In 2024, Worldcon – the World Science Fiction Convention – will be taking place in Glasgow (August 8-12). In anticipation of this exciting event, the Glasgow organisers have scheduled various online events for this summer – and we here at TORn are delighted to be joining them for an online panel!
Staffers Tookish, Madeye Gamgee and greendragon will be joined by our good friend KnewBettaDoBetta, as well as staffers from Glasgow 2024, to discuss the perennial appeal of the Professor’s works. Just what is it about Middle-earth which keeps us coming back, again and again? What is it about Tolkien’s work which inspires so many ‘subcreations’ from such a wide variety of artists, performers and readers?
Sign up at Eventbrite – free!
The panel will begin at 7pm (BST – that’s UK time!) on Thursday 8th June, and will run for an hour and a half. There will be time for questions; if you’d like to be able to ask a question, you’ll need to join the Webinar audience; you can sign up for free Eventbrite tickets here.
Back in 2022 we told you about composer and sound engineer Jordan Rannells’ amazing project – to create ‘an immersive audio soundscape‘ of music and ambient sounds, to be listened to whilst reading The Lord of the Rings.
For Tolkien Reading Day (March 25th) this year, Rannells teamed with the folks from ArdaCraft to create a live stream event, where parts of The Fellowship of the Ring were read over the corresponding chapters of Rannell’s A Long-Expected Soundscape.
The Towers Collection
Now, The Towers Collection (for The Two Towers) is available – and we have some promo codes for TORn’s followers! Read on below to find out more…
The Long-expected Soundscape is designed to be listened to whilst reading Tolkien’s The Lord of the Rings (and is timed specifically to sync up with the Andy Serkis audiobook recording). It is created with Dolby Atmos for full 3D immersion in headphones, and includes an original score, ambient nature and environment sounds, and designed and recorded sound effects. The soundtrack is downloadable at https://jordanrannells.com/ – and can also be accessed very easily through all usual podcast apps.
Ways to listen
Rannells suggests various ways to enjoy his creation:
1. Simply experience the atmosphere alone, without the books
2. While reading Tolkien’s works (yes you might read a bit faster, but all you have to do is wait and enjoy the music and sound effects for a bit until you hear the next significant sound or cue, and then keep reading)
3. Synced up (perfectly!) with Andy Serkis’ audiobook so you can enjoy them together (step by step process on how to do that on Discord)
4. Just as background for DnD, Lotro and so on…
Exclusive promo codes
If you’d like to get your hands on this wonderful soundscape, you can use the code TORN25 (for a discount on the whole collection), or TORN10 (for a discount on an individual book). These promo codes are good only until June 10th, so don’t delay!
Once you’ve experienced this beautiful aural world, you’re definitely going to want more! So you’ll be glad to know that Rannells has plans for The Hobbit and The Silmarillion soundscapes! He’ll be launching a Kickstarter for these, this coming December; if you’re interested in getting involved, and perhaps even having a small voice or performance role on one of those projects, join the Long-expected Discord. Happy listening!
We got to ask Wizards of the Coast artist and art director Ovidio Cartagena about the new officially licensed The Lord of the Rings expansion cards for Magic: The Gathering.
Was there any particular aspect, creature, or perhaps landmark of Middle-earth that you haven’t seen from other artists, and have always wanted to bring to life through your own art? The Scouring of the Shire and the Battle of Bywater were very interesting to me. The whole plot involving Old Toby, and the discovery of trade between Saruman and the Shire, always caught my attention.
Naturally, the destruction of something so warm and innocent like the Shire appears to be, and the corruption of many hobbits, is something that I wanted to show in detail in Magic’s adaptation of the books.
Has Tolkien’s own artistic style been an influence for you in your work? Oh yes. We looked at Tolkien’s artwork during the development of The Lord of the Rings. I was very lucky to work with artists who were also influenced by these works. Tolkien’s work is incredibly clear and has a definitive shape language that is unmissable: you’ll know whose hand made it if you look at the work.
What other Tolkien artists inspire you? The Hildebrandts were very influential for me growing up. Their talent seemed endless, and I was a big fan of their work on the LoTR calendar and the Marvel Masterpieces cards from the ’90s. It’s incredible that I get to say that I’ve worked in a set that also features the art of the Hildebrandts. I remember making illustrations for a Lord of the Rings calendar of my own, back when I was 18, a college art project, so it’s fair to say that LoTR and many of the Tolkien artists were a pretty big influence to what I do.
How much freedom were you all given to work on these characters? We had a fair amount of freedom at the beginning. Interestingly, we didn’t have limitations placed before working on concept art. We had a lot of freedom to develop characters, environments, motifs and so on. At the end of the concept art process, we put together a guide that would help artists illustrate our vision for The Lord of the Rings, and Middle-earth Enterprises reviewed the guide and gave us their feedback. I was very nervous at first, but their reaction was positive and that began a great creative partnership between us. Most of the art you see in cards was based on that guide.
What was the process for the artist to submit work, to get to work on these cards? Artists were selected on their capacity to deliver on one or all of the four parameters I set for the set’s visual direction: Epic (scale and scope), Legendary (attention to lore), Storytelling (attention to characters and their relationships), Pastoral (what our heroes are fighting to protect). Ekaterina Burmak, Magali Villeneuve, Tyler Jacobson, Jesper Ejsing, and many other greats lent their enormous talents and unique styles to create Magic: The Gathering’s Lord of the Rings.
What pressures are there to depict Bilbo in a world where two actors defined the character so thoroughly? Bilbo is a very interesting character. And eccentric, too! I remember reading the Council of Elrond, and Bilbo initially volunteers to take the ring to Mount Doom… this is a true adventurer (who also happens to be attached to “his” ring) even after all these years. The design for the character was done in a card illustration by Anna Pavleeva, and we tried to put in his years of lived experiences, a bit of mischief and, of course, the confidence of a daring adventurer who wouldn’t shy away from an epic quest at 111!
How exciting is it to be in this new phase of Middle-earth adaptations? How do you consider your work alongside spheres of TV and new films? It is hard for me to speak of a “revival” of The Lord of the Rings, because it seems like something that has had relevance for most of my life. But it is fair to say we’re seeing an increased focus on LoTR in the mainstream. I am, however, very excited about seeing different takes in media for The Lord of the Rings. There are so many things to explore in Middle-earth! The work we did for the Magic: The Gathering set was an epic endeavor in itself, and I’m very proud of how it holds up to the literature and the adaptations done in other media. I got to live in the time and place of the War of the Ring for a while as I directed the set, and the project gave me a chance to keep coming back to the books I love so much.
We paid attention to a lot of details and there are more than a few easter eggs to consider! The whole team pitched in with lore knowledge, and the passion we poured into the project will definitely show in the card set!
How do you apply more modernized styles of art/composition to illustrate the works of a writer like Tolkien, who dealt mainly with antiquities? I think Tolkien’s work will endure a lot of cultural changes, way beyond our lifetimes. There have been modern crane shots and dutch angles in the interest of dramatizing the events in the War of the Ring. We’ve used the skills and tricks of illustration to bring ourselves inside Tolkien’s rich world, as if we had been there. One of my conceits at the beginning of this massive project was that every illustration was a frame or painting commissioned right after the War, to document the events therein. Since culture hasn’t stopped, and techniques have evolved along with widespread visual language resources, our approach is to let the worldbuilding draw the viewer in.
Who is your favorite Middle-earth character, and why? It is between Boromir and Denethor. It is easy to dislike these characters, but it is often missed that these were strong and great men with a great deal of knowledge. They’d been fighting and witnessing the rise of Sauron’s power, and were desperate to regain the greatness that Númenor once had. Denethor gave almost the air of a wizard due to his sharp intelligence, and wore chain mail under his elegant robe which meant he knew the importance of strength. It is interesting to speculate what Boromir would have achieved in better times – but he did not choose to be born at the edge of a Great War.
What’s your favorite piece for this new collection? It is very difficult for me to pick a favorite piece because every artist gave us great work. I’ll just give a couple of shoutouts to folks who added personal greats to their portfolios:
Gray Highsmith, who was one of the concept artists – they helped design the costuming and motifs of hobbits.
Tyler Jacobson, whose epic ambition and incredible abilities gave the world a Battle of the Pelennor Fields painting worthy of a castle wall. He was also the designer of our Sauron, a truly unique take!
Magali Villeneuve, whose massive talent embodied the soul of The Lord of the Rings, and her vision brought these awesome characters to life.
Alexander Mokhov, who really came into his own as a Magic illustrator with his work in this set.
About the new The Lord of the Rings: Tales of Middle-earth™ arriving June 23, 2023
The Lord of the Rings has come to Magic: The Gathering, and it’s time to take familiar favorites on a whole new journey there and back again. In the upcoming set The Lord of the Rings: Tales of Middle-earth™, players have the chance to join the Fellowship in adventures filled with valor, courage, and second breakfast. Play your favorite moments of the third age or turn Middle-earth on its head and surrender to the temptation of the Precious. Either way; Middle-earth is in your hands.
The set has two primary launch windows—June 2023 and a holiday launch in November 2023—and is the first full set release as part of Universes Beyond, bringing the iconic world of J.R.R. Tolkien to life within the Magic frame. The Lord of the Rings: Tales of Middle-earth is modern legal and comprised of Draft, Set, Collector, and Jumpstart Boosters, four Commander decks, a Starter Kit, a Bundle and Gift Bundle, Scene Boxes, and Secret Lair drops. For more information on which specific products are coming in June 2023, check out this article on DailyMTG.
The Lord of the Rings: Tales of Middle-earth will also come to Magic: The Gathering Arena with all of the same cards as the tabletop release. The set will be legal in Alchemy and Historic formats and receive the same support as a full release, including a preorder, Mastery Pass, and cosmetics.
Just unveiled at MagicCon Minneapolis is the new multi-card panorama artwork of Bilbo’s birthday party for The Lord of the Rings: Tales of Middle-earth, a new card game from the makers of Magic: The Gathering.
Created by artist Livia Prima, the series of 6 randomly-packed cards can be collected to reveal a whole party diorama. Details of the character cards include in-game stats and play actions.
Above: Birthday party cards available in random pack card sets.
The Lord of the Rings: Tales of Middle-earth™ Arrives June 23, 2023
The Lord of the Rings has come to Magic: The Gathering, and it’s time to take familiar favorites on a whole new journey there and back again. In the upcoming set The Lord of the Rings: Tales of Middle-earth™, players have the chance to join the Fellowship in adventures filled with valor, courage, and second breakfast. Play your favorite moments of the third age or turn Middle-earth on its head and surrender to the temptation of the Precious. Either way; Middle-earth is in your hands.
The set has two primary launch windows—June 2023 and a holiday launch in November 2023—and is the first full set release as part of Universes Beyond, bringing the iconic world of J.R.R. Tolkien to life within the Magic frame. The Lord of the Rings: Tales of Middle-earth is modern legal and comprised of Draft, Set, Collector, and Jumpstart Boosters, four Commander decks, a Starter Kit, a Bundle and Gift Bundle, Scene Boxes, and Secret Lair drops. For more information on which specific products are coming in June 2023, check out this article on DailyMTG.
The Lord of the Rings: Tales of Middle-earth will also come to Magic: The Gathering Arena with all of the same cards as the tabletop release. The set will be legal in Alchemy and Historic formats and receive the same support as a full release, including a preorder, Mastery Pass, and cosmetics.
In 1953, J.R.R. Tolkien visited the University of Glasgow, to give a lecture on the medieval poem Sir Gawain and the Green Knight. Later this month, the university’s Centre for Fantasy and the Fantastic will celebrate the anniversary of the event – and you can join them, in person or online!
With an illustrious panel of speakers, chaired by Dr Dimtra Fimi, the event includes a pop-up exhibition featuring a handwritten letter from the Professor.
UNIVERSITY OF GLASGOW TO CELEBRATE LORD OF THE RINGS AUTHOR JRR TOLKIEN
A selection of books by JRR Tolkien including Sir Gawain and the Green Knight (above)
Today he is remembered as the “father” of modern fantasy literature and the author of two of the best-loved and biggest-selling books of all time.
When JRR Tolkien visited the University of Glasgow 70 years ago, he had written The Hobbit to great acclaim and was on the cusp of publishing the 1st volume of The Lord of the Rings.
In 1953, Tolkien, then Oxford University Merton Professor of English Language and Literature, was in Scotland to give a lecture on late 14th-century poem Sir Gawain and the Green Knight – a key text in the Arthurian tradition featuring young King Arthur himself, the knight Sir Gawain, a mysterious green knight, and the sorceress Morgan le Fay. The poem is itself a source text for modern fantasy and was an inspiration for Tolkien in his Middle-earth mythology.
But it was obvious Tolkien’s popularity as a fantasy writer was on the rise in 1953, as the ticketed WP Ker Memorial Lecture was at its capacity with 300 people in attendance.
Now academics at the Centre for Fantasy and the Fantastic are celebrating Tolkien’s Glasgow connection with a special event to mark the 70th anniversary of Tolkien’s Sir Gawain and the Green Knight lecture.
Dr Dimitra Fimi, Senior Lecturer in Fantasy and Children’s Literature at the University of Glasgow and the Co-Director of the Centre for Fantasy and the Fantastic, said: “It was a thrill to discover more about Tolkien’s lecture at Glasgow and this fascinating connection to the city, including the venue it was held, and the handwritten letter by Tolkien in our archives.
“Today 70 years later at the University of Glasgow, Tolkien’s own work is on the curriculum of our Fantasy MLitt programme, and we have various PhD students working on Tolkien.”
Dr Andoni Cossio, Postdoctoral Fellow, Centre for Fantasy and the Fantastic, said: “As a schoolboy, Tolkien had a great affection for Sir Gawain and the Green Knight poem, which even led to occasional recitations of certain passages for his friends.
“By the time of the Glasgow lecture, Tolkien had a deep knowledge of the poem that he put to good use in his university teaching, supervision and lectures. Tolkien had also prepared and published an edition of Sir Gawain and the Green Knight in 1925 (together with his colleague EV Gordon), which is remains today an important textbook for students studying the poem and helped establish it as a canonical text in medieval studies.
“During his 1953 W. P. Ker lecture, Tolkien quoted from his own Sir Gawain translation, which was later broadcast by the BBC. The University of Glasgow lecture was only accessible much later to a wider audience when it was published in 1983.
The Tolkien Sir Gawain lecture 70th anniversary event is hybrid – both in person at the University of Glasgow and online. For those attending on-campus, there will be an opportunity to see a pop-up exhibition with documentation related to Tolkien’s appointment as the 1953 WP Ker Memorial Lecturer (including a hand-written letter by Tolkien), in collaboration with Archives & Special Collections, University of Glasgow.
Tolkien and Glasgow
On 15 April 1953, Tolkien delivered the WP Ker Memorial Lecture, on Sir Gawain and the Green Knight, to an audience of 300 at the University of Glasgow. The essay was published posthumously, in 1983, in The Monsters and the Critics and Other Essays, edited by Christopher Tolkien.
Join us at Glasgow on Thursday 27 April 2023, 5-6:30pm, on-campus (Joseph Black Building) or online, to celebrate the 70th anniversary of the lecture and its significance, Tolkien’s links to Glasgow, and the importance of the Sir Gawain poem in Tolkien’s creativity.
Our panel of speakers will feature:
Professor Jeremy Smith, Honorary Senior Research Fellow, University of Glasgow
Dr Lydia Zeldenrust, Lecturer in Middle English Literature, University of Glasgow
Dr Andoni Cossio, Postdoctoral Fellow, Centre for Fantasy and the Fantastic
Chair: Dr Dimitra Fimi, Senior Lecturer in Fantasy and Children’s Literature, and Co-Director of the Centre for Fantasy and the Fantastic
It’s free to attend this event – either in person or online – but you do need to book via Eventbrite.
After two weeks of discussing, debating, and voting, the original 64 characters from The Lord of the Rings: The Rings of Power who began in the four categories of Middle-earth March Madness 2023: Rings of Power Edition have been whittled down to just one. Who is our Champion for this year?
