In the first part of this interview we met Julia Golding, founder of Project Northmoor and the Oxford Centre for Fantasy. Here we find out more about the Centre and the teachings of J.R.R. Tolkien. Don’t miss a first look at Julia’s video tour of the barrow of Wayland’s Smithy, which may have been one of the inspirations for the Barrow Downs east of the Shire in The Lord of the Rings. She also takes us to the famous White Horse Hill. (Link at end of article.)

Mithril: I recently completed the first class offered by the Oxford Centre for Fantasy. Along with truly fun and productive lectures and assignments, the course had some fantastic tutors and guest speakers, and I am now part of a community of writers inspired by Tolkien. We even have an online Inklings group the Centre created for us. Was it always your intent to grow the experience into a community? How do you see it evolving?

Julia: I wish I could claim I had a master plan, but actually it has been more an organic growing experience. Our headline thought was this project is about encouraging the next generation of fantasy creatives, using Oxford and the Inklings as examples to inspire us. The idea to create a space for a community of writers came from reading Diana Pavlac Glyer’s book on the Inklings, Bandersnatch. Diana was one of our guest speakers. Her book unpacks how the Inklings supported each other as writers, and also why it eventually folded as a group. I thought after reading this that it would be natural to see if our first students wanted to stay together to continue their journey, using the Inklings example. They clearly can’t meet every week at Magdalen in C.S. Lewis’s rooms as Tolkien and friends did, but they can meet together in their online group. Once the space was set up, I stepped back to let the students become their own thing.

Continue reading “Julia Golding Interview Part II”

Chinese The Lord of the Rings Trilogy fans were highly anticipating this past weekend as Peter Jackson’s ‘The Fellowship of the Ring‘ was due to re-release nationwide – in glorious remastered 4k.

Unfortunately, due to the last second approval by government officials, many Chinese venues did not get the print in time and screenings had to be canceled. Here’s the wrap up from The Hollywood Reporter:

It was another bizarro weekend at the Chinese box office.

The long-anticipated return of Peter Jackson’s The Fellowship of the Ring finally arrived Friday in vividly remastered 4K. But official permission for the rerelease from China’s regulators came so late — just one full day in advance — that marketing for the movie was mostly nonexistent and scores of digital prints failed to reach cinemas on time, forcing a wave of cancelations and refunds to angry customers throughout Friday and into Saturday.

The article continues…

The Fellowship of the Ring, meanwhile, limped into fifth place with just $4.1 million. The opening results for the fantasy classic are a keen disappointment compared to the recent performance of James Cameron’s Avatar, which opened to $23.7 million when it was rereleased in China in March. The perennial appeal of the Lord of the Rings franchise could help Fellowship mount a healthy hold though, much as Avatar did (Cameron’s film has climbed to $60.2 million in second-run sales). Warner Bros. also will get a do-over later this month — assuming all goes to plan (always a big “if” in China) — when Jackson’s The Two Towers re-releases on April 23. Regulators have indicated that the franchise closer The Return of the King will also get a second run in China, but the film — worryingly — still hasn’t been given an official release date.

Hollywood Reporter, April 18th 2021 ‘China Box Office: ‘Lord of the Rings” Derailed by Logistical Issues

Amazon will get an additional 5% from more New Zealand’s Screen Production Grant, Reuters reports today.

(Reuters) New Zealand said on Friday it has agreed to give Amazon (AMZN.O) extra rebates on its expenses for the filming of “The Lord of the Rings” TV series in the country, hoping to reap multi-year economic and tourism benefits.

Amazon will get an extra 5% from New Zealand’s Screen Production Grant in addition to the 20% grant the production already qualifies for, the government said in a statement.

Amazon is estimated to be spending about NZ$650 million ($465 million) filming the first season of the show, for broadcast on its Amazon Prime streaming platform, meaning it would be eligible for a rebate of about NZ$162 million ($116 million), the government said.

“The agreement with Amazon … generates local jobs and creates work for local businesses,” Economic and Regional Development Minister Stuart Nash said in a statement. “It will enable a new wave of international tourism branding and promotion for this country.”

The first season entered production in Auckland last year with more than 1,200 people employed. Approximately 700 workers are indirectly employed by providing services to the production, the government said.

U.S.-based Amazon media officials weren’t immediately available for comment outside regular U.S. business hours.

($1 = 1.3976 New Zealand dollars)

Guest writer Matthew Bossons brings us this fascinating look at how Tolkien fandom has made its way to China; and he reflects on whether Amazon’s upcoming Middle-earth series is likely to find fans there.

Panjiayuan is Beijing’s biggest and best-known antique market, regularly attracting orc-like hordes of tourists and locals alike to wander the warren of booths and stalls, both indoor and outside. All manner of old and made-to-look-old items are on offer here: jade carvings, stone Buddha statues, ancient coins, Chinese Communist Party pins and propaganda posters, replica Korean war medals and mounds of books. 

On a brisk October day, while standing at a hawker stand specializing in old Chinese books – mostly Chairman Mao’s iconic ‘Little Red Book’ – I came across a curious title: The Art of The Lord of the Rings by J.R.R. Tolkien, in English-language and hardcover form. The book, a collection of sketches and maps made by Tolkien, was published in 2015 and compiled by Wayne G. Hammond and Christina Scull – both well-known scholars of the ‘father of high fantasy.’

Cover of 'The Art of the Lord of the Rings by J.R.R. Tolkien' - by Wayne G Hammond and Christina Scull
Continue reading “From Middle-earth to the Middle Kingdom: How Tolkien’s Grand Mythos Found Its Way to China”

Amazon Studios has announced the casting of ‘Young Gollum,’ voiced by renowned character actor and comedian Patton Oswalt. (YES – This was an April Fool’s Day Prank – 2021!)

Patton Oswalt Cast at Baby Gollum

With a celebrated ensemble cast already gathered for Amazon’s show, this latest release implies that Oswalt will voice a child-like Smeagol character. It goes without saying that a ‘Young Gollum’ did not exist in the initial intended scope of the show, nor in the scope of the rights purchased from the Tolkien Estate. The addition of a – dare we say it – ‘Baby Gollum’ appears to be a clear attempt to attract a broader and younger audience. The vast majority of us at TheOneRing.net are big fans of Oswalt – so we look forward to seeing where this goes!

AMAZON STUDIOS ANNOUNCES VOICE TALENT PATTON OSWALT FOR THE LORD OF THE RINGS TELEVISION SERIES

The Grammy(R), Emmy(R) and Vangard Award(R) Winner joins the Ensemble Cast to Lend His Vocal Talents to Young Gollum.

(CULVER CITY, Calif. – April 1st 2021) – Amazon Studios today announces Patton Oswalt will lend his voice talent as Gollum in the Amazon Original series based on the iconic ‘The Lord of the Rings’ novels by J.R.R. Tolkien. Patton will join the previously announced global cast and crew, currently filming in New Zealand.

“We are so excited to breathe new life to the early history of this immensely popular character,” said executive producer and showrunner [retracted name]. “When you delve into the struggle of Gollum, and his alter-ego Smeagol, a plethora of possibilities leaps out. It’s a tale which is crying out to be told.”

The character of Gollum first appears in J.R.R. Tolkien’s ‘The Hobbit’, with subsequent appearances in the War of the Ring saga of the Third Age of Middle-earth. Made popular by the Rankin/Bass production in the late 1970s, and then expertly brought to screen in Peter Jackson’s epic trilogies of ‘The Lord of the Rings’ and ‘The Hobbit’, amazing adventures lie in store for the halfling-like creature, as his prequel stories unfold.

The character will originally be fully realized as a small child through the talents of WETA Digital, and given voice, (initially coos and caws), by the talented Oswalt.

“Its been a lifelong dream to work in the realm of J.R.R. Tolkien. I can’t wait to get started!” said Patton.

Set in Middle-earth, the Amazon television adaptation will explore new storylines preceding J.R.R. Tolkien’s ‘The Fellowship of the Ring’. A world-renowned literary work, and winner of the International Fantasy Award and Prometheus Hall of Fame Award, ‘The Lord of the Rings’ was named Amazon customers’ favorite book of the millennium in 1999, and Britain’s best-loved novel of all time in BBC’s ‘The Big Read’ in 2003. ‘The Lord of the Rings’ has been translated into around 40 languages, and has sold more than 150 million copies. Its theatrical adaptations from New Line Cinema and director Peter Jackson earned a combined gross of nearly $6 billion worldwide, and garnered 17 Academy Awards®, including Best Picture (‘The Return of the King’).

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Staffer Demosthenes returns from the wilderness, to consider what the plot of Amazon’s Middle-earth TV series might be…

Hello! It’s been a while!

However, the fine folk of TORn have defrosted me from cryogenic stasis just in time to offer a few thoughts on the recently announced synopsis for the forthcoming Amazomg(tm) Middle-earth series.

I’m going to cut straight to chase and simply start dissecting what I consider to be the guts of their statement. The implicit assumption is that the series is focusing on events of the Second Age. Given the content of the maps revealed by the production crew, I think we’re long past the time where that’s a controversial conclusion.

Amazon's map, showing the West of Middle-earth, and the island of Numenor.  What clues does it give us about the plot of Amazon's Middle-earth TV series?

But what does the rest mean? Given that the Second Age covers more than 3000 years, can we narrow down what time period the series may address?

Continue reading “Analysis: what can we deduce from the Amazon synopsis about the plot of the new Middle-earth series?”

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.