In this 50-minute lecture at at Swarthmore College, Professor Tom Shippey, the author of J.R.R. Tolkien, Author of the Century, charts the creative reshaping of Tolkien’s The Lord of the Rings into Peter Jackson’s award-winning trilogy of films. Continue reading “Tolkien book to Jackson script: the medium and the message”
Tag: library
This may just be the coolest Tolkien-related map you’ll see today. This week, even. The ultimate source is maps from the History of Middle-earth in Volume XI: The War of the Jewels (which is, incidentally, based on those in Volume V: The Lost Road and other Writings).
Awesome work.
Click the image to view an embiggened version.
Continue reading “An awesome colour-rendering of the realms of Beleriand from The Silmarillion”
Welcome to The Great Hall of Poets, our regular monthly feature showcasing the talent of Middle-earth fans. Each month we will feature a small selection of the poems submitted, but we hope you will read all of the poems that we have received here in our Great Hall of Poets.
So come and join us by the hearth and enjoy!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net
One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
In this feature Ringer TheHutt, who runs Russian Lord of the Rings and The Hobbit site Henneth-Annun.ru, delves into the different varieties used in Peter Jackson’s movies of The Lord of the Rings and The Hobbit.
The Lord of the Fonts
A Lord of the Rings and Hobbit Font Guide
by TheHutt (Peter Klassen)
What would the Lord of the Rings trilogy be without its iconic logo? The chiseled yellow letters are pretty close to perfection where movie logos are concerned. But that’s not the only instance of certain characteristic typefaces used throughout the trilogy and its marketing. Most of them have recurred in the new Hobbit films – but what exactly are they and where can they be obtained? Continue reading “The Lord of the Fonts: a guide to fonts in The Hobbit and The Lord of the Rings”
In addition to being a Tolkien enthusiast and an artist, Cockshaw is also a film score geek. In this article he draws on the analysis of musicologist Doug Adams to reflect on how Shore deftly employs musical constructs to bring Middle-earth to our ears.
Continue reading “The Ring resounds in Middle-earth”
It’s a topical question as the final film of Peter Jackson’s The Hobbit approach: Tolkien emphasises that the bridge over to Lake-town functions as a protection against enemies — and especially the dragon of the Mountain. But why would Smaug need to cross a bridge in order to attack Lake-town? After all, he has wings. Continue reading “Why would Smaug need to cross a bridge to attack Lake-town?”