Back at the start of the summer, staffer GreenDragon generously asked the publisher Houghton Mifflin Harcourt to send me a copy of Tolkien’s translation of Beowulf to review. While I started the book right away, this review has been delayed by producing Happy Hobbit and attending four conventions, along with writing two books and a script on top of daily life and work, which is a long-winded way to say that I apologize for my tardiness!
While still an undergrad, I took a course in Old English which was an introduction to the language, followed by a semester of translating Beowulf. A year isn’t enough time to master a dead language, and I was attempting to master two at once, for I was also taking Latin at the time (an alternate nickname for me could be Hermione), so I won’t be able to go into the nitty gritty mechanics of the language like Tolkien does in his notes, but I will offer what insight my education allows!
To offer some context, I will say that Old English is the name we have given to the Anglo Saxon language, for after a strong French influence after the Norman Conquest of 1066, Old English morphed into Modern English. It is important to note, as well, that Anglo Saxon is the language of our (even if you aren’t of English descent, you’re reading this in English) conquerors, for the Nordic tribes of the Angles, Saxons, and Jutes invaded England after the withdrawal of the Roman Empire around 410 CE. They renamed the island Angle-Land. England. So while Beowulf is attributed as being the first great epic in English, it is significant that it is a story from the culture that conquered the island and that its setting is in the conquering nation’s homeland in the north, not England, even though the manuscript was recorded and found in an English monastery, hidden beneath pages of religious text. All of this would have been known to J.R.R. Tolkien at the time of his translation in the 1920s.
Firstly, I will say that my reason for taking Old English was driven by my obsession with Tolkien and The Lord of the Rings. I was first exposed to Beowulf in seventh grade when I read a version of the poem for one of my classes. Enamored with the culture and the exciting, heroic tale, it lingered in my mind in a way that few stories read for school had. In the Humanities Honors Program in college, we were exposed to the literature that laid the foundations for Western civilization and I once again read a translation of Beowulf (picturing Aragorn as Beowulf this time around, of course) and while in my proceeding English courses I avoided the works I had already read, Beowulf was the one text I would read every time I was asked. As such, I have been exposed to three or four translations, including my own.
Tolkien scholar John Garth reviews Tolkien’s long-awaited translation of Beowulf (together with the short story Sellic Spell) in The New Statesman.
J R R Tolkien’s Beowulf: one man’s passion for the threshold between myth and reality
by John Garth
In his story “Leaf by Niggle”, J R R Tolkien imagines an artist painting a picture he can neither complete nor abandon. “It had begun with a leaf caught in the wind, and it became a tree; and the tree grew, sending out innumerable branches, and thrusting out the most fantastic roots.” In the end the picture is never put on show. Continue reading “John Garth reviews Tolkien’s Beowulf translation”
There’s a lot of excitement floating round academic communities for J.R.R. Tolkien’s forthcoming Beowulf translation (which you can pre-order here) where the prevailing buzz seems to be “best thing since slices bread”. Here, writer Mabel Slattery outlines why.
EDIT: There is an error of fact within the article. Michael Drout did not actually re-discover Tolkien’s Beowulf translation.
I did not “discover” the Beowulf translation, not even in the sense that I found it in the Bodleian Library. This claim is a conflation of a story about one manuscript with information about a totally different text.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Apparently there is some confusion floating around about Michael Drout’s involvement in the forthcoming publication of J.R.R. Tolkien’s Beowulf translation by Chris Tolkien.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Tolkien scholar John Garth previews the forthcoming publication of J.R.R. Tolkien’s translation of Beowulf and outlines why the Professor’s expertise with the Anglo-Saxon epic means this new book is to be highly anticipated. Click through the read more link at the bottom to access the complete essay.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
“Ac se wonna hrefin | But the black raven fus ofer fægum | eager over the doomed fela reordian, | speaking many things earne secgan | telling the eagle hu him æt æte speow, | how he is succeeding in eating, þenden he wið wulf | when he with the wolf wæl reafode.” | despoiled the slain.
Thus reads a section of the Anglo-Saxon epic poem Beowulf, or at least, thus reads my translation of the section from my university studies. The epic is written in Old English, or Anglo-Saxon, the language of the invaders of Britain. Modern English (and German) is a direct descendant of this language because a people speak the language of their conquerors. Continue reading “Tolkien’s Beowulf translation to be published in May”