middleearthmarchmadness2015

Yes folks, Middle-earth March Madness is back for 2015! If you are new to TheOneRing.net, Middle-earth March Madness is our adaptation on the popular NCAA Basketball tournament that takes place every March/April in the United State. It is our chance to have some fun matching up middle-earth power players against each other. Past winners include Samwise Gamgee, Gandalf, Thranduil.

Based on feedback from our past years, we are switching things up a bit to include the entirety of J.R.R. Tolkien’s works. So in reality, this could be called J.R.R. Tolkien March Madness!

This year, our four divisions will be representative of a book (or series of books):

The Hobbit
The Lord of the Rings
The Silmarillion
Other Works (Lost Tales, Father Christmas, Children of Hurin, etc)

This allows each division to crown a champion for each book, and then they all face off against each other in the final four!

Our staff are sorting out the field of 64 combatants now, and we’ll be posting the first bracket and polls very soon. Stay tuned to the front-page of TORn for the announcement to start voting, and follow along on Twitter and FB with #middleearthmarchmadness @theoneringnet

 

treeandleaf J.R.R. Tolkien’s short story Leaf by Niggle is one of my favourite of his works. Written in 1938-39, and first published in the Dublin Review in January 1945, the piece is often considered an allegory of Tolkien’s own creative process (respected Tolkien scholar Tom Shippey argues in his book The Author of the Century that it functions as an autobiographical allegory).

Adam Dens and his friends have adapted this work into a short, 17-minute film. There are some sound issues here and there, but it’s worth a watch in my opinion. Go check it out. Adam writes: Continue reading “Watch this new fan-film based on Leaf by Niggle”

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Tuor Reaches the Hidden City of Gondolin, by Ted Nasmith I think it’s a given that 90% of all online quizzes are just rubbish. Which is why I was really surprised to stumble upon this great Buzzfeed Middle-earth quiz that will may actually stretch your Middle-earth knowledge. Continue reading “Test your Middle-earth knowledge with this quiz!”

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Making the complex simple and easy to digest has great value. A fellow on YouTube has been doing this for a while and now he has picked the mythology of Middle-earth to break down in a four-minute video. (And yes, we immediately wondered why we didn’t do this!) He uses spoken words, simple illustrations and iconic figures to blow through J.R.R. Tolkien’s mythology. The big overview ads value to the movie-going experience — like if you went to see “The Hobbit: The Battle of the Five Armies,” for example — or any of the various Middle-earth movies and gives viewers some idea of what all the ruins sitting around might be from. Finally, it might encourage somebody to go pick up a book!

Here it is, the broad view of old Middle-earth in four minutes:


Join us in Los Angeles in February at The One Last Party

one last party logo We’re hosting a Party of Special Magnificence next February — a final toast to all SIX movies, both The Lord of the Rings trilogy and The Hobbit trilogy.

We’re inviting you to join us and make it happen through our Indiegogo campaign — so we can all celebrate Peter Jackson’s Middle-earth movies together!

Visit our campaign page and find out how you can help!

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MIRAMAR, New Zealand — The director’s tent.

Inside a sound stage, or outside on location, it is a constant and central fixture on a movie shoot. It is home base for Peter Jackson and his team.

It is sacred ground — more or less.

The decisions made inside it, by the team, under Jackson’s direction, are crucial to the project where it is determined what will later happen in front of the camera.

So every day, whatever happens to a set or a sound stage overnight, the tent is there set up and waiting for the core of the shooting unit.

Editor Jabez Olssen, Script Supervisor Victoria Sullivan and First Assistant Director Carolynne Cunningham call it home during the shoot. Cunningham is outside of the director’s tent a lot, Olssen and Sullivan less so and Producer Zane Weiner is always near. Jackson’s assistant Sebastian Meek is in and out at all times, bringing badly needed tea and watching the door from outside to eliminate distractions inside.

Jackson lives on tea and Meek has a talent for having it handy at the perfect moment.

Jackson7SETTING THE SCENE

In April, 2012, as a representative of fandom via TheOneRing.net, I was invited to be on set during five weeks of the filming of the Hobbit films. At the time, it was still scheduled to be two movies and the production had just settled in to shoot in studio instead of on location. Much was unknown then, that now is completely familiar to fans.

When I first arrived at Stone Street Studios, the publicity team took me to set, showed me the ropes and left me to my own devices during the rest of my stay to meet folks and get interviews, which was great — no time and no need for babysitting.

I was there to be a good guest and to observe. Two weeks later I was definitely convinced I had no chance of talking to Peter Jackson, except for an occasional, “Hello, how are you getting on?” from him during my time there.

Fans world-wide know from production diaries, how exhausted Jackson gets during the shooting phase of filmmaking. It is important to really understand why.

Peter Jackson is a busy guy. Particularly when he is shooting, there is a lot to do in a day and a lot of people that need to understand his vision in order to do their jobs well; he is the hub of the great spinning wheel.

Peter JacksonHe is the director, a writer and a producer — each a big job on its own. Many films have one of each of those, or several of some, all working together. But Jackson was all of them at once and combining titles didn’t mean there was less work to be done. Just because he was reviewing shots didn’t mean the script didn’t need his touch or that the art department didn’t need his input or the next day’s schedule didn’t need approval. Others were partners on all of these roles but they also required Jackson.

In a day he might need to meet with the effects supervisor, set designers, concept designers, costume designers, the composer or see actual costumes for approval, or changes, to name just a few of the many things that require his time. He will confirm the schedule with his Assistant Director, producers and spend time with the Second Unit Director Andy Serkis, to make sure all is to his liking. They need sets built, greens grown, existing sets decorated, concept guys working ahead, materials guys building everything, maximizing actors’ time, feeding all of those people, screening extras, bringing in the right number of prosthetic artists for the day’s schedule of actors and extras and on and on. In short, there is never a shortage of people who need Jackson’s input to work on his vision and it takes the logistics of — dare I say — planning a battle with five armies.

In short, everything goes through Peter Jackson.

Those are the reasons “The Hobbit: The Desolation of Smaug,” and his other Hobbit movies are genuinely Peter Jackson movies. It also means he is booked.

Solid.

THE FINAL HOURS

And so it was, the last day of my time on The Hobbit set, after several assurances that my interview with Peter Jackson would happen — it did.

Lunch happened and on the location set of Dale, up on a hill overlooking Evans Bay to Wellington, I was invited to that nearly sacred director’s tent to sit and talk with PJ — just the two of us alone. (One editor asked me if we ate together in the tent but I don’t think so, but why many memories are crystal clear of that meeting, anything we ate or didn’t eat isn’t clear. I just have no idea.)

I had been inside before, but not often. The day I shadowed him, I spent several hours, trying to melt into the background. This was his sanctuary and office.

The Illuminated Silmarillion
The Illuminated Silmarillion
We’ve posted about this before, but I was reminded of it today, and it’s such an astonishing hand-made work of art in an age of mass production that I truly don’t think anyone will mind seeing it again.

Several years ago, German art student Benjaminn Harff set himself the task of hand-illuminating and binding a copy of J.R.R. Tolkien’s The Silmarillion. More than six months later he was still at it. He explained the process to Tolkien Library’s Pieter Collier: Continue reading “This hand-illuminated Silmarillion is an astonishing work of art”