We’ve just heard the sad news that Andrew Lesnie has died of a heart attack at the age of 59.
The filmmaker from Sydney, Australia, won an Academy Award for Best Cinematography for his work on Peter Jackson‘s “The Fellowship Of The Ring” in 2002. He is most associated for his work with Peter Jackson on the adaptation of J.R.R. Tolkien’s “Lord of the Rings,” trilogy and on “The Hobbit.” But his film catalog is much larger, including the just released Russell Crow-directed film, “The Water Diviner.”
He also served as director of photography for the Australian “Babe,” movies which led Jackson to him. In an interview with DigitalProducer.com, Jackson talked about the series of events, including Lesnie leaving “Mission Impossible 2,” to come to the Tolkien films. Said Jackson:
“I’d never worked with him or even met him before, but he’d shot the Babe films and I thought they looked amazing, the way he’d used backlight and the sun and natural light to create a very magical effect. And Babe had that larger-than-life feel about it that I wanted. So when we began looking for DPs in early 1999, I first decided to get either an Australian or New Zealand DP as they’d be used to the way we make films. Every country is slightly different in that way, and I immediately thought of Andrew. But he was shooting MI2 in Sydney, so I was a bit stuck then. But then after three weeks he left MI2 — apparently there was a lot of friction on the set, and we called him the next day and persuaded him to fly over to meet. Then we showed him all the designs and sets and he got very excited, and I liked him a lot.”
Jackson and Lesnie made the six Tolkien films together but they also collaborated on “King Kong,” and “The Lovely Bones.” Other notable films he worked on:
“Rise of the Planet of the Apes,” and “I Am Legend,” among others.
He can be seen as a painter acting in the Sean Astin-directed short film, “The Long and Short of It.” He made a cameo in “Return of the King,” as a Corsair of Umbar sailing to battle. By all accounts and from personal observations, Lesnie was excellent to work with. He is immortalized through his work.
All of us here at TheOneRing.net send our best wishes and condolences to his family and friends.
Below is the video of Lesnie winning his Academy Award for “Fellowship,” where he is graceful, humorous and thanks many people person-to-person before walking on stage to accept the award. It is a fine example of his professionalism and good nature.
Namarië Andrew! You will be greatly missed.
Rest in Peace
MrCere contributed to this report.
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On March 28, 2015 TheOneRing.net livestreamed an interview with animation pioneer Ralph Bakshi to discuss the first-ever “The Lord of the Rings” film (1978), and to parse the differences between homage and rip-off (and the not-so-nebulous chains of inspiration from one artist to another).
Bakshi revealed to us that his Studio’s “LOTR” character designs and artwork were sent down to Three Foot Six in New Zealand; elevating the conversation of his impact on the live-action epic.
The subversive director has lived through numerous controversies, yet remains undervalued by Ringer fans and feels personally slighted by Jackson. He carries on vigorously at 77 years old with a new crowdfunded animated work, “The Last Days of Coney Island” and his intent to direct a “Wizards 2” follow-up to his 1977 cult hit. Continue reading “The Bakshi Interview: Uncloaking a Legacy”
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With “The Hobbit” movies before our eyes, either from home or at the movies, here is a fascinating look back at Peter Jackson’s “The Lord of the Rings,” films. This clever edit of the films might have been what King Theoden was yelling “Death! Death! Death!” about from his horse because this version features all the on-screening killing from the whole trilogy – extended edition.
It might bring differences between the two trilogies to mind, or it might not, but whatever it is, the folks at Digg have done themselves proud. ENJOY!
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Sir Ian McKellen starts this video introduction to announce the World Premiere date for the final chapter of Peter Jackson’s cinematic Middle-earth films. We now know for sure that the cast and crew from all six films will be walking through Leicester Square on December 1, 2014 in London. Sir Ian was joined by Richard Armitage, Luke Evans, Orlando Bloom and Bilbo Baggins himself, Martin Freeman. Check out the video below for more details and start making your plans accordingly. There is mention of a contest, so good luck to anyone who chooses to enter.
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Catching up with some of our friends from New Zealand, we learned about a project that involves the efforts of a lot of Kiwis, including Sylvester McCoy of Hobbit fame and Lord of the Rings’ Alex Funke. For good measure New Zealand’s Grammy winner Kimbra (Somebody That I Used To Know) is supporting the project with her voice.
In the age of computer generated effects, the film “Birds” is a throwback. A friend to TORn, Horst Sarubin, who worked on visual effects for the three Hobbit films, is behind the project that uses puppets, shot one frame at a time with incremental movements between frames to create a motion picture. The film, about the struggles of George the bird in the primordial forests of Zealandia (pre-historic New Zealand) to carry on.
McCoy is well known for his bird whistles and humor, which Hobbit director Peter Jackson definitely brought through the former Dr. Who’s Radagast into cinematic Middle-earth. In the film’s kickstarter campaign McCoy presents those whistles and gets a little bird treat in return. In the same video Funke, who is best know for helping make the LOTR bigatures look amazing on screen, explains his role is to make the cinematography great.
The stop-motion technique is being employed to give the filmmakers a hands-on experience and a final project they claim will be alive and organic. Tying closely with the passions of Peter Jackson, these are the same techniques used by Ray Harryhausen and Willis H. O’Brien. The original King Kong movie was made in this fashion, inspiring a generation of filmmakers.
With a team of grass-roots talent with a Middle-earth cinematic legacy efforting the film and a universal appealing story, but set in the ancient human-free land that would eventually become New Zealand, TORn readers may want to know further information is available at georgethebird.com. The grass-roots effort is seeking fan support via the kickstarter campaign above.
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One of the big visual secrets of the final Middle-earth movie from Peter Jackson, “The Hobbit: The Battle of the Five Armies,” is Dain Ironfoot. Played by Billy Connoly, Dain is a character that is essential to the story but isn’t incredibly fleshed out in J.R.R. Tolkien source material that was originally intended for children.
Our own Demosthenes has this excellent analysis of Connolly as Dain complete with quotes and descriptions of the character. It has long been reported that Dain will arrive on the scene riding a war boar but clearly Jackson’s team has been careful not to reveal this in any teaser trailers so far, and, lets hope it stays that way.
But, visuals of the character have started to seep into the public eye. With giant franchise films like The Hobbit, it’s impossible to put a lid on too much because merchandise and toys need to start selling before the film hits theaters (and before it is finished!) and that means that at the very least, clues are out in the wild.
The image at the top of this story, for example, clearly displays Lego Dain and it jives with the descriptions that are out there including this one from Connolly via Yahoo Australia:
“They’re basically broadening me, making me wider. But let me say, this guy will terrify the life out of you. I have a Mohawk and tattoos on my head. You’ve got to see it.”
The Lego character appears to be a ginger and is wearing a red chest piece as part of his armor, giving him a distinct look that will visually set him apart in cinemas so viewers will know instantly that he isn’t like the dwarves we have spent so much time with so far. He is a new element with a distinct mount, armor and will be immediately recognizable and unique.
The Lego Dain even evokes a little bit of Connolly to me visually, although it could be a previous bias.
The concept art here seems to really compliment the Lego image as something close to Dain’s final design. The helms certainly seem similar in shape and color and the beards seem the same in shape and color. There are differences however in the color of the breastplate, although details on a Lego toy are only meant to be a representation and not a literal translation. In fact the looking and speculation from still images of a toy and a concept art is fun because of how different the motion picture experience is from a still image. In the day of CGI, what is filmed may or may not even resemble what ends up on screen.
UPDATE EDIT: Readers have correctly pointed out the below image is of Dwalin. The writer has been sacked.
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