Just a couple of days on the heels of another wizard’s birthday, Sir Christopher Lee turned 93 today….
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Just a couple of days on the heels of another wizard’s birthday, Sir Christopher Lee turned 93 today. He was born in Belgravia, Westminster, London on May 27, 1922.
A true titan of cinema if there ever was one, it’s hard to imagine anyone else in the shoes of the great wizard Saruman the White. We hope you had a wonderful birthday and we wish you many happy returns, Sir Christopher! Continue reading “Happy Birthday to Sir Christopher Lee!”
I think we posted this on Facebook a couple weeks back, but I love me some Christopher Lee metal — especially Charlemagne: By the Sword and the Cross.
For the last few Decembers, Lee has also been releasing metal-themes Christmas tunes, putting his own inimitable stamp on classics such as The Little Drummer Boy and Silent Night Holy Night.
Now he has a new single: Darkest Carols, Faithful Sing. Continue reading “Chris Lee’s new Christmas tune: Darkest Carols, Faithful Sing”
And so we come to it – the last Hobbit movie of our time…
Maybe not – but certainly this is the final film in what is now Peter Jackson’s sextuplet of Middle-earth movies. And I was lucky enough to see it today.
Here are some spoiler-free first impressions:
It is a beautiful film. So many lovely moments – great acting from our dwarf cast (who have very few lines amongst them, but who do wonderful, expressive things facially and with body language). Martin Freeman, Ian McKellen, Luke Evans and Richard Armitage are as fabulous as they have been throughout these films.
John Bell (Bain, son of Bard) is a stand out ‘supporting role’ in this film. There is a scene between him and his father Bard which is especially moving – it was the first scene in the film to make me cry! From the dwarves, Ken Stott (Balin) and Graham McTavish (Dwalin) both have well scripted, skilfully played scenes.
Christopher Lee is fantastic – Saruman is a force to be reckoned with in this film, even though he only appears briefly!
There are some typically over the top, ‘PJ’ moments – bits which made me roll my eyes, but which, on the whole, we’ve come to expect from this playful director. Legolas does more than shield-surfing in this movie… But when it comes to the quiet, downplayed moments, this stellar cast don’t let us down. I was moved to tears often; the scene when Bilbo takes his final leave from the company of dwarves is beautifully touching.
Howard Shore’s score is as effective as ever, and of course the production and costume design are wonderful. Is this the best of the three Hobbit movies? Maybe. I need to see it again to decide. Does it rise to the height of the Lord of the Rings movies? In places, yes. There are scenes of spectacular depth and emotion, as well as that incredible New Zealand scenery. There are CGI moments which, for me, are jarring – vast hordes of soldiers where it is all too obvious that the same CGI character is repeated multiple times – but on the whole, not so many in this film as there were in The Desolation of Smaug.
There are small things I might wish to change, but overall, this is a satisfying end to this trilogy – and a pleasing ‘lead in’ to the Lord of the Rings trilogy. Tonight on the red carpet, Peter Jackson asked me who would be the first person to watch all six films in order. I can’t wait to see The Hobbit: The Battle of the Five Armies again; and I can’t wait to watch this film ‘in situ’ with the other five movies. It’s a worthy, emotional part of our Middle-earth journey; a three tissue film for me! We went there; we’ve come back again; and the journey has been well worth it.
We’re hosting a Party of Special Magnificence next February — a final toast to all SIX movies, both The Lord of the Rings trilogy and The Hobbit trilogy.
We’re inviting you to join us and make it happen through our Indiegogo campaign — so we can all celebrate Peter Jackson’s Middle-earth movies together!
Now, we can’t say how the confrontation occurred in canon: we know little more than that the White Council put forth its strength, that Saruman played an important role, and that Sauron deliberately withdrew as he had anticipated and planned for the actions of the Wise. Had Sauron, in fact, already fled? It’s a legitimate interpretation of the texts. However, Tolkien’s writings are a lot more informative about when Saruman “left the path of wisdom”. In this feature, Tedoras examines what The Lord of the Rings, Unfinished Tales, and The Silmarillion have to tell us about Saruman’s fall.
There are just 3 months remaining until the final chapter of The Hobbit saga and the final bit of Middle-earth on film is released, and new images and story tidbits are going to start coming much quicker now. Earlier today we shared the new scrolling poster for this final chapter and now we have some analysis of what can be seen in it from our staff. Of all the new imagery available, there is still nothing of Dain and the wild War Boar he purportedly rides in on, but this scroll does have a few other new tidbits of info in it that are fun to speculate on.
But first, a little editorial note about these scrolls that most of you have probably already noticed, there is a LOT of photoshop involved in putting these together. They cobble together a vast array of characters and settings in order to tell a miniature 2D story with just a few images, and sometimes the photoshop works well, and sometimes not so much. When it does not work out so well, we’ve taken to calling it FrankenPhotoshop, which can be attributed to any image that makes you scratch your head and wonder ‘wait, who is that?’.
So read on to see the TORn staff reactions to the images selected to be in this Scroll, and then feel free to post your own thoughts below. Continue reading “TORn staff analyze the new scroll poster for The Hobbit: Battle of the Five Armies”
Christopher Lee turned 92 just last week. Naturally, he marked the big day with the release of a new mini-album — Metal Knight.
Lee is well-known for his devotion to fantasy and heavy metal themes, and already boasts a number of album releases and collaborations in the genre — the first with Italian Symphonic Metal band Rhapsody of Fire a decade ago. In June 2010, he received the Spirit of Metal gong at the Golden Gods Awards from Tony Iommi (Black Sabbath) for his work on Charlemagne: By the Sword and the Cross and his contribution to metal themes on the silver screen.
And last Christmas, his rendition/affectionate parody of Jingle Bells (retitled Jingle Hell) peaked at number 18 in the Billboard Charts. That feat made Lee — at the age of 91 — the oldest performer to ever chart on Billboard. Continue reading “Christopher Lee marks his 92nd birthday with a new metal album”
