If pictures have 3D, then sound has Dolby Atmos. Academy Award-winning sound mixer Christopher Boyes tells CNET how he used the audio tech to give moviegoers a more engrossing experience.
In an era when more people are watching movies at home or on their mobile devices, Dolby and Hollywood are hoping sound will lure people back into theaters. Continue reading “Behind the Oscar-nominated sounds of ‘The Hobbit: The Desolation of Smaug’”
SoundWorks Collection recently took a trip to Wellington, New Zealand to speak with the wizards at Park Road Post Studios about their work on The Hobbit: The Desolation of Smaug. From these interviews comes a 10-minute video (which we’ve embedded below) detailing the tremendous process of constructing the sound design of the second film in Peter Jackson’s epic adaptation.
This profile comes on the heels of the Oscar nominations the film
received in both sound categories – Sound Editing and Sound Mixing (in addition to Visual Effects). The Academy Awards ceremony will be held on Sunday, March 2.
Interviews in this video include re-recording mixers Michael Hedges, Christopher Boyes, Michael Semanick, and Gary Summers, as well as composer Howard Shore and producer/co-screenwriter Philippa Boyens. Continue reading “SoundWorks Collection profiles ‘The Desolation of Smaug’”
Garfeimao writes: The Academy of Motion Pictures, Arts and Sciences has been doing a film series called “Great to be Nominated” which features the film from each year that received the most nominations while not winning one of the major awards. So, 2002 was Fellowship of the Ring, which did win 4 Academy Awards, but none of them in the major categories. The host did mention that the filmmakers were in the unique position of re-dressing that issue 2 years later, when Return of the King won all 11 awards it was nominated for.
Anyhow, the Samuel Goldwyn theater at the Academy is a wonderful room to see a film in. It’s just tops in screen and sound, which makes sense, since it’s an Industry venue. Seeing Fellowship again on the big screen was magical, you pick up on so many details you miss watching it at home. And the sound was amazing, I heard background dialogue I’d never heard before, and I’ve seen the film, well, more than a few times. 😉 Having the Orcs completely surround you, auditorily, was just so cool. Continue reading “Academy of Motion Pictures “Great to be Nominated” FOTR Screening Report!”