The Annecy Film Festival “first look” at The Lord of the Rings: The War of the Rohirrim has just concluded and reactions are starting to trickle out. While we wait for fuller reports from our own Crebain, here’s a selection of thoughts from the internet.

(It does seem quite positive and I am personally very excited by that.)

@RyanGrobins

Just finished the work in progress talk for the new #LotR film #WaroftheRohirrim, and I have to say that the marriage between Lord of the Rings and #anime never looked so good! The world and characters looked very authentic. I can’t wait to see this in theaters next year.

@GuillameGas

Art-books, chara-design and extracts enriched this exclusive presentation of the future “The Lord of the Rings: The War of the Rohirrim” in the company of his team, including Kenji Kamiyama (director) and Philippa Boyens (screenwriter of the LOTR saga ).

@RafaelMotamayor

LordOfTheRings War of the Rohirrim is already shooting to the top of my most anticipated movies of 2024. The (very short and unfinished) footage shown at #Annecy2023 looks fantastic. This is 100% in line with the original trilogy while also very much an anime. Can’t wait.

@CloneWeb

I’m drying my wet eyes, I’m cleaning up all these pages of notes and I’m telling you, but #WarOfTheRohirrim is in very good hands.

This is beautiful 2D from new drawings by John Howe and Alan Lee. It’s full Rohan and the story, based on three paragraphs, is led by a young woman, Hera, the daughter of Helm Hammerhead [sic. i think that should be “Hammerhand”.]

@mpmorales

Two scenes were shown (one of them, the opening, not finished) and the producers commented on the importance of trying to unite the world of Lord of the Rings movies with anime ones. And it really was an interesting combination. It reminded me a bit of Castlevania.

Castlevania! That’s interesting. I’ve not watched it (Netflix jail something something), but I understand it’s well-regarded. Two scenes is also interesting, and accords more or less with my expectations of what they’d reveal.

@RyanGrobins

For #WaroftheRohirrim, a lot of Unreal and motion capture is being used to help figure out the shots. But no rotoscope is being used, it is only for reference. Then it is all getting the traditional anime treatment for the final look. It looks amazing! #LotR #AnnecyFestival

It is only for reference: right now, I’m interpreting that as meaning for fight scenes pending further clarification. I do think they are trying to not scare/alienate people who’ve seen Bakshi’s rotoscoped LOTR treatment with that clarification.

@MatteoSapin

I saw the first images of the (Japanese) anime “The Lord of the Rings: The War of the Rohirrim” To be honest, not particularly convinced for the moment, I was hoping for something else BUT we really find the style of PJ’s films and the sets seem successful.

The first fence-sitter! And more for the adherence to PJ-style than anything else? Interesting.

@RyanGrobins

There was a really early layout of what looked Ike [sic] the opening sequence: starting from a map fly through to a sequence with Hera on a horse with some great eagles. Then a talk scene in I assume Edoras with Hera talking about the shield Maidens. #LofR #WaroftheRohirrim

A little bit more detailed information about the scenes that were shown.

@RyanGrobins

Some work in progress footage, and then at the end a montage of completed shots. It really looks like a lot of care is being put into it.

Aaah, wish I’d been there to see!

KEY UPDATE

French publication Allocine comes in with the first extended report on the “first look”. I’ve used the googlemonster’s auto-translate to pull out some key details, but you should peruse the original article in French here.

This animated prequel set 260 years before the cult trilogy is inspired by the Appendices provided by JRR Tolkien at the end of The Return of the King (Appendix A, Chapter II: The House of Eorl).

This is a curious one since earlier publicity material has stated events occur 183 years before the events chronicled in the original trilogy of films. Even factoring in the canonical delay between Bilbo’s party and Frodo setting out for Rivendell, something still seems wrong. It’s also … well… trivial, so I’ll return to this weirdness when I have time.

The film features a female character Hera, “neither a princess in distress nor a warrior” , the daughter of King Helm whose hand is coveted by Wulf, himself the son of Freca the leader of the clan of wild men.

I really like the neither/nor. It feels more complex and open to a nuanced presentation. By-the-by it also accords with the vibe I got from my discussion with Philippa Boyens last year.

“The attraction of this film was to tell a film that follows neither the story of the Ring nor that of Sauron” summarizes the New Zealand producer, who also hinted that some characters well known to fans of the trilogy could appear in this film.

The Helm story is a very human one, and on the face of it, remarkably unmagical. No elves, no dwarves, no wizards. Except Saruman at the very end. They really want to say Saruman, but they’re only willing to tease it.

To explore Tolkien’s universe using anime codes, several different animation techniques were employed, ranging from CGI to more traditional 2D animation as well as the employment of performance-capture techniques . For the sake of realism, the animators of the film were asked to study horses and practice horseback riding.

As I wrote yesterday (completely stealing the line from the incredibly smart anime art anaylsts over at Sakuga Blog), “horses populate the nightmares of animators”. It makes a lot of sense — Rohirrim as Tolkien outlined in Letter 144 is a Sindarin name meaning “the host of the Horse-lords”. Kyoto Animation had people on their staff who knew Kyudo (Japanese archery) for their series Tsurune. The results of that practical knowledge applied to their work speaks for itself.

Three non-finalized excerpts were broadcast in exclusive preview during this panel. The opening sequence, introducing the character of Hera, a dialogue scene in King Helm’s throne room, and finally a short teaser announcing the film’s main action scenes.

No Eowyn seemingly? Kinda surprsing, but I’ll take a cookie for guessing Edoras would feature. Hera and Helm suggests to me that the familial relationships will be critical. Hera may end up our viewpoint character. Why? She survives wheras all her close kin — Helm, Haleth and Hama — perish.

Big ups again to Allocine for the summary!

SLASHFILM also has a very nice report up now. Unfortunately, at time of writing, they appear to have confused Charlie Cox for Brian Cox, who is the real voice actor for Helm Hammerhand. we all make typos but hopefully the eds over there can fix that one soon.

ARROBA NERD has an even better and more detailed report. It’s getting late over here in Oz so I’ll leave it to others to break it down, but it has more details about character designs and dialogue that you can read about here.

IMPORTANT (because i know a lot of people will wonder): Producer Jason DeMarco clarified about the status of the footage shown to attendees — “We presented work in progress for attendees of the festival but it won’t be widely released.”

NOTE: I’ll keep updating this as more reactions come in (hopefully with more details), so be sure to check back!

Helm Hammerhand concept art for The Lord of the Rings: The War of the Rohirrim

The Warner Bros. animated Middle-earth production, The War of the Rohirrim, is set to debut on screen on April 12, 2024.

The feature-length film is set to focus on the story of the Rohirrim king, Helm Hammerhand, as outlined in Appendix A of The Lord of the Rings.

War of the Rohirrim concept art. Source: Variety.

Warner Bros. says that it will “explore… the untold story behind the fortress of Helm’s Deep, delving into the life and bloodsoaked times of one of Middle-earth’s most legendary figures; the mighty King of Rohan — Helm Hammerhand.”

Acclaimed filmmaker Kenji Kamiyama (especially known in anime circles for his work on Ghost in the Shell: Stand Alone Complex) is directing, while Philippa Boyens (co-screenwriter for Peter Jackson’s Lord of the Rings and The Hobbit) is executive producer.

The writing team of Phoebe Gittins and Arty Papageorgiou have penned the screenplay based on a script from Jeffrey Addiss & Will Matthews. The “Lord of the Rings” returning creative team also includes Oscar winner Richard Taylor and Tolkien illustrator John Howe, while animation is being done by Sola Entertainment.

If you don’t know Sola Entertainment, they have previously worked on the 2D-styled Tower of God (for streaming company Crunchyroll), Bladerunner Black Out: 2022, plus 3D efforts Blade Runner: Black Lotus and Ghost in the Shell SAC: 2045.

On the works so far, Executive Producer Philippa Boyens says: “I’m in awe of the creative talent who have come together to bring this epic, heart-pounding story to life, from the mastery of Kenji Kamiyama to a truly stellar cast. I cannot wait to share this adventure with fans of cinema everywhere.”

Warner Bros. also revealed that animation work has been underway since last year at Sola Entertainment, and voice casting will be announced very soon.

Edoras breached. War of the Rohirrim concept art.

It’s probably not well known, but Kamiyama did an interview late last year with Japanese media outlet Akiba-Souken where he touched on his work on The War of the Rohirrim briefly.

TORn has the following translation of relevant pieces from that article and Kamiyama’s comments:

What makes anime an anime?

Kamiyama is busy working on a number of projects, including directing the spin-off anime “The Lord of the Rings: The War of the Rohirrim” from the blockbuster movie “The Lord of the Rings.”

The soon-to-be-released “Star Wars: Visions – Ninth Jedi” is based on Kamiyama’s own ideas, he wanted to go back to the original story of a young man travelling the countryside, who gets involved in the battle over the Galactic Empire. Kamiyama was given the official Star Wars history lecture but also freedom to create his own story and setting within that realm.

Kamiyama is currently working on “The Lord of the Rings: The War of the Rohirrim.” He says that “First of all, the existence of the live-action version of the “Lord of the Rings” series created by J.R.R. Tolkien’s original work and director Peter Jackson is tremendous. For Hollywood, there is no national policy for the film industry, but it has become a core industry of the region.”

“I feel that the small scale of Japanese animation is good, and that it has a different dimension from ‘true’ (ie live action) movie production,” he says.

“However, working on “The Lord of the Rings: The War of the Rohirrim” has the difficulty and fun that makes me realize things like ‘probably Hollywood is making movies like this’.

“It’s completely different to working on other projects. Because we are focusing on making it as ‘entertainment’, it is possible to create works that guarantee a certain level of quality depending on the budget scale and staffing. There is a lot of discussion about the screenplay, the process is similar to building a stadium or a bridge. I think “The Lord of the Rings: The War of the Rohirrim” will create a new level of animation production.”