CANBERRA – Lord of the Rings director Peter Jackson is to produce a new sound and light show on World War I aviation for the Australian War Memorial. Jackson, who won three Academy Awards for the film trilogy, will produce a 10-minute big-screen extravaganza to help visitors experience the risks, action and drama of First World War aerial battles. “It is very exciting for the memorial to have Peter Jackson involved in the creation of the multimedia for Over the Front,” assistant director for public programs Helen Withnell said. Presented on a large screen – measuring 21m by 3.5m – a 6:1 aspect ratio – the 10-minute sound and light show will be screened each hour. Peter Jackson to produce short WW1 film

Universal Logo
Universal Logo
Nikki Finke writes: I just heard that Universal has declined to exercise an option to co-finance DreamWorks’ Tintin with Steven Spielberg and Peter Jackson set to begin filming in October. The decision was quietly made a few weeks ago. So now DreamWorks will look only to owner Paramount for the rest of the moolah in the same way the two shared financing on Dreamgirls and Transformers. Unfortunately, Paramount is presently without an overall financing deal to mitigate risk, but is arranging it on a film-by-film basis. I say Tintin — to be played by Love Actually’s Thomas Sangster — sounds like an expensive but safe bet, considering that the beloved Belgian boy is a worldwide phenomenon, and that the two great filmmakers are directing and producing even though also participating as huge first-dollar-gross players. This latest wrinkle would be more interesting if, say, Uni’s decision hurt its about-to-become-closer relationship with DreamWorks. But it didn’t. As I already reported, GE’s Jeff Immelt and Uni’s Ron Meyer dined with Spielberg and Stacey Snider Thursday night while NBC Uni’s Jeff Zucker spent the better part of that afternoon with Steven planning out the rebuild of the fire-ravaged backlot.

From message board member Isildur’s heir: I just received an email from The New Yorker magazine. It seems Guillermo del Toro will be speaking at the Director’s Guild of America, as part of the New Yorker Festival, on October 4 at 7:30 p.m. at The Directors Guild of America; 110 West 57th Street. Tickets go on sale Wednesday, so be ready!

Guillermo del Toro talks with Daniel Zalewski on monsters: Guillermo del Toro wrote, directed, and produced the 2006 film “Pan’s Labyrinth,” which won three Academy Awards and became the highest-grossing Spanish-language film in U.S. box-office history. His other films include “Cronos,” “The Devil’s Backbone,” “Blade II,” “Hellboy,” and “Hellboy II: The Golden Army.” His next project will be a two-film adaptation of J. R. R. Tolkien’s “The Hobbit,” to be released in 2011 and 2012.

Tickets ($35) available Wednesday, September 17th, at 12 noon E.T., at festival.newyorker.com or by calling 800-440-6974. Tickets will also be sold during Festival weekend at Festival HQ, at Metropolitan Pavilion, 125 West 18th Street, and at the door. Send in your reports if you’re lucky enough to go!

Mark writes: I don’t know if you all have heard any whispers about a 3-D “Hobbit,” but CNN has an article that briefly mentions PJ and GDT in their article about futuristic three dimensional movies, “Film goes back to the future with 3D”:

‘Directors James Cameron and Peter Jackson also have climbed aboard the 3D band wagon — Cameron’s “Avatar” is due out in 2009, while Jackson will produce “The Hobbit,” with Guillermo del Toro directing.’

Ain’t It Cool News contributor Icaddy had the chance to see the unreleased trailer for Peter Jackson’s ‘The Lovely Bones’ at a Paramount press screening in London. This is what he had to say.

“Finally we got to see the trailer for lovely bones – have not read the book myself but my girlfriend ensures me that from the footage I described the film should be a massive hit. Trailer is very upsetting but in my mind give away WAY too much of the plot.”

Doug Adams, author of the upcoming book, “The Music of the Lord of the Rings Films”, has posted an update on the book’s progress: the book cover is still a work in progress, he’s hoping to include some of Shore’s pencil sketches, and numerous examples of notated music passages will be provided from throughout the score. Perhaps the most unexpected news was this:

The book project has now attracted the attention of a number of corporate entities. There is a potential to tie a couple of ideas together and perhaps make a bigger deal out of this release than was originally anticipated. 

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