This new story caught my eye because of its parallel with the original situation that got THE HOBBIT published in 1937 — all because of a child’s honesty in reviewing the book! Over at The Guardian website their Children’s Book section features all-kid reviews. Rather smart to provide children a proper voice in a marketplace directed at them. Young writer Krazy Kesh turns in a delightful review of THE HOBBIT after experiencing the thrill of the first movie in the “Hobbit” film trilogy [click here to read]. Continue reading “DEJA VU: 12 Year-old Writes Delightful Review of THE HOBBIT”
Category: Tolkien
In my internet wanderings, I sometime stumble on cool Tolkien things. Not necessarily news, but interesting — like this transcript of a live chat with renowned Tolkien scholar Professor Tom Shippey (author of the acclaimed J.R.R. Tolkien: Author of the Century) over on Tolkien Library to celebrate the release of The Legend of Sigurd and Gudrun back in 2009.
Yes, we can all agree that’s fairly old.
However, if you’re interested in Norse myth, Shippey’s thoughts on Tolkien’s parallels with other early fantasists such as William Morris, Lord Dunsany and E.R. Eddison, as well as what he thought of meeting Tolkien himself, then you’ll find (like I did) this a worthwhile read. Continue reading “Tom Shippey talks Tolkien and Norse myth”
you will see images that must be from Jackson’s personal collection of his early work including a shot with Kate Winslet on “Heavenly Creatures.”
We call it a kitchen sink interview because it contains so much depth and covers a wide array of topics, touching on many of Jackson’s most important films while keeping in focus that his work on Middle-earth movies is so far, his greatest triumph and what he is most likely to be known for.
The Q&A with writer Jeffrey Ressner ranges over the Kiwi’s whole career with fascinating bits on his earliest days:
My first movie, Bad Taste, was really made up as we went along over four years, and it didn’t even have a script. Not having actors or a script tends to be somewhat limiting. [Laughs]
Jackson adds to the lore that surrounds the making of the “Lord of the Rings,” films with an amazing story about how his shooting studio in New Zealand came to be:
We thought, ‘Well, if The Lord of the Rings happens, this is exactly the sort of place we’d need. This is absolutely incredible.’ But it was very expensive. At the time it was just Fran and I, and if we committed to it and for some reason the film didn’t happen, we’d be in big, big trouble. I mean, we were mortgaging our house just to make the down payment on the place. One day the real estate agent was showing us around; the paint factory had been closed for six months, so it was mothballed and covered in dust. The cafeteria was dull and gray, and there were a lot of old Formica tables with chairs stuck up on top of them. Just before we left, I saw a paperback book sitting on one of the cafeteria tables—it was a copy of The Lord of the Rings. I called Fran over and pointed to it, and we looked at each other and then said to the guy, ‘OK, we’ll take it.’ And that became Stone Street Studios.
He also drops this gem that almost sent me back to my Blu-ray player:
I have to say, I saw a bit of my Kong about a year ago, and I actually think the last half-hour—those scenes in New York through the end of the Empire State Building sequence—is probably the piece of filmmaking of which I’m the proudest.
There is a lot more to this interview if you follow the link above. It may be one of the best Jackson interviews in print. We at TheOneRing have a good one in our pocket we hope to share before we see Smaug again in theaters, but this DGA piece is highly recommended.
If you missed the link, try this: http://www.dga.org/Craft/DGAQ/All-Articles/1303-Summer-2013/DGA-Interview-Peter-Jackson.aspx.
You push through furs to hide at the back of the wardrobe. Suddenly, fur gives way to twigs, floorboards to snow. A lamp-post glimmers ahead… Continue reading “The magical books of the Bodleian”
Friends at thorinoakenshield.net have a full online translation of the print publication and since we aren’t German speakers, we can’t say if anything is lost in translation, but it reads pretty clearly.
Here are some highlights but if you read beyond this point, expect full-on potential spoilers! (We can’t say if they are true or not, but the writer surely dishes the info matter-of-factly.)
****Seriously, last chance, major potential spoilers!****
“A greedy dragon, a rather testy skinchanger, a river ride full of action and the battle of the White Council against the Necromancer of Dol Guldur: Middle-earth fans should be prepared for something big; because with “The Hobbit – Desolation of Smaug” (starting December 12th) Peter Jackson will (once again) show all he’s got.”
“A lot of the appendices will also be used in part 2.”
“Hardcore fans will find the revelation of the Necromancer (Benedict Cumberbatch as CGI shadow) as witch master Sauron just in a couple of sentences in the book. And according to Tolkien the pale orc Azog doesn’t survive the Battle of Azanulbizar (in the beginning of “The Hobbit – An Unexpected Journey”), while Jackson definitively turns him into Thorin Oakenshield’s arch enemy now. Orcs invading Esgaroth on the other hand was completely invented by Peter Jackson. Just like Tauriel – this young, only 300 years old elf which will add a bit of femininity to the male dominated story.”
“This story needs estrogens”, Evangeline Lilly jokes. And Peter Jackson adds: “Thanks to characters like Tauriel we will discover more about the life in Mirkwood, which is completely different from Rivendell.” But the Silvan pointy-eared beauty is not supposed to be a mere copy of Arwen from the old trilogy. After all the people of the wood elves is a lot more dangerous and suspicious than Elrond and his companions. “We are like ninjas from the undergrowth.” (Lilly)”
“Peter Jackson not only uses additions like this to narrate a coherent chronicle of Middle-earth, he also uses them to sprinkle a little treat for spare time hobbits here and there. For example fanboys will anticipate the first encounter of Legolas and Gloin, father of grumpy dwarf Gimli from the “Rings” films. Other than “An unexpected Journey” the sequel is going to be distinctly darker though, stresses Jackson.
“One climax of the new trilogy, which over 2000 actors and extras worked on, is the death of the dragon. Whether Smaug’s fall will end part 2 however is yet unknown. Certain is that the Battle of the Five Armies will play the center role in “The Hobbit – There and Back Again”.
Those are the highlights and you can read the full translation right here, from ThorinOakenshield.net along with scans of the magazine’s pages while the German publication can be found online here, but we didn’t find a link directly to the article.
Tom Bombadil has always been the most enigmatic of characters in the writings of J.R.R. Tolkien’s Middle-earth. When he didn’t make the cut in the movies, despite not being central to the plot, many fans objected and wondered why. The answer is revealed below at last from the Brotherhood Workshop!
Tolkien wrote a few times about his character, especially in letters to those who asked. In one such letter to Peter Hastings he says in part,
“I don’t think Tom needs philosophizing about, and is not improved by it. But many have found him an odd or indeed discordant ingredient. In historical fact I put him in because I had already ‘invented’ him independently (he first appeared in the Oxford Magazine) and wanted an ‘adventure’ on the way. But I kept him in, and as he was, because he represents certain things otherwise left out. I do not mean him to be an allegory – or I should not have given him so particular, individual, and ridiculous a name – but ‘allegory’ is the only mode of exhibiting certain functions: he is then an ‘allegory’, or an exemplar, a particular embodying of pure (real) natural science: the spirit that desires knowledge of other things, their history and nature, because they are ‘other’ and wholly independent of the enquiring mind, a spirit coeval with the rational mind, and entirely unconcerned with ‘doing’ anything with the knowledge: Zoology and Botany not Cattle-breeding or Agriculture . Even the Elves hardly show this : they are primarily artists. Also T.B. exhibits another point in his attitude to the Ring, and its failure to affect him. You must concentrate on some pan, probably relatively small, of the World (Universe), whether to tell a tale, however long, or to learn anything however fundamental – and therefore much will from that ‘point of view’ be left out, distorted on the circumference, or seem a discordant oddity. The power of the Ring over all concerned, even the Wizards or Emissaries, is not a delusion – but it is not the whole picture, even of the then state and content of that pan of the Universe.”
To those wishing to read further, we recommend the “Letters of J.R.R. Tolkien”. Also, check out some great LOTR LEGO sets. A couple of our favorites are The Mines of Moria and The Battle For Helm’s Deep.