Publisher HarperCollins is set to release a new Tolkien book, The Collected Poems of J.R.R. Tolkien, this September. The three-volume book will gather together much of J.R.R. Tolkien’s published verse, as well as somewhere in the vicinity of 77 (see below for the editors’ explanation about the inherent difficulties of being precise) previously unreleased poems from his archives.
Editors Christina Scull and Wayne G. Hammond note that it’s a Collected Poems work, not a Complete Poems work, due to “economies of production”. However, the book will still include “most of the verses Tolkien is known to have written, and for most of these, multiple versions which show their evolution.”
There are at least 240 discrete poems, depending on how one distinguishes titles and versions, presented in 195 entries and five appendices.
When possible, we have used manuscripts and typescripts in the Bodleian Library, at Marquette University, and at the University of Leeds.
We have chosen not to include all of the one hundred or so poems contained in The Hobbit and The Lord of the Rings, but have made a representative selection – surely, no one who reads the Collected Poems will not already have at least one copy of Tolkien’s two most popular works.
They further explain that “discrete poems” depends on one’s definition.
Some of the poems morph in their evolution so much that one could either count a work as a single entity in a variety of forms, or as a variety of separate poems that are closely related. Hence our vagueness about the number: we didn’t want to overhype it.
There’s a similar issue with counting which poems have been published and which haven’t. The best we can say is that among the poems we include, 77 have not been published before in any form, or only a few lines from them have appeared, e.g. in Carpenter’s biography.
The HarperCollins press release notes that poetry was the first way in which Tolkien expressed himself creatively and through it the seeds of his literary ambition would be sown. The character Eärendil emerged from one of his earliest poems The Voyage of Éarendel the Evening Star in 1914. And from Eärendil we have world of The Silmarillion, and subsequently The Hobbit and The Lord of the Rings, each which is enriched with many poems.
Charged, at first, by Christopher Tolkien to review only his early poems, Hammond and Scull soon saw the benefits of examining his entire poetic opus across six decades and showing its evolution with comments in the manner of Christopher’s magisterial History of Middle-earth series.
Collected Poems will provide the stories behind, and analysis of, each poem, as well as revealing the extraordinary amount of work that Tolkien invested in them.
Not long before his death, Hammond and Scull were able to send Christopher Tolkien a portion of the book, which he praised as “remarkable and immensely desirable”.
They state that the 1,500-plus-page book (the numbers listed on Amazon’s description are apparently outdated and not correct) will also include “a long introduction to Tolkien as a poet, a brief chronology of his poetry, and a glossary of archaic, unusual, or unfamiliar words he used in his verse.”
According to Hammond and Scull, there are currently no plans for a deluxe edition; the aim is for an elegant trade release (hardcover). As yet there is no announcement of a U.S. edition. It looks as though like Amazon will carry a (Kindle) e-book as well.
The Collected Poems of J.R.R. Tolkien will be released on September 12.
Some secrets are better kept quiet (according to that famous Gandalf quote, the one about anticipating a good meal): “Many folk like to know beforehand what is to be set on the table; but those who have laboured to prepare the feast like to keep their secret; for wonder makes the words of praise louder.” That little gem does not apply here, as TheOneRing.net continues its decades-long quest to separate truth from nonsense behind any Tolkien adaptation coming our way.
For you see–a wild bombshell appeared on 4chan on Jan. 15, 2024, claiming knowledge of fully-detailed plot points and episodes that was quickly regurgitated on our Discord server (now deleted). The contents of this post caused shockwaves on our TORn Discord; as it shocked and dismayed me. But also much of its contents have been corroborated fully by someone close to the Producers who shared more information. Better fasten your seatbelts, dear Ringers, it’s gonna be a bumpy night.
[MASSIVE SPOILERS AHEAD FOR “TROP” SEASON 2 THROUGHOUT, NO HOLDS BARRED, NOTHING WITHHELD, PROCEED WITH CAUTION]
As the Production Calendar continues apace on Season 2 of Prime Video’s “The Lord of the Rings: The Rings of Power,” (rumor has it Season 3’s halfway written!) certain enigmatic details are clearer while other things remain deeply shrouded. It’s like scrying in the Mirror of Galadriel without any guidance.
Nonetheless, it is now being discussed openly that Amazon secretly acquired the rights to “The Silmarillion” for use in this 2nd Season! This is seismic news! It is even more insane to think something so significant has happened and the Studio has said nothing about it at the time of this article’s publication.
Let’s start with the Big Bad Wolf-Maia himself, the “Halbrand of your dreams” (ooof), that guy who would deign to be THE Lord of the Rings:
SAURON / HALBRAND
TROP Director Charlotte Brändström has said in interviews that the 1st Ep. of the new Season will be a “Standalone episode.” We have been reporting for 15 months on our TORn Tuesday Livestream show that this “Season Opener” will dedicate itself entirely to Sauron, his backstory, and his misadventures prior to what we saw mystery-boxed as the Halbrand storyline of Season 1. We may ultimately find out how and why Sauron took the form of that particular human and how he managed to be in the middle of the ocean at exactly the right time to start his lengthy charade with Galadriel. It goes without saying that Season 1 would have been dramatically different if the Showrunners had used the literary device of Dramatic Irony instead of employing this lamentable mystery-boxing approach.
Why was there such trenchant animosity between Adar and Sauron? Newly leaked info says the conflict between them is fueled by a tragic death: Sauron evidently had a SON — and Adar evidently killed him in cold blood prior to the events of Season 1. Nothing close to this appears in Tolkien’s stories.
Further spoilers: in Season 2 Adar (well-played by actor Joseph Mawle, now replaced by Sam Hazeldine) will surrender to Sauron and become one of his generals, only to betray him again later on. Also, at some point Sauron presents himself to the Dwarves and straight up tells them he “apprenticed under Aulë,” at which point he is immediately accepted in their midst.
Season 2 will conclude with this final shot: the forging of the One Ring by Sauron’s hand, leading one to necessarily assume the other Seven and the Nine will be forged at some point by this Season’s end (unless the Showrunners deem it necessary to keep changing the historical order of things).
RIGHTS TO “THE SILMARILLION” ACQUIRED?!
Most significantly, according to verifiable spy reports Prime Video has secretly acquired the rights to “The Silmarillion” — unbeknownst to us. We are hearing that Season 2 opens with a genesis story more fitting the Ainulindalë! After many years of speculation and hundreds of hours of discussion about this very thing, it comes as a deep shock to me (as a Tolkien fan and generally speaking as an observer of Popular Culture) that the Tolkien Estate has, at long last, allowed the gates to finally be opened and nobody has said a word about it! Ladies and gentlemen, could it be true that “The Silmarillion” has now become an officially licensed property for adaptation?! If so, the hugest of caveats must be stated: this is a singular case for now. Perhaps unique.
THE MUSIC OF THE AINUR (quoting from the original post): “The opening scene of Ep. 1 is Eru [Ilúvatar] using the Secret Flame to create Melkor, and Melkor watching as Eru creates all the Valar and the Maiar. Eru is a disembodied voice vaguely human shaped but no characteristics can be made out. The Secret Flame is golden, as are all the Valar and the Maiar. The Valar are larger than the Maiar, but they are bathed in a golden light and completely naked. The actor playing Mairon in this realm is NOT Charlie Vickers or Gavi Singh Chera–it is a third actor. Gave Singh Chera will play Sauron in his battle form and his Annatar form.” We can now fully confirm that a grand total of three actors shall play Sauron in different forms. Additionally, the two actors playing Melkor and Ungoliant in the Ainulindalë shall appear LATER in Season 2 as different incarnations.
I mean — just wow!
Further details are exposed: “A whole episode is dedicated to Sauron’s backstory leading up to the breaking of the First Silence. After the Fourth interruption of the song [Theme], several Maiar meet and discuss Melkor’s discord. Mairon/Sauron alone speaks: ‘The One has blessed me more so than all of you to see the potential of His creations, and what better way to forge their mettle than by allowing them to face Melkor’s discord and grow beyond what they think capable!’ You will see Mithrandir [Olórin] in this scene. Mairon almost converts him. Almost.”
Four Themes? There were only Three, as we all know, so perhaps this is a typo. Or perhaps the most obvious thing that would happen to “The Silmarillion” being adapted is that it would be unnecessarily changed.
Seasoned readers of Tolkien will probably be agape at this ambitious retelling of “The Music of the Ainur” but newcomers who have never read a speck of the original book may be mystified. It seems clear now that the intention of this show is to explore the earliest mythological roots of these immortal characters: a narrative consideration never previously afforded to any Valar / Maiar characters.
This still doesn’t explain the “meteor man” thingy that suddenly brought Gandalf / Olórin / The Stranger into the Second Age, but why quibble?
The further impact of this reality should be weighed carefully, for it represents a point of no return with those tales. The Quenta Silmarillion, the tragedy of Beren and Luthien, the Fall of Gondolin: all of which may now be adapted for T.V. or Film or other media if the Estate allows and arrangements are made. What a tremendous thing. It opens up a whole new era of possibilities.
GALADRIEL & CELEBORN
The fact that Celeborn has been kept offstage in Season 1 as a red herring (you know, that bit about him being supposedly dead yet Galadriel doesn’t know a thing about it) simply does not ring true to Tolkien’s original works. The Professor re-wrote and revised the story of G&C many times, but never do we see a hint leaning towards this in the Appendices, nor in “Unfinished Tales.” Beyond this fumble in the narrative of Season 1, we have now confirmed that our “dearly departed” Celeborn IS INDEED NOT DEAD (as readers of Tolkien already knew) but will show up in Season 2 being impersonated by Sauron.
Indeed, one of Sauron’s disguises to return to Eregion (how many can there be, beyond Annatar?) is the form of Celeborn. We assume this plan is to dupe Elrond, Celebrimbor, and Galadriel at the same time.
More subterfuge! The chicanery at Galadriel’s expense continues apace. This portrayal of the Lady of Light as one who keeps getting duped over and over by Sauron–when Tolkien never once allowed that to happen in his accounts– is certainly a choice, and one that has drawn much criticism. Personally it is one of the first things that comes up in friendly conversation about TROP: I am forced to explain that Galadriel was never fooled like that!
I wonder where they will go with that, ultimately. How long will Galadriel continue to withhold the truth of her Season 1 relationship with Halbrand, and why did the Writers put her in such an untenable position with the other Elves? One assumes it is a ploy wherein Sauron might return and blackmail her if she has not been forthcoming about it. Remember that look Elrond gave her after he saw the parchment of Southland genealogy? “There’s no basement in the Alamo!” And there’s no Halbrand! Some ugly business lies ahead with Celeborn being impersonated by Sauron.
Spy reports indicate the REAL Celeborn will appear in the Season 2 Finale and be reunited with Galadriel. He shall be played by Calam Lynch, as reported by Fellowship of Fans and corroborated by others. Thank God for simple truths–because the lad is a dead ringer for a younger Marton Czokas.
THE FATE OF CELEBRIMBOR
Poor Brimby. Everyone loves Brimby. He’s the avuncular surprise (certainly as portrayed by Charlie Edwards) in Fëanor’s genealogical line of stupendously serious Elves. As fond as we may be of his green-robed gentle nature, we confirm now that in Season 2 Celebrimbor’s head gets lopped off and stuck up on a pike. Womp womp! We are getting closer to what Tolkien wrote here, as this is Brimby’s closest proximity to being the Ned Stark of Middle-earth.
I don’t quite get this episode structure–but it seems the final two episodes of TROP Season 2 will be centered on The War of the Elves and Sauron, wherein Eregion is sacked.
TOM BOMBADIL & GOLDBERRY
This is where stuff gets potentially ugly. I don’t like using such words. As previously mentioned, there will be separate standalone episodes presented throughout Season 2; including Sauron’s backstory uniquely told from his first-person point-of-view. All of this is likely to change before the final edit is broadcast. But if this holds true, Tom Bombadil and his love affair with the River-Daughter will be front-and-center in their own episode (there’s even an episode on Felaróf and the origin of Shadowfax)!
Ringers have often opined that bringing Tom Bombadil into TROP would be super cool — and I have personally championed the notion. But at the heart of this matter is how Tolkien utilized the character in “The Fellowship of the Ring,” an approach for others to heed carefully. Tom should have a cameo or a brief encounter with some of our traveling heroes. Admittedly Tom’s presence is superfluous to the real story of the Great Rings of Power. Now imagine this character’s narrative purpose going a big step further and just wildly breaking from the Lore. In the words of our Spy Report:
“Tom Bombadil and Goldberry are in an episode. They are played by the same actor and actress as Melkor/Morgoth and Ungoliant. The show will confirm the long-held fan theory that Tom and Goldberry are Melkor and Ungoliant serving out their punishment bestowed on them by Mandos.“
Excuse me? There has never been such a “Fan Theory,” not one that I have seen–and if I had heard of this cockamamie idea I would have laughed at the absurdity. To quote the pique and anger of a well-known Tolkien historian who heard this: “This is not a fan theory, this is just Fan Fiction; and it’s really GARBAGE Fan Fiction at that!”
Personally, I would love to see Tom Bombadil show up — if only in the blink of an eye he would be on his merry way. I mean, come on, there is no need to ignore The Professor’s explanation in his “Letters” about Bombadil’s context in his Legendarium. No need to make up stuff about Morgoth and Ungoliant seeking atonement within the Circles of the World.
Pragmatically speaking, adaptations can and will change things from the Lore. This is mostly fine, and expected, within reason. It becomes unreasonable when you play that fast and loose with Tolkien’s original concerns regarding raw story elements. This kind of stuff will, predictably, divide the Fan audience.
… FELARÓF & SHADOWFAX?!
If you were not mystified yet by some of these storytelling choices, TROP Season 2 will have a full episode about the great line of Horses, the Mearas, and how Gandalf “The Stranger” met Shadowfax! Although these characters/animals did not exist in the Second Age, evidently we are getting the story of Felaróf the “Very Valiant,” if not also the story of the father of Eorl, a Man by the name of Léod.
Here we have a wide range of secrets exposed and an earth-shaking reveal about the licensing of “The Silmarillion.”
Strangely, the Studio behind this billion-dollar T.V. show remains stoic and silent; their social accounts barren since last July, not a single bit of marketing nor a press release has been forthcoming. Tellingly, a huge Amazon Prime commercial aired in the U.S. during the Prime Time Emmy Awards broadcast, without any mention of TROP. Not. A. Single. Word. TROP has also been removed from Prime Video’s FYC awards website.
Make of that what you will.
IN CONCLUSION — TOLKIEN BOOKS VS. ADAPTATIONS
As is the reality with a huge T.V. production, there are further moves to be made, pickups to shoot, tons of post production and editing yet to complete. However, these Spy Reports may or MAY NOT be reliable but we have already known (through our own secret channels) about 40% of this stuff before the big leak on January 15, 2024. With enough of this verified we are at least eager to throw the doors wide open and have some robust discussion. Time for Ringer fans everywhere to discuss, make hay, extrapolate, and poke with a stick.
Do you like what you are hearing? Are you excited or dismayed? Are you wondering as I am why there is stone-cold silence from the Studio after such wildly big moves behind closed doors? What will future horizons look like with “The Silmarillion” now that THAT huge epic is on the table? Or is it just some odd bits of “The Silmarillion” they can use here and there? Time will tell.
This series was always gonna be a mixed bag of familiar lore and newly minted ideas, methinks. TROP ostensibly benefits from being a somewhat separate (albeit huge) piece of Second Age story from the books’ Appendices that can be centered around particular characters and events. There is ample room to breathe within the narrative of the Appendices and yet it is wholly unnecessary to wildly diverge from the source material. What J.R.R. Tolkien intended and what the current Tolkien Estate (headed by Simon Tolkien) has allowed for this streaming program is, shall we say, quite divergent from one another.
It is for Ringers, with their undying love for the original books, to decide if Prime Video executed this effort reasonably and within the spirit of Tolkien’s original. It is also apparent they had a 36% completion rate on Season 1. Speaking for myself, the series started off just fine. I quite enjoyed the atmosphere, production design, a thrilling cast of talented actors, and especially the gargantuan score by Bear McCreary. Lots of stuff to admire there. Indeed there are those who will argue for either side, but in this writer’s opinion, these Spy Reports (combined with further research and reveals from inside the Production) betray significant departures from the Lore of Tolkien’s Legendarium and put the show at risk to be rejected rather than embraced by that less-forgiving portion of our fandom.
*EDITOR’S NOTE: Clifford Broadway is one of the earliest writers/contributors to TheOneRing.net from the beginning, authoring material in our “Green Books” academic section and also for numerous publications including DeviantArt and Famous Monsters of Filmland. He co-wrote and produced the award-winning feature documentary “Ringers: Lord of the Fans.”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
