Anyone else noticing a rather interesting trend? A few of the major NZ New Agencies are getting interviews with Peter Jackson and Philippa Boyens on the actual sets for the upcoming Hobbit films. The previous interview from TVNZ was in Gollum’s Cave (see below), and the following from 3 News is inside the rebuilt Bag End set! Thanks to Ringer Pippin for the link. (Hey, I want to see Smaug’s Lair please) [3News Video]

Close Up’s Mark Sainsbury spoke with Sir Peter Jackson and Philippa Boyens about the dispute surrounding The Hobbit. The location for the interview was the set for Gollum’s Cave currently under construction. The video can be viewed  here.

Portions of the interview have been transcribed by TORn message board gem Ataahua who’s faithfully been keeping us updated of the scene as it unfolds down in New Zealand. Highlights from the transcription follow:

PJ: “There are sets behind us being made to shoot on. This is Gollum’s cave for goodness’ sake. It [the allegation that Warner Bros. always wanted to take The Hobbit overseas] is absolute junk. One month ago, no one in a million years thought this movie was going to leave the country. At that point [four weeks ago] the confidence in our country as a stable base to make movies was eroded. Is the movie going to come or go? We don’t know. Unfortunately, lifting the blacklist doesn’t have anyting to do with it: The damage will be done. Warners are coming here next Monday and we’ve got to fight like hell.”

Mark Sainsbury: “Right here, Thursday night, what is the status of The Hobbit?”

Philippa: “Probably going out the door.”

PJ: “Yeah. The studio are coming through on Monday and I’m wracking my brains to find out what they need to get the confidence that they need.”

The transcription can be viewed in over at our message boards using this link.

Sir Peter Jackson was interviewed  earlier today on New Zealand’s TV ONE on the future of the Hobbit films in New Zealand. Excerpts follow:

“It’s a question of confidence in our industrial relations and the damage was done within a week of the blacklist going on.”

“There are risks involved in movies, they have to be good films, they have to earn a profit and [studios] need the insurance factor that money is going into a stable industrial climate.”

“Up until a month ago, no one had even thought in a million years that this movie was going to leave the country. And then this blacklist was bought on, and the studio said ‘What the hell is going on?’ and we tried to figure out what the hell was going on. At that point confidence in our country as a stable base to make movies started to erode.”

Warner Bros. representatives will be flying down to New Zealand next week to begin preparations for moving the films off-shore, and New Zealand Prime Minister John Key has made it known he is prepared to meet with them. However, PJ’s  comments on the same seem to add veracity to the fact that the decision to keep the film in New Zealand is no longer in his hands.

“This is where I’m out of my depth. I can talk my way around the movie, but to tell the studio why investing $500 million in our country is a good idea when they’ve just seen the disgusting frivolous action that’s just happened, I don’t know what to say. The Prime Minister should say something because I certainly don’t know what to say.”

Read the entire interview over at New Zealand’s TV ONE.

New Zealand media commentator Russell Brown lends his perspective of where breakdowns have occurred along the path of seeking rights for New Zealand actors.

“If production of the Hobbit does indeed go to Ireland, there will be an extraordinary irony: the industrial relations environment around the film will be benign because Irish Equity did what New Zealand Actors’ Equity would have done had it been even minimally competent.”

A harsh look at NZAE, to be sure, but the piece also contains some good background information. Continued thanks to Kiwi staff member Ataahua for funneling all the ‘local’ media releases to us so quickly.