SoundWorks1SoundWorks Collection recently took a trip to Wellington, New Zealand to speak with the wizards at Park Road Post Studios about their work on The Hobbit: The Desolation of Smaug. From these interviews comes a 10-minute video (which we’ve embedded below) detailing the tremendous process of constructing the sound design of the second film in Peter Jackson’s epic adaptation.

This profile comes on the heels of the Oscar nominations the film
received in both sound categories – Sound Editing and Sound Mixing (in addition to Visual Effects). The Academy Awards ceremony will be held on Sunday, March 2.

Interviews in this video include re-recording mixers Michael Hedges, Christopher Boyes, Michael Semanick, and Gary Summers, as well as composer Howard Shore and producer/co-screenwriter Philippa Boyens. Continue reading “SoundWorks Collection profiles ‘The Desolation of Smaug’”

Kristin Thompson writes: Michael Semanick, who won an Oscar for sound mixing on The Return of the King and another for King Kong, has been nominated twice in that category this year. On “The Frodo Franchise,” I take the occasion to discuss his career a bit and recall watching him face a sound-mixing problem in a speech by Gandalf in Return. Sound Design with Michael Semanick