZON STUDIOS ANNOUNCES VOICE TALENT PATTON OSWALT FOR THE LORD OF THE RINGS TELEVISION SERIES

The Grammy(R), Emmy(R) and Vangard Award(R) Winner joins the Ensemble Cast to Lend His Vocal Talents to Young Gollum.

(CULVER CITY, Calif. – April 1st 2021) – Amazon Studios today announces Patton Oswalt will lend his voice talent as Gollum in the Amazon Original series based on the iconic ‘The Lord of the Rings’ novels by J.R.R. Tolkien. Patton will join the previously announced global cast and crew, currently filming in New Zealand.

“We are so excited to breathe new life to the early history of this immensely popular character,” said executive producer and showrunner [retracted name]. “When you delve into the struggle of Gollum, and his alter-ego Smeagol, a plethora of possibilities leaps out. It’s a tale which is crying out to be told.”

The character of Gollum first appears in J.R.R. Tolkien’s ‘The Hobbit’, with subsequent appearances in the War of the Ring saga of the Third Age of Middle-earth. Made popular by the Rankin/Bass production in the late 1970s, and then expertly brought to screen in Peter Jackson’s epic trilogies of ‘The Lord of the Rings’ and ‘The Hobbit’, amazing adventures lie in store for the halfling-like creature, as his prequel stories unfold.

The character will originally be fully realized as a small child through the talents of WETA Digital, and given voice, (initially coos and caws), by the talented Oswalt.

“Its been a lifelong dream to work in the realm of J.R.R. Tolkien. I can’t wait to get started!” said Patton.

Set in Middle-earth, the Amazon television adaptation will explore new storylines preceding J.R.R. Tolkien’s ‘The Fellowship of the Ring’. A world-renowned literary work, and winner of the International Fantasy Award and Prometheus Hall of Fame Award, ‘The Lord of the Rings’ was named Amazon customers’ favorite book of the millennium in 1999, and Britain’s best-loved novel of all time in BBC’s ‘The Big Read’ in 2003. ‘The Lord of the Rings’ has been translated into around 40 languages, and has sold more than 150 million copies. Its theatrical adaptations from New Line Cinema and director Peter Jackson earned a combined gross of nearly $6 billion worldwide, and garnered 17 Academy Awards®, including Best Picture (‘The Return of the King’).

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Staffer Demosthenes returns from the wilderness, to consider what the plot of Amazon’s Middle-earth TV series might be…

Hello! It’s been a while!

However, the fine folk of TORn have defrosted me from cryogenic stasis just in time to offer a few thoughts on the recently announced synopsis for the forthcoming Amazomg(tm) Middle-earth series.

I’m going to cut straight to chase and simply start dissecting what I consider to be the guts of their statement. The implicit assumption is that the series is focusing on events of the Second Age. Given the content of the maps revealed by the production crew, I think we’re long past the time where that’s a controversial conclusion.

Amazon's map, showing the West of Middle-earth, and the island of Numenor.  What clues does it give us about the plot of Amazon's Middle-earth TV series?

But what does the rest mean? Given that the Second Age covers more than 3000 years, can we narrow down what time period the series may address?

Continue reading “Analysis: what can we deduce from the Amazon synopsis about the plot of the new Middle-earth series?”

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