Often, when a lengthy discussion of the Hobbit films takes place, someone asks “What about the other books? What about material from The Silmarillion, or Unfinished Tales? Will these be adapted to the big screen?”
The answer to this question is a simple one. As it stands, the literary executor of J.R.R. Tolkien’s work, his son, Christopher Tolkien, has refused to consider any further licensing of his father’s work for cinematic purposes.
Many fans are quite frustrated by this state of affairs. They know there is interesting material contained in these other sources, such as the well-known “Quest for Erebor.” That one short work alone would illuminate in key ways the motivations and decisions of principal characters in the films. (For the curious, the Quest for Erebor may be found in a shortened form in “Unfinished Tales”, and in a fuller form in the revised edition of Douglas Anderson’s “Annotated Hobbit.”) Continue reading “Concerning Christopher – An Essay on Tolkien’s Son’s Decision to Not Allow Further Cinematic Licensing of His Work”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Welcome to our collection of TORn’s hottest topics for the past week. If you’ve fallen behind on what’s happening on the Message Boards, here’s a great way to catch the highlights. Or if you’re new to TORn and want to enjoy some great conversations, just follow the links to some of our most popular discussions. Watch this space as every weekend we will spotlight the most popular buzz on TORn’s Message Boards. Everyone is welcome, so come on in and join in the fun! Continue reading “TORN Message Boards Weekly Roundup – January 6 2013”
In the latest edition of Total Film Magazine, James McAvoy reveals he would like to play a younger Gandalf if a prequel was ever made. (Before getting too excited – or not – Christopher Tolkien is pretty adamant he would never sell the film rights to the Silmarillion.)
From TotalFilm.com:
“I’d like to play Gandalf,” he told us, laughing.
‘Gandalf: Origins’, we offer? “It’s called The Silmarillion! It’s a collection of poems and songs that chart the ancient history of Middle-earth. My true geek is coming to the fore, but they’re really, really beautiful stories.
“In part of that is the genesis of Gandalf, or Mithrandir, or Stormcrow, or any of his many, many names. Anyway, maybe that’s the one!”
Would McAvoy make a good Gandalf? Do you think the Silmarillion rights will ever be sold? Tell us what you think below! [TotalFilm.com]
For readers of The Hobbit, which became an almost overnight classic following its 1937 debut, the new movie may elicit some puzzlement. Seemingly extraneous flourishes clog up what many remember as a simple fairy tale, and random characters appear at every twist and turn throughout Middle Earth.
Yet those fans who went on to immerse themselves in J.R.R. Tolkien’s wider lore will find inspiration. For the most part, director Peter Jackson does not exercise an extra heaping of artistic license. Rather, Jackson—reportedly something of a nerd himself—borrows from the larger Tolkien literature to create a rich Hobbit tableau.
“Jackson knows the lore pretty well and wanted to bring that larger material in there wherever he could,” said Michael Drout, an English professor at Wheaton College who founded the academic journal Tolkien Studies and edited the J.R.R. Tolkien Encyclopedia. It’s this so-called textuality—or texts behind texts behind other texts—that lends Tolkien’s work the air of reality, he said, and which Jackson seeks to capture in his films.
Jackson isn’t free to tap into any detail he wants from Tolkien’s wider works, however. “He had a very difficult task in that the movie rights extend only to The Hobbit and Lord of the Rings,” said John Rateliff, an independent Tolkien scholar and author of The History of the Hobbit. “He’s well aware that there’s a great deal more material set in that world, but contractually not allowed to use that material in the movies.”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Parma Eldalamberon (The Book of Elven-tongues) is a journal of the Elvish Linguistic Fellowship, a special interest group of the Mythopoeic Society. This new issue presents previously unpublished writings by J. R. R. Tolkien about an early version of one of his invented scripts, edited and annotated by Arden R. Smith, under the guidance of Christopher Tolkien and with the permission of the Tolkien Estate.
The Qenya Alphabet is an edition of Tolkien’s charts and notes dealing with the circa-1931 version of the writing-system later called Fëanorian Tengwar. It includes 40 documents in which Tolkien’s examples of the scripts are reproduced using electronic scans of black-and-white photocopies of the original manuscripts. Continue reading “New Eldalamberon from Elven Linguistic Fellowship”
I haven’t yet seen The Hobbit: An Unexpected Journey, but what I’ve seen and read of the White Council sequence has intrigued me. 
Parma Eldalamberon (The Book of Elven-tongues) is a journal of the Elvish Linguistic Fellowship, a special interest group of the Mythopoeic Society. This new issue presents previously unpublished writings by J. R. R. Tolkien about an early version of one of his invented scripts, edited and annotated by Arden R. Smith, under the guidance of Christopher Tolkien and with the permission of the Tolkien Estate.