Doug Adams, author of the recently released book “The Music of the Lord of the Rings Films”, has written up an article over at his site on why New Zealand matters for The Hobbit. Doug has worked closely with Howard Shore for the better part of a decade and he has had great insight into the production for the music of the Lord of the Rings movies. So besides enumerating the enormous difficulties the production would have faced were it to move off-shore, Doug writes this article through a “music-specific lens” and details the impact the move would have had on the music for The Hobbit movies.
Here’s a snippet from the article:
That impact would have been felt most painfully during the post-production. Post, as you all know, is where the lion’s share of the music is created. Yes, Shore has already begun his creative process, but nothing other that pre-recorded songs an diagetic music can be recorded and mixed until the film is shot, edited, and locked. Performers and rooms need to be booked for specific schedules … as do technicians, editors, producers, and so on and so forth. It’s a small army, and it needs time and care.
My greatest fear — viewed through a music-specific lens, that is — was that the production would be rearranged in such a manner that there would be very little time for the music to be created appropriately.
Happily, with New Zealand now set and a February kick-off locked, it looks like none of these concerns will materialize. With a December 2012 release for part one, Shore and company should, presumably, be able to earnestly start into the post-production in late summer of 2012 … essentially the same schedule that was in place for the LOTR pictures. And those came out pretty well, I think! 🙂
Read the entire article over at Doug’s site. Many thanks to message board member Magpie for pointing us to this article.
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Wingnut Films has released a statement from Peter Jackson and Fran Walsh in expression of their gratitude to the New Zealand Government, Warner Bros., New Line Cinema, the workers, and the fans who supported the making of The Hobbit in New Zealand.
From wetanz.com:
Filmmakers, Peter Jackson and Fran Walsh stated today “We are grateful to the Government for introducing legislation which shall give everyone in the film industry certainty as to their employment status. This clarification will provide much needed stability and reassurance for film workers as well as investors from within New Zealand and overseas.”
Jackson went on to thank Warner Brothers and New Line Cinema for their continued commitment to New Zealand. “Their respect for the skill and talent of Kiwi crews and performers speaks for itself.”
Finally, Jackson stated, “I feel enormous gratitude to the film technicians, actors and fans who came out in support of making these films in New Zealand. To the thousands of people who took the time to write and let us know they were with us – thank you. It made all the difference.”
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TORn reported a grass roots effort by some of working folks who call Weta Workshop home. Not sponsored by the effects studio, its owners or bosses, this was an effort by “the people” with a call out to fans to demonstrate why New Zealand was the right place to make “The Hobbit.” Just as the message was set to unleash on the world, Warner Bros announced its decision. But the video lives. Read on:
Hi all,
I’m sure everyone has heard the absolutely brilliant news that the Hobbit will now be staying in New Zealand. I firmly believe this is in no small part due to the massive show of support the public of New Zealand and the world, has shown over the past week. It truly is a tribute to what the filming of The Hobbit in New Zealand means to us all.
As part of the effort to keep the Hobbit where it belongs, we asked people to send in their videos of support. As a celebration of these messages, we have cut together a short film to thank not just those who sent in their videos but, everyone who showed their support at the march, the rally, on the facebook pages, in the Newspaper message, and in all the other forms people put their hand up for our cause. Thank you all!
The video is available for viewing on the YouTube channel where the videos were uploaded here:
http://www.youtube.com/watch?v=ciW7xzQb5S4
Cheers,
videosforclip
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Thanks to spy Jincey for sending us word that 3news.co.nz has brand new heli flyover footage of set construction happening at the famous outdoor set for Hobbiton. Seems now that the film is staying in New Zealand, people are getting busy. You do need to endure a short commercial but the footage may bring back memories for LOTR fans. You can see the whole thing right here.
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The folks from Spiderwebart send this along: Greg Hildebrandt and Spiderwebart Gallery will be in attendance at the third annual IlluXCon in Altoona, PA from November 11-14th. There will be new artwork on display, and Greg will be painting a new Tolkien piece, “Smaug Destroys Laketown,” during the entire show! Come to meet Greg and see all the fabulous artwork Spiderwebart Gallery is bringing to the show. Spiderwebart.com
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It’s been a long time coming, but there was finally cause for rejoicing in Middle-earth last week when director Peter Jackson announced he’d cast several key roles in his adaptation of J.R.R. Tolkien’s classic fantasy novel, The Hobbit. The casting of Martin Freeman of the UK Office fame as Bilbo Baggins was widely expected, but some Tolkien fans were surprised and slightly befuddled to see English actor Richard Armitage, best known for the BBC series MI-5, cast as Thorin Oakenshield, the gruff leader of a company of dwarves. What was Jackson doing hiring a hunky actor to play a character most often depicted in illustrations — and in the 1977 animated Hobbit movie — as a squat, crabby, Wilford Brimley-ish old dwarf with a long white beard? In an interview (after the jump), Jackson tells EW the choice is actually right in line with the casting of Viggo Mortensen as Aragorn and Orlando Bloom as Legolas in the Lord of the Rings trilogy. More..
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