In this two-part feature, Norse mythologist Dr Karl Seigfried writes about Éowyn as an exemplar of Nordic literary tradition and a feminist icon. It’s interesting stuff.
TOLKIEN’S deep love for the literary heritage of northern Europe can be felt throughout his works. I teach a semester-long course teasing out the many elements of Norse myth that permeate The Hobbit alone. In this article, I will focus on a close reading of a single bit of dialogue in The Lord of the Rings to show how powerfully the pre-Christian philosophy resonates in Tolkien’s fantasy.
In “The Passing of the Grey Company”, the second chapter of The Return of the King, Aragorn tells Éowyn that she may not ride with him to battle, but must remain behind as the men go off to war. Her response immediately shows her allegiance to heathen ideals.
‘You are a stern lord and resolute,’ she said; ‘and thus do men win renown.’ She paused. ‘Lord.’ she said, ‘if you must go, then let me ride in your following. For I am weary of skulking in the hills, and wish to face peril and battle.’ Continue reading “Éowyn: Tolkien’s Nordic feminist”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
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David Salo who you may know from his work as a linguist, language constructor and translator for Peter Jackson’s The Lord of the Rings and The Hobbit movies has recently started his own language blog called Midgardsmal. Salo intends to blog about his thoughts about his work on the films, as well as the new languages he created for The Hobbit. Continue reading “Linguist David Salo now blogging at Midgardsmal”
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This piece by Tolkien scholar Michael Martinez attempts to shed some light on the ultimate source of the ancient enmity between elves and dwarves.
MANY strongly-worded opinions have been written about the apparent enmity between Elves and Dwarves in The Lord of the Rings, although there is hardly any reference to such enmity in the story. Legolas and Gimli get off to a poor start but eventually become such close friends that it is considered remarkable. Continue reading “What caused the strife between Elves and Dwarves?”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
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A dilapidated tower thought to have been the inspiration for the fortress of Isengard in JRR Tolkien’s Lord of the Rings, is to be renovated and opened to the public.
Perrott’s Folly in Edgbaston, Birmingham, will be permanently opened if enough money can be raised for its restoration, its owners have said. JRR Tolkien grew up in the area and would have passed the old hunting lodge every day on his way to and from school. Historians believe Tolkien would also have seen the gothic tower dominating the horizon from his bedroom window as a boy. Continue reading “Tolkien’s inspiration for Orthanc to be opened to public”
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“Then at last his gaze was held: wall upon wall, battlement upon battlement, black tower of adamant, he saw it: Barad-Dûr, Fortress of Sauron. All hope left him.”
—The Fellowship of the Ring
How do you follow-up one of the coolest environments you’ve ever produced? Well, you go ahead and produce one of the next most coolest environments of course! Shortly after Comic-Con 2011 senior model maker David Tremont began the momentous task of transforming the original model of Barad-Dûr for The Lord of the Rings into a collectible we could all own. Finally, after a year of slaving, fans of Middle-earth got to see the result at Comic-Con 2012 when Barad-Dûr was unveiled to the world.
Sauron began work on Barad-Dûr during Middle-earth’s Second Age, when he chose Mordor as the place his dominion over Middle-earth would begin. Barad-Dûr was finished in the year 1600 of the Second Age and during that period Sauron would go on to create The One Ring, which would only help to make the fortress even stronger. During the War of the Last Alliance fortress was destroyed with the exception of the foundations as they could not be destroyed as long as The Ring was around. In 2951 of the Third Age Barad-Dûr’s reconstruction was started, but it would not last when Gollum fell into the lava of Mt. Doom destroying the Ring and the fortress.
PACKAGING
The graphics on the front of the box for Barad-Dûr have kept virtually the same design we’ve seen with previous environments from Weta. On the front of the box a screencap of Mordor with an image of Barad-Dûr completes the scene. Of course, you also have the beautiful The Lord of the Rings logo in the upper right-hand corner with the name of the environment under the picture of Barad-Dûr. One side of the box contains images of Barad-Dûr while the other side features images of other Weta Workshop products. The back of the box contains a great picture of the environment along with a background story about the collectible.
SCULPTING
Over 1,500 hours were put into Barad-Dûr to ensure the collectible on your shelf matches what you saw during The Lord of the Rings trilogy. I believe fans, once they have a chance to see the detail in this piece, will agree all of those hours paid off in spades. David Tremont and his team made very sure every window, spike, tower, ledge, bridge, and rock is included on this piece. Gazing upon this collectible, you can almost imagine Sauron or any number of his minions looking out upon Mordor from any of the many ledges and balconies. It truly is a great representation of the model we saw on film. What’s even more amazing is because of the material used it allowed these details to be captured and safely arrive to our homes. Rivendell had its beautiful river running through it and Barad-Dûr has something similar with its lava river flowing from Mt. Doom into the cavern surrounding the fortress. Even the rock areas of Barad-Dûr are exceptionally realized with the plains of Gorgoth looking like a place you don’t ever want to visit. Like Rivendell, this collectible is an achievement for Weta in showing off the amazing talent of their artists.
PAINT
The paintwork on Barad-Dûr is fairly simple compared to say Rivendell, and much more in-line with that of Orthanc. It’s all black and the shading for the different levels in different places are all really well done. The color of the tower does not match the color of the rock within the piece. That was going to be the toughest part of the paint I think and they were able to create the proper level of separation. The lava looks really good and stands out like lava would with an all-black world of Mordor.
Overall
Barad-Dûr costs $700 but the level of detail you get and the size of this piece allows you to truly get value for money. This piece is a limited edition piece with only 1,000 of the fortress being produced. Barad-Dûr does not come with a flaming eye but if that is a potential issue for you all you have to do is download the iPhone or iPad app. Then you will have the eye of Sauron. Finally, I cannot implore you enough if you are a The Lord of the Rings collector to find a way to get this piece into your collection.
Also, if you’re truly interested in what it took to bring this collectible to life check out the three articles by David Tremont. In these articles he explains the ups and downs of making sure we got one of the best environments ever created.
Article One
Article Two
Article Three
SPECIFICATIONS
Barad-Dûr is limited to 1000 pieces world-wide.
Barad-Dûr’s specs are as followed: 20.9″ x 18.1″ x 12.2″ (H x W x D)
53 cm x 46 cm x 31 cm Weight: 22 lbs
PHOTOS
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Christmas brings to mind the timeless, poignant image of a mother cradling her newborn child.
At this rather apt time of year then, TORn’s music geeks are pleased to bring you an exclusive interview with Hilary Summers.
An alto hailing from Wales, UK, Hilary recorded “Gilraen’s Song” that plays over the scene where Aragorn kneels in reverence before his mother Gilraen’s memorial in Rivendell, and whose lyrics hark back to the words once spoken by Gilraen herself.
Little boy, little one, night is falling, come into my arms, let me hold you safe.
But still you run through the twilight, lost in your play, slaying demons in the shadows.
Little boy, little one, full of grace, full of joy, oh, my heart will break,
For I see it in your eyes… you are your father’s son, not your mother’s child.
Join us in this exclusive interview as we talk to Hilary about her experience recording the song for The Lord of the Rings.
Continue reading “TORn Christmas Exclusive: Interview With Hilary Summers”
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