Peter Jackson stands in front of a set as photographed by DGAQuarterly / Louise Hatton. Currently in print at the best magazine racks and by subscription, DGAQuarterly (Directors Guild of Amercia’s print magazine) features a lengthy interview with director Peter Jackson. There aren’t any real “The Hobbit: Desolation of Smaug,” spoilers but the lead image does show Jackson in front of a wet set that could be Laketown. If you click the link to the full article, you will see images that must be from Jackson’s personal collection of his early work including a shot with Kate Winslet on “Heavenly Creatures.”
We call it a kitchen sink interview because it contains so much depth and covers a wide array of topics, touching on many of Jackson’s most important films while keeping in focus that his work on Middle-earth movies is so far, his greatest triumph and what he is most likely to be known for.
The Q&A with writer Jeffrey Ressner ranges over the Kiwi’s whole career with fascinating bits on his earliest days:
My first movie, Bad Taste, was really made up as we went along over four years, and it didn’t even have a script. Not having actors or a script tends to be somewhat limiting. [Laughs]
Jackson adds to the lore that surrounds the making of the “Lord of the Rings,” films with an amazing story about how his shooting studio in New Zealand came to be:
We thought, ‘Well, if The Lord of the Rings happens, this is exactly the sort of place we’d need. This is absolutely incredible.’ But it was very expensive. At the time it was just Fran and I, and if we committed to it and for some reason the film didn’t happen, we’d be in big, big trouble. I mean, we were mortgaging our house just to make the down payment on the place. One day the real estate agent was showing us around; the paint factory had been closed for six months, so it was mothballed and covered in dust. The cafeteria was dull and gray, and there were a lot of old Formica tables with chairs stuck up on top of them. Just before we left, I saw a paperback book sitting on one of the cafeteria tables—it was a copy of The Lord of the Rings. I called Fran over and pointed to it, and we looked at each other and then said to the guy, ‘OK, we’ll take it.’ And that became Stone Street Studios.
He also drops this gem that almost sent me back to my Blu-ray player:
I have to say, I saw a bit of my Kong about a year ago, and I actually think the last half-hour—those scenes in New York through the end of the Empire State Building sequence—is probably the piece of filmmaking of which I’m the proudest.
There is a lot more to this interview if you follow the link above. It may be one of the best Jackson interviews in print. We at TheOneRing have a good one in our pocket we hope to share before we see Smaug again in theaters, but this DGA piece is highly recommended.
During the first month of this century, Tolkien fans were asking the following questions to our Green Books staff at TheOneRing.net…
Q: Dear Everybody, I was just curious as to when it is Frodo’s and Bilbo’s birthday according to our calendar? I really enjoy your site, keep up the great work.
– Dan
A: Frodo and Bilbo shared their birthday on September 22nd, as stated in “The Long-Expected Party.” The Hobbits called this month Halimath. The duration of the solar year for Middle-earth was the exact same as that of our Earth; namely 365 days, 5 hours, 48 minutes, 45 seconds (see Tolkien’s note in The Return of the King, Appendix D, “Shire Calendar”). So we are basically measuring the same span of time but with a different enumeration of days. Small differences in each month’s duration make it a little tricky to compare the Shire Calendar to our Gregorian Calendar. We have months with 28, 30, or 31 days, but every Shire month is exactly 30 days. But look very closely, and you’ll see Tolkien added days like 1 Yule, 2 Yule, the Midyear’s Day, etc. It’s enough to cross your eyeballs!
I managed to do a simple overlay of our current year 2000 (which is a Leap Year here in the United States) with the Shire Calendar table. I added the Overlithe holiday the Hobbits would have used for their Leap Year (as we would add February 29th) and counted forward to find the equivalent of Halimath 22nd. It turns out Frodo and Bilbo’s birthday falls on the day we call September 23rd… at least this Leap Year. Any other year it would fall on September 22nd. But don’t ask me to calculate for the Chinese or Hebrew calendars, I claim no talent in mathematics!
I saw the question you answered about Frodo and Bilbo’s birthday in relation to our calendar, and looked it up in Appendix D. I noticed that it says that the hobbits’ Midyear’s Day corresponded to the summer solstice, making our New Year’s Day the hobbits’ January 9. Therefore, Bilbo and Frodo’s birthday would be September 12th (13th in leap years).
– David Massey
Interesting process of calculation, David! I am afraid I’ve spent too many years counting my own branches and little else, leaving me ill-equiped for higher forms of algebra.
In this thought piece, our newest feature writer Noah Smith outlines some of his hopes and concerns regarding the character Tauriel, and how in her best moments he hopes she’ll prove a tribute to some of most Tolkien’s vibrant heroines.
NO two Tolkien fans are the same. Yes, we harbor a deep and abiding love for all things Middle-earth, but (I like to believe) our tastes differ, even if only in the minutia. Some may enjoy the philological phantasmagoria that permeates Tolkien’s works, while others draw inspiration from the detailed locations and their histories. Personally, I have a thing for maps. However with the recent addition of Tauriel to the Middle-earth mythos, my thoughts have been drawn to the characters that inhabit our collective imagination and, more specifically, those of the female gender.
Tolkien, unlike many other fantasy writers of the twentieth century, was entirely willing to create strong, vividly imagined female characters. One that immediately comes to mind is Lúthien Tinúviel, who was so prominent in Tolkien’s world that she is not only mentioned in The Lord of the Rings, but is also a major character in The Silmarillion and even features in the epic poem The Lay of Leithian.
The latter work, which Tolkien never completed, chronicles the love between Beren and Lúthien. Another well-known character from the Legendarium is Elwing the White*, mother of Elrond and Elros. How prominent was she? After several unsuccessful attempts by Eärendil the Mariner to try and sail to Valinor, Middle-earth’s most-renowned seaman was only successful after Elwing joined him on Vingilot.
The two most well-known heroines, thanks in no part to the films, are of course Arwen and Éowyn. Yes, Arwen’s romance with Aragorn did seem a tad campy on the big screen (in a beautiful, melancholic fashion that truly added to the story), but let’s not forget: this is the same elf who faced down the Nine (even if it didn’t happen in the books) and single-handedly saved Frodo from certain death. And Éowyn’s fantastic line, “I am no man!” when taunted by the Witch-king? It still raises the hairs on the back of my neck. So good. Also, I would be remiss to neglect Galadriel, of Lothlórien. Not only is she a Ring-bearer of immense power, but she also sits upon the predominantly male (even if the Mair aren’t technically Men) White Council.
So, where does this leave us? Ah, yes: Tauriel. As a Tolkien fan, I’m ecstatic to see a fresh addition to the lore. As someone who considers himself to be rather versed in the ways of the entertainment industry, I see it as a shameless attempt to attract the ever-elusive demographic of young women (insert Orlando Bloom joke here) and adolescent males (insert scantily clad bikini picture here). Honestly? If she’s anything more than a Disney princess in elf ears, I’ll be satisfied.
What I’m trying to say, in a less cynical fashion, is that I trust Peter and Fran, I really do. But I’m also aware of the climate in which they have to operate. Big money means a big emphasis on making a big profit, and a necessary part of show business is trying to target as many demographics as possible. Time and time again, we see corporations put pressure on directors and writers to change their movies in ways that reach a larger audience, but harm the overarching narrative.
Will Evangeline Lilly be fantastic? I’m sure she will. Will her and Orlando’s on-screen chemistry, and indeed their very presence, contribute to the overall narrative of the trilogy? I’m sure they’ll make it work. Is it necessary? I remain to be convinced, largely because I’ve seen how sterile and bureaucratic the industry can be.
In the best of all possible worlds, I see Tauriel as the embodiment of the inner strength and outward beauty of all the aforementioned characters. Why Tauriel? Because The Lord of Rings trilogy had its strong female protagonists, as did the Silmarillion and the Legendarium before it. Therefore, in the spirit of a more diverse, modern telling of The Hobbit, I see it as only natural that Jackson and company would want to introduce a fresh female character. In truth, the only part of me that is uneasy is the fervently cynical, text-obsessed fanboy who’s shaking the bars of his cage and muttering, “but she’s not in the book!”
Until more elements of the plot are revealed, Tauriel remains a positive yet potentially unnecessary addition to Peter Jackson’s cinematic vision. In the end it all boils down to the spirit in which these changes are made to the source material. Who knows? I could be completely off the mark. When it comes to the Hobbit films I’ve yet to be disappointed.
In Jackson we trust.
* Bootnote. Most would automatically think of Aredhel with the appellation “the White”. However, there is one single reference that seems to indicate that the label also applied to Elwing. It’s from The Fellowship of the Ring where Aragorn is speaking to the four hobbits of Beren and Lúthien. As it’s direct speech, it does seem to be part of an oral tradition of either the Dunedain, or of the Noldor (or both). The quote in full: “For of Beren and Lúthien was born Dior Thingol’s heir; and of him Elwing the White whom Eärendil wedded, he that sailed his ship out of the mists of the world into the seas of heaven with the Silmaril upon his brow. And of Eärendil came the Kings of Númenor, that is Westernesse.” A Knife in the Dark, The Fellowship of the Ring.
Noah Smith is a freelance writer operating out of the woods of Pennsylvania, though he leaves often and for great lengths of time. The proud owner of more pet projects than any sane person deserves, he peddles his craft in various portions of the internet and local collegiate magazines, writing poetry, commentary, speculative fiction and erroneous remarks in the comment sections of videos. He writes on a blog called Utumbria and can also be found on Twitter. His opinions do not necessarily reflect those of TheOneRing.net or its staff.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Back in December 1999, these were the questions on the minds of fans…
Q: Gandalf and the other wizards were obviously powerful Maiar sent to protect Middle Earth. If Tom Bombadil is a lesser Maiar, then why was Tom completely unaffected by the ring when he placed it on his finger, Tom didn’t even disappear. When Gandalf was offered the ring he refused saying that the power would corrupt him as any other. I hope you can explain this to me. I don’t think it’s because Tom Bombadil didn’t want power so he was unaffected, because Gandalf was just as uninterested in power as Tom. Thank you.
– The Dunedain
A: It seems more plausible that Tom Bombadil was uninterested in the kind of power that the Ring conveyed. Tom also clearly had his own boundaries, at least geographically, for when he takes leave of the hobbits he says “Tom’s country ends here: he will not pass the borders”. If Tom would have been persuaded to take the Ring, it would, over time and in the end, have worked its power upon him and corrupted him. But for the short time of its passage through his own country, it seems not to have affected him, and within the boundaries of his own realm, Tom seems certainly to have been Master.
A few people have written in questioning whether Tom Bombadil might not actually be Eru. Truly, there are no hints of this in Tolkien’s writings, and I think that such a Twilight-Zone styled twist would be uncharacteristic of him. Also, in view of Tolkien’s devotion to his Catholicism, and in light of his extensive rationalization of “sub-creation” in his famous essay “On Fairy-Stories”, I just don’t think his mind worked that way. But that’s only my view.
– Turgon
Update to Update!
One reader wrote in to point out a few passages in Letters where Tolkien states explicitly that, in Middle-earth, “there is no embodiment of the One, of God, who indeed remains remote, outside of the World, and only directly accessible to the Valar or Rulers”. These statements rule out the possibility that Tom Bombadil might be Eru.
Q: In “Unfinished Tales,” reference is made to “The Second Prophecy of Mandos.” This foretells the Dagor Dagorath, the final battle against Melkor that will end the world (a la Ragnarok, Armageddon). But except for that tidbit, the Second Prophecy is a throwaway reference. So I’m asking–when did Mandos make this prophecy? Where and under what circumstances? What mortal ears heard it? And what, exactly, does it prophecy? Is there more to it? The First Prophecy (which I’m assuming refers to the Doom cast on the Noldor as they were high-tailin’ it out of Aman) was pretty specific and wide-ranging. The Second must be more substantial than simply, “There’s gonna be a big fight with Morgoth”.
-The Prankster
A: The reference in Unfinished Tales comes from a passage quoted in the section on “The Istari”, and reads as follows: “Manwe will not descend from the Mountain until the Dagor Dagorath, and the Coming of the End, when Melkor returns” (p. 395). Christopher Tolkien has footnoted this to read: “This is a reference to ‘the Second Prophecy of Mandos’, which does not appear in The Silmarillion; its elucidation cannot be attempted here, since it would require some account of the history of the mythology in relation to the published version.” (footnote 8, p. 402).
Unfinished Tales came out in 1980, and fortunately, with the publication in 1986 of volume four of The History of Middle-earth, entitled The Shaping of Middle-earth, we can understand much more about the Second Prophecy of Mandos. It appears in this volume in two forms, in the earliest ‘Silmarillion’, the ‘Sketch of the Mythology’ as written for Tolkien’s former teacher R. W. Reynolds around 1926, and in the ‘Quenta Silmarillion’ proper, written around 1930. For the version from the earliest ‘Silmarillion’, see section 19, pp. 40-1 of The Shaping of Middle-earth. The second version, from which I give some extracts below, can be found in full in section 19 , pp. 163-5 of the same volume:
“After the triumph of the Gods, Earendel sailed still in the seas of heaven, but the Sun scorched him and the Moon hunted him in the sky . . . Then the Valar drew his white ship Wingelot over the land of Valinor, and they filled it with radiance and hallowed it, and launched it through the Door of Night. And long Earendel set sail into the starless vast, Elwing at his side, the Silmaril upon his brow, voyaging the Dark behind the world, a glimmering and fugitive star. And ever and anon he returns and shines behind the courses of the Sun and Moon above the ramparts of the Gods, brighter than all other stars, the mariner of the sky, keeping watch against Morgoth upon the confines of the world. Thus shall he sail until he sees the Last Battle fought upon the plains of Valinor.
“Thus spake the prophecy of Mandos, which he declared in Valmar at the judgement of the Gods, and the rumour of it was whispered among all the Elves of the West: when the world is old and the Powers grow weary, then Morgoth shall come back through the Door out of the Timeless Night; and he shall destroy the Sun and the Moon, but Earendel shall come upon him as a white flame and drive him from the airs. Then shall the last battle be gathered on the fields of Valinor. In that day Tulkas shall strive with Melko, and on his right shall stand Fionwe and on his left Turin Turambar, son of Hurin, Conqueror of Fate; and it shall be the black sword of Turin that deals unto Melko his death and final end; and so shall the Children of Hurin and all men be avenged.
“Thereafter shall the Silmarils be recovered out of sea and earth and air; for Earendil shall descend and yield up that flame that he hath had in keeping. Then Feanor shall bear the Three and yield their fire to rekindle the Two Trees, and a great light shall come forth; and the Mountains of Valinor shall be levelled, so that the light goes out over all the world. In that light the Gods will again grow young, and the Elves awake and all their dead arise, and the purpose of Iluvatar be fulfilled concerning them. But of Men in that day the prophecy speaks not, save of Turin only, and him it names among the Gods.”
Q: Back a while ago (before the internet) I remember seeing a piece written where someone was arguing that Tolkien elves were actually taller than humans. I don’t remember where it was but that doesn’t matter now. Is there any actual mention in any of the books or professor Tolkien’s letters about this? Or are elves really shorter as is shown in just about every picture painted of the Fellowship (i.e. Legolas and the humans)? If they are shorter, how do the half-elves (Elrond and Aragorn’s line) all end up being generally bigger than other humans?
-Mark Ervin
A: The cheating answer is to use Robert Foster’s Complete Guide to Middle-earth and cite his entry for Elves, in which he writes, “Elves were the fairest of all earthly creatures, and resembled the Ainur in spirit. They were about six feet tall and somewhat slender…”. But the real challenge is to find where in Tolkien that Foster found this information. In The Lord of the Rings, the first meeting with an Elf occurs in Book I , Chapter 3, “Three Is Company”, where the hobbits encounter Gildor and his party of elves in the Shire. As the hobbits are marching along with them, Pippin begins to stagger, “but each time a tall Elf at his side put out his arm and saved him from a fall”. Later in The Fellowship of the Ring, in Book II, Chapter 7, “The Mirror of Galadriel”, when the fellowship meets Celeborn and Galadriel, they are described as follows: “Very tall they were, and the Lady no less tall than the Lord”. I’m sure that there are other similar references scattered throughout the books. The earliest mention chronologically within Tolkien’s life that I can find about the stature of Elves comes from Tolkien’s early poetry, c. 1915, in which the Elves were conceived with a diminutive stature. But, as Christopher Tolkien notes in The Book of Lost Tales, Part One, “All the ‘elfin’ diminutiveness soon disappeared” (p. 32). And in the prose narrative of The Book of Lost Tales (written c. 1917-20) there is some confusion as to whether Men or Elves were of a greater stature, but they are certainly seen to be of a similar size. One added note by Tolkien states that “Men were almost of a stature at first with Elves, the fairies being far greater and Men smaller than now.” (p. 235) Tolkien seems to have regarded Men and Elves to be of a similar size for the rest of his life.
Vladimir Lukic sent in a bunch of interesting observations, pointing out that there are some really fascinating comments in Tolkien’s notes on “Numenorean Linear Measures,” published inUnfinished Tales (pp. 285-287). Tolkien writes of the unit of measurement “ranga” that “two rangar was often called ‘man-high’, which at thirty-eight inches gives an average height of six feet four inches; but this was at a later date, when the stature of the Dunedain appears to have decreased. . . . Elendil was said to be ‘more than man-high by nearly half a ranga’; but he was accounted the tallest of all the Numenoreans who escaped the Downfall. The Eldar of the Elder Days were also very tall. Galadriel, ‘the tallest of all the women of the Eldar of whom tales tell’, was said to be man-high, but it is noted ‘according to the measure of the Dunedain and the men of old’, indicating a height of about six feet four inches.”
Q: At the Doors of Durin, what is Gandalf referring to when he says that Merry of all people was on the right track about the proper words to open the gates? I can’t see that Merry says anything very profound.
-Dr.Joe
A: Gandalf read the elf-letters on the Doors of Durin as follows:
“The words are in the elven-tongue of the West of Middle-earth in the Elder Days,” answered Gandalf. ‘But they do not say anything of importance to us. They say only: The Doors of Durin, Lord of Moria. Speak, friend, and enter. And underneath small and faint is written: I, Narvi, made them. Celebrimbor of Hollin drew these signs.”
“What does it mean by speak, friend, and enter?” asked Merry.
“That is plain enough,” said Gimli. “If you are a friend, speak the password, and the doors will open, and you can enter.” (The Fellowship of the Ring, p.318)
Merry’s observation was not very profound, but he was at least questioning the odd phrasing of “speak, friend, and enter”, and its meaning. The phrasing proved to be the key to opening the door, as Gandalf soon figured out. The translation should have been “Say ‘friend’ and enter”, and Gandalf merely had to say the Elvish word for ‘friend’, mellon, and the doors opened.
Q: What do you know of the theory that the hero in C.S. Lewis’ space trilogy is actually a thinly discussed characterization of Prof. Tolkien?
A: Tolkien himself felt that Ransom (at least in the first two books of the so-called Space Trilogy, Out of the Silent Planet and Perelandra) resembled himself in superficial ways. In a letter to Stanley Unwin of 18 February 1938, Tolkien wrote about the Ransom in Out of the Silent Planet as being the hero who “is a philologist (one point in which he resembles me) ” (Letters, no. 24). But in a letter to Christopher Tolkien of 31 July 1944, Tolkien mentions that his daughter Priscilla has “just read Out of the Silent Planet and Perelandra; and with good taste preferred the latter. But she finds it hard to realise that Ransom is not meant to be a portrait of me (though as a philologist I may have some part in him, and recognize some of my opinions and ideas Lewisified in him)” (Letters, no. 77).
So it seems at least some elements of Tolkien ended up in the character Ransom, but I doubt that Lewis himself intended the character to be in any sense a ‘real’ portrait of his friend. The relevance of real people to fictional characters is always a difficult issue, as the characters tend to grow to meet the needs of the story, taking on a life of their own, and then they become something other than that which they might have started out being. As anyone who has ever read the third volume of the trilogy will tell you, That Hideous Strength is rather a different book than the first two. It certainly grew and evolved in ways to match the changes in Lewis’ own life during the time of its writing, and it shows the considerable influence of Charles Williams, whom Lewis did not know particularly well when he wrote the first volume. So things evolve, and things change.
Q: So how is Glorfindel an Elf-Lord? The Glorfindel that crossed over with the Noldor in Silmarillion fell in battle with a Balrog while escaping Gondolin. And the Noldor are the only elves who crossed over, weren’t they? The only thing I can think of is the possibility that Glorfindel was a descendant of Thingol, who of course made the initial trip to Valimar and then didn’t make it back the second time around. Also, since Thingol married well (to say the least), all of his descendants could be considered Elf-Lords, I guess. But is there anything in writing that supports the idea of Glorfindel being a descendant of Thingol?
-Tom Phillips
A: This questions ties into the whole problem of whether the Glorfindel of The Silmarillion, who was killed in a fight with a Balrog in Gondolin, is the same Glorfindel as is found in The Lord of the Rings. Tolkien himself considered this, and wrote a few fascinating short essays, which are printed in The Peoples of Middle-earth, pp. 377-82. I recommend that anyone interested in this very curious matter seek them out.
In one of these pieces Tolkien himself interprets a small passage in The Fellowship of the Ring (from p. 235) as pertaining to Glorfindel (when the passage itself doesn’t necessarily have to refer to him). Tolkien writes that Glorfindel “is said to have been one of the ‘lords of the Eldar from beyond the furthest seas … who have dwelt in the Blessed Realm.’.” [p. 379 of The Peoples of Middle-earth; the ellipses are Tolkien’s] This would rule out Glorfindel being Sindarin (and thereby ruling out the possibility that he is a descendant of Thingol).
Though it remains problematical, one nearly has to come to the conclusion that the Glorfindel of The Silmarillion, slain in the Fall of Gondolin, was indeed reborn in Aman and allowed to return to Middle-earth, where he had a role to play in the War of the Ring, as is narrated in The Lord of the Rings.
Q: More out of curiosity then an attempt to stump…..how is it that the sword of Turin, Gurtholfin, was able to speak? What other details of this artifact can you guys did up?
A: Turin’s sword was named Gurtholfin, ‘Wand of Death’, in The Book of Lost Tales. In later writings, particularly in the published Silmarillion and in the “Narn i Hin Hurin” in Unfinished Tales, it was called Gurthang, or ‘Iron of Death’. It was named thus after it was reforged in Nargothrond from Anglachel, the sword of Beleg. The Silmarillion describes it being “though ever black its edges shone with pale fire”. And Turin’s use of it on the Guarded Plain made him known as Mormegil, the Black Sword.
To turn back to The Book of Lost Tales, it is described therein as follows: “It was made by magic to be utterly black save at its edges, and those were shining bright and sharp as but Gnome-steel may be. Heavy it was, and was sheathed in black, and it hung from a sable belt, and Turin named it Gurtholfin the Wand of Death; and often that blade leapt in his hand of its own lust, and it is said that at times it spake dark words to him” (The Book of Lost Tales, Part Two, p. 83).
The important passage where the sword itself speaks is found first in The Book of Lost Tales, and later in revised forms in the “Narn i Hin Hurin” and in The Silmarillion. I quote from the latter:
“There he [Turin] drew forth his sword, that now alone remained to him of all his possessions, and he said: ‘Hail Gurthang! No lord or loyalty dost thou know, save the hand that wieldeth thee. From no blood wilt thou shrink. Wilt thou therefore take Turin Turambar, wilt thou slay me swiftly?’
“And from the blade rang a cold voice in answer: ‘Yea, I will drink thy blood gladly, that so I may forget the blood of Beleg my master, and the blood of Brandir slain unjustly. I will slay thee swiftly.'” (p. 225)
Within the world of Middle-earth it is indeed odd for a sword to speak. There are some instances of animals speaking (I am thinking here of Huan in The Silmarillion, of the eagles and spiders and ravens in The Hobbit, and then there is that curious fox in The Lord of the Rings who passes the hobbits sleeping out in the Shire, in Book 1 Chapter 3, and “thinks” for a few sentences…), but the speaking inanimate object seems very unusual. I don’t really have a good answer for this within the world of Middle-earth itself, unless, for some reason the Valar permitted the sword to speak (or spoke through it), but that seems to be interpreting too far.
There is a more reasonable answer to this question, which comes from Tolkien’s own sources. As an undergraduate, Tolkien had become enamoured with the Finnish epic Kalevala, in the W. F. Kirby translation. The Kalevala includes the story of the hapless Kullervo, whose basic story resembles Turin’s very closely. (In fact, Tolkien himself wrote a verse-version of “The Story of Kullervo” in 1914, but this has never been published.) In both stories, Kullervo and Turin, after similar upbringings, fall in love unknowingly with their own sisters, and when the sisters learn of their incest, they drown themselves. Kullervo, like Turin, seeks release from his life from his sword, asking it if it will drink his blood. Kullervo’s sword answers very similarly, and takes its master’s life in an identical manner. The following quotation comes from the W. F. Kirby translation of the Kalevala:
Kullervo, Kalervo’s offspring
Grasped the sharpened sword he carried,
Looked upon the sword and turned it,
And he questioned it and asked it,
And he asked the sword’s opinion,
If it was disposed to slay him,
To devour his guilty body,
And his evil blood to swallow.
Understood the sword his meaning,
Understood the hero’s question,
And it answered him as follows:
“Wherefore at thy heart’s desire
Should I not thy flesh devour,
And drink up thy blood so evil?
I who guiltless flesh have eaten,
Drank the blood of those who sinned not?”
Kullervo, Kalervo’s offspring,
With the very bluest stockings,
On the ground the haft set firmly,
On the heath the hilt pressed tightly,
Turned the point against his bosom,
And upon the point he threw him,
Thus he found the death he sought for,
Cast himself into destruction.
A reader who signed himself “The Blacksword” provided some additional, very interesting insights into the question of Turin’s speaking sword:
“The answer comes from within Middle Earth. In The Silmarillion, there is a passage in [Chapter 21] ‘Of Turin Turambar’ which may provide some insight as to how the Gurthang spoke. It is as follows, ‘Then Beleg chose Anglachel; and that was a sword of great worth and it was so named because it was made of iron that fell from heaven as a blazing star. . . . and that smith was Eol the dark elf. . . . He gave Anglachel to Thingol as a fee, which he begrudged, for leave to dwell in Nan Emloth.’ [p. 201-2] And later, ‘But as Thingol turned the hilt of Anglachel towards Beleg, Melian looked at the blade; and she said: “There is malice in this sword. The dark heart of the smith still dwells in it. It will not love the hand it serves.”‘ [p. 202]
“Gurthang is Anglachel after it was reforged. At this time we know that Eol is slain, in the Nirnaeth Arnoediad Maeglin fought beside Turgon, and Eol his father was cast from Caragdur only a few days after Maeglin arrived in Gondolin. Turin was a boy when Hurin went off to that battle. There are instances in Middle Earth where spirits inhabit places; the Barrow-wights, the Dead men of Dunharrow, the Dead Marshes, Caradhras, I am sure there are more examples. I can’t think of any examples of elven spirits inhabiting objects, however, one could argue that the spirit of Sauron inhabited The Ring. . . . The conclusion is that the spirit of Eol was within the sword, and that was how it spoke. Perhaps the strange origin of the iron also made it possible for the sword to be ‘possessed.'”
Q: Did the Decline of the Elves (in the Fourth Age) also affected the Dwarves? Did they ever went back to live in Moria? What’s the story around that place where Durin used to go, at Moria’s top, that Gimli tells us about?
thanks from Buenos Aires
–Juan Pablo Pasini
A: In The Peoples of Middle-earth, Christopher Tolkien quotes a short passage from an earlier version of the Tale of Years (Appendix B in The Lord of the Rings) in which his father wrote: “The Fourth Age ushered in the Dominion of Men and the decline of all the other ‘speaking-folk’ of the Westlands” (p. 172). In another passage from the same volume Christopher quotes from a version of “Durin’s Folk” (a section of Appendix A in The Lord of the Rings) the following statement concerning the re-population of Moria in the Fourth Age: “And the line of Dain prospered, and the wealth and renown of the kingship was renewed, until there arose again for the last time an heir of that House that bore the name of Durin, and he returned to Moria; and there was light again in deep places, and the ringing of hammers and the harping of harps, until the world grew old and the Dwarves failed and the days of Durin’s race were ended.” (p. 278). Christopher Tolkien notes that while none of this is mentioned in The Lord of the Rings proper, “Durin VII and Last” is mentioned in the genealogical table accompanying the “Durin’s Folk” portion of Appendix A in The Lord of the Rings.
As to your third question, I think you mean Durin’s Tower, which was “carved in the living rock of Zirakzigil, the pinnacle of the Silvertine.” (The Two Towers, p. 105) This was at the very top of the Endless Stair, which ran from the lowest dungeon to the highest peak of Khazad-dum, and which Gimli said had long been lost, if it ever existed. Unfortunately, aside from this brief reference, I find no other significant mention of it.
A few readers have pointed out that Gandalf chased the Balrog up the Endless Stair, during their long struggle. And they came out at last through Durin’s Tower, “carved in the living rock of Zirakzigil, the pinnacle of the Silvertine.” (The Two Towers, page 105) In their struggle, Durin’s Tower was destroyed, and the stair ruined.
– Turgon
Q: I thought that there were only three marriages between men and elves: Luthien and Beren, Idril and Tuor and Aragorn and Arwen. But in “The Return of the King” at the beginning of chapter IX Legolas meets with prince Imrahil and he saw “that there indeed was one who had elven-blood in his veins”. So do other unknown marriages between the two races exist?
– Cathy
A: The reference you sight reads more fully: “At length they came to the Prince Imrahil, and Legolas looked at him and bowed low; for he saw that here indeed was one who had elven-blood in his veins. ‘Hail, lord!’ he said. ‘It is long since the people of Nimrodel left the woodlands of Lorien, and yet still one may see that not all sailed from Amroth’s haven west over water.” (p. 148, The Return of the King).
Amroth was a Silvan Elf (of the early Third Age), and thus not among the Eldar; Amroth founded the port of Dol Amroth in Belfalas, in the south of Gondor. Imrahil was, at the time of The Lord of the Rings, the Prince of Dol Amroth, and of Numenorean descent. The elvish blood in his ancestry came from a marriage between a Silvan Elf and a human, not between an Elda and a human. The famous three marriages between Elves and Men are actually counted as being marriages between Elves of the Eldar and Men. Thus any number of uncounted marriages could have happened between Silvan Elves and Men.
Mithrigil has written in and further clarified my point: “In reference to the “Imrahil” question, the marriages in question were between the Eldar and Edain. As far as I know, the Eldar never gave such a thought to any lesser men.”
– Turgon
Q: What is the Gray Havens and what is its importance?
A: The Grey Havens was the coastal town and harbor founded by Cirdan at the beginning of the Second Age of Middle-earth. Cirdan held one of the Three Elven rings, Narya the Ring of Fire, which he gave to Gandalf upon his arrival in Middle-earth around the year 1000 of the Third Age. It was a stronghold for the Elves throughout the Second and Third Ages, and even into the Fourth Age. It was symbolically as well as physically the connecting point between the Valar in Valinor and the peoples of Middle-earth. By sailing from the Grey Havens, the Elves could find the straight road to Valinor after Valinor had been removed from the circles of the world, and the seas had been bent.
Q: I have a question for which I personally have 2 theories, but was wondering what “the experts” have to say. In re-reading the Prologue to Fellowship, I noticed that Tolkien refers to the party in the Hobbit getting wailaid by orcs, and Bilbo getting lost in orc caves, and Gollum eating orcs and so on. In The Hobbit, Tolkien calls them goblins. What’s the reason for this? My theories are these: 1) Blatant inconsistency (as much as I hate to even say it); 2) Tolkien uses the words interchangeably — goblins for a younger, less fantasy educated audience and orcs for a more mature fantasy audience. People who do not read fantasy would most likely not recognize orcs, whereas goblins and trolls would most likely be understood as “evil monsters.” Perhaps it’s neither. Please give me your insight with perhaps a more literate answer. I’d appreciate your time.
– Matt Creelman
A: Your answer number two pretty much captures my thoughts. In a letter dated 18 September 1954, Tolkien wrote to Hugh Brogan: “Your preference of goblins to orcs involves a large question, and a matter of taste, and perhaps historical pedantry on my part. Personally I prefer Orcs (since these creatures are not ‘goblins’, not even the goblins of George MacDonald, which they do to some extent resemble).” (Letters, no. 151). In an earlier letter to Naomi Mitchison, dated 25 April 1954, Tolkien had mentioned that his orcs “owe, I suppose, a good deal to the goblin tradition (goblin is used as a translation in The Hobbit, where orc only occurs once, I think), especially as it appears in George MacDonald, except for the soft feet which I never believed in.” (Letters, no. 144). Tolkien’s references to George MacDonald refer to MacDonald’s children’s books, The Princess and the Goblin (1872), and its sequel, The Princess and Curdie (1883).
Lee Waldman wrote in with a very pertinent comment: “It is important to note that Thorin Oakensheild’s sword was called Orcrist or goblin-cleaver by the elves of Gondolin who forged it. This suggests that Tolkien meant for the words to be interchangeable.”
Q: Perhaps Turgon would be best suited to answer this, as I suspect this would fall into his realm of expertise. Regarding the Hidden City of Gondolin (for whose story I confess a certain interest in)… there are several mentions of the Seven Names for the city within the body of Tolkien’s writings. However, in my readings I have not found out what these seven names actually were. They are not spoken of in either The Silmarillion or Unfinished Tales, although I recently found two in the section on the Fall of Gondolin which I believe was in the Book of Lost Tales 2. One of these was “Gondobar”, though the other one escapes me at the moment. There is the Sindarin Gondolin, which of course means “hidden rock”, and the Quenya Ondolinde, meaning “rock of the music of water”. I do not believe that these names actually count among the seven, though. Perhaps someone with greater familiarity with the History of Middle Earth series, and/or other “sources” can find out what Tolkien originally had in mind for these names (doubtless in the early days of the conception of the Quenta Silmarillion, since it never made the final drafts). Or maybe it’s just one of those things that only Christopher knows for sure.
– Dan Fernandez
A: Asking me about my own domain, eh? Well, here’s the answer…
In “The Fall of Gondolin” in The Book of Lost Tales, Part Two, Tuor asks your very question (“What be those names?” ) to the chief of the Guard of the Gondothlim. The answer is given as follows: “‘Tis said and ’tis sung: ‘Gondobar am I called, and Gondothlimbar, City of Stone and City of the Dwellers in Stone; Gondolin the Stone of Song and Gwarestrin am I named, the Tower of Guard, Gar Thurion or the Secret Place, for I am hidden from the eyes of Melko; but they who love me most greatly call me Loth, for like a flower I am, even Lothengriol the flower that blooms on the plain.'” (p. 158) In The Lays of Beleriand, Christopher Tolkien gives some information about the poem “The Lay of the Fall of Gondolin”, in which one of the seven names of Gondolin differs slightly: “Loth-a-ladwen, the Lily of the Plain” is given by the Guard instead of Lothengriol. (see p. 149).
First off, we’d like to continue to send our prayers and well wishes to all our friends in NZ, who once again are dealing with a significant earthquake.
Over on the west coast of the US, the last San Diego Comic-Con is upon on us. Our LIVE stream, sponsored by Badali Jewelry, will be running all day long, starting at 10am PT. Our LIVE coverage subsite features staff updates from the twitterverse, facebook, instagram and vine (#tornlive #sdcc #smaugcon @theonering.net). That means you get to see real time photos and mini-videos all day long as we countdown to the end of the show. And of course, you can chat right as you watch the live stream in either ustream or Barlimans!
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If you have been following our LIVE stream coverage from Comic-Con 2013, you may have noticed we experienced a few technical hiccups with the video stream yesterday. Well, thanks to our long time friends at Badali Jewelry, we can now say those technical woes are behind us! With their support as our major stream sponsor, we can now bring you full coverage for the remaining two days of the event.
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In this thought piece, our newest feature writer Noah Smith outlines some of his hopes and concerns regarding the character Tauriel, and how in her best moments he hopes she’ll prove a tribute to some of most Tolkien’s vibrant heroines.
The latter work, which Tolkien never completed, chronicles the love between Beren and Lúthien. Another well-known character from the Legendarium is Elwing the White*, mother of Elrond and Elros. How prominent was she? After several unsuccessful attempts by Eärendil the Mariner to try and sail to Valinor, Middle-earth’s most-renowned seaman was only successful after Elwing joined him on Vingilot.
Will Evangeline Lilly be fantastic? I’m sure she will. Will her and Orlando’s on-screen chemistry, and indeed their very presence, contribute to the overall narrative of the trilogy? I’m sure they’ll make it work. Is it necessary? I remain to be convinced, largely because I’ve seen how sterile and bureaucratic the industry can be. 
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First off, we’d like to continue to send our prayers and well wishes to all our friends in NZ, who once again are dealing with a significant earthquake.