Warner Bros., New Line Cinema and MGM have announced that The Hobbit: An Unexpected Journey has surpassed the $500 million benchmark at the worldwide box office.

To date, the blockbuster has earned an estimated $179.7 million in the USA. In addition, on the heels of its record-breaking release in Australia — the biggest Boxing Day opening of all time — the film has grossed an estimated $344 million internationally. The global total is $523.7 million, and steadily climbing. Continue reading “The Hobbit hits half a billion”

Spanish Tolkien website El Anillo Único is reporting that a teaser for The Desolation of Smaug will begin showing in theatres in Spain from January 4.

UPDATE: A few readers have informed us that December 28 is a traditional day of pranks (Called inocentadas) and jests in Spain in a similar way to April Fool’s Day. So best to take a huge grain of salt with this one. Well, that’s a bit of a pity.

To try and make up for the disappointment, here’s an animated GIF of Smaug’s eye. Continue reading “UPDATE: No Desolation of Smaug teaser just yet”

Christmas brings to mind the timeless, poignant image of a mother cradling her newborn child.

At this rather apt time of year then, TORn’s music geeks are pleased to bring you an exclusive interview with Hilary Summers.

An alto hailing from Wales, UK, Hilary recorded “Gilraen’s Song” that plays over the scene where Aragorn kneels in reverence before his mother Gilraen’s memorial in Rivendell, and whose lyrics hark back to the words once spoken by Gilraen herself.

Little boy, little one, night is falling, come into my arms, let me hold you safe.
But still you run through the twilight, lost in your play, slaying demons in the shadows.
Little boy, little one, full of grace, full of joy, oh, my heart will break,
F
or I see it in your eyes… you are your father’s son, not your mother’s child.

Join us in this exclusive interview as we talk to Hilary about her experience recording the song for The Lord of the Rings.

Continue reading “TORn Christmas Exclusive: Interview With Hilary Summers”

Philippa Boyens. Photo: KENT BLECHYNDEN/Fairfax NZ
Philippa Boyens. Photo: KENT BLECHYNDEN/Fairfax NZ
At the New York Premiere of The Hobbit: An Unexpected Journey, Vulture spoke to Philippa Boyens and Peter Jackson about the absence of Gandalf’s backstory from the film. In particular, they delved into why there’s no insight into why Gandalf assists the Dwarf company, and how he obtained the map and key of Thrain. Read on below the cut for some spoilery answers that hint at what we can anticipate for The Desolation of Smaug. Continue reading “The Hobbit and Gandalf’s backstory”

The Hobbit sheet music Musical types will be interested to learn that Howard Shore’s Dreaming of Bag End and Neil Finn’s Song of the Lonely Mountain are both now available as sheet music.

TORn Staffer Magpie reports that for the LoTR sheet music, which is available on the same site, “you could print the sheet music once and it has your name on it. But then you got this digital download that let you play the sheet music (with their player). It displayed the sheet music on your computer screen and played a midi file — highlighting the notes being played.”

You can also can preview most songs for one page to get a sense of how it works.

[Dreaming of Bag End] [Song of the Lonely Mountain]

The scaling system for The Hobbit It’s no small feat to make the wizard Gandalf appear larger than his dwarf and hobbit friends. Over at Popular Mechanics, Eric Vespe explains how the filmmakers pulled off the illusion in The Hobbit: An Unexpected Journey.

In the past, director Peter Jackson had to shoot characters of different sizes at different times and piece the scenes together in postproduction. “There was no way to direct the whole scene at once, no opportunity to finesse performances,” says motion-control supervisor Alex Funke. With the new system, Jackson watched scenes from The Hobbit unfold in real time.

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