There is a lot to write about and our staff is spread pretty thin these days, but this article about Weta Digital and what some of the processes were for “The Hobbit: The Battle of the Five Armies,” is just too good to miss.
Here is a taste:
The new tools implemented for the film included the real-time lighting software Gazebo, technology in development two years ago (see “Shaping Middle-earth,” January/February 2013), new rendering software called Manuka, and a new virtual production pipeline. The scale of shots with the armies made their implementation necessary. Continue reading “Going deep with Weta Digital”
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Hey all, MrCere here. We have a friend in Italy who has been great at promoting some J.R.R. Tolkien related stuff and has been also providing TheOneRing content and ways to reach readers and Tolkienites in Europe.
Gabriele Marconi sent in the following info, I think, with the idea that I could shape a post for TORn from it. Instead, I love his energy and style so and am presenting the info as he provided. It is long compared to many posts, but there is a lot of useful info. And, if this doesn’t want to make you go to Milan, you might not be a Tolkien fan. This is an astounding collection of art with all the names you hope might be included. Anyway, go read!:
Marconi said: Continue reading “Astounding Tolkien-themed art collection now open in Milan”
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One thing that isn’t great about being a fansite: Other outlets and readers treat anything we write as if it were written from a fan perspective. Sometimes that is true, sometimes it is false. As a result of this, we didn’t complain about Oscar Nominations; It just sounds like whining anyway.
For the record, while we are here, there are a few categories that are head scratchers though. The technical category omissions, in my opinion, are a mark against the awards. Films that win these categories generate buzz and these Hobbit films didn’t do that in the right way to win awards. All the folks who work on the film would say they didn’t get into the business to win awards and they are only a bit of extra icing anyway.
But WIRED, not a fansite, has a video series about special visual effects and the series is highly watchable, educational and interesting. (Special effects are things that happen on set.) Staffer Justin pointed out this video from the series where the host expresses real surprise that BOTFA didn’t get a nom. He has some wonderful details about the attack on Lake-town in particular (a favorite set piece of mine, burning or not) and the advancement of the computer program MASSIVE created for the battles in the LOTR films. The folks in New Zealand were pushing boundaries as they do every single time.
It is well worth a watch and it lights a fire under me, at least, to get annoyed that Weta Digital didn’t get an Oscar nom for Best Visual Effcts — except they did get one for “Dawn of the Planet of the Apes.” That does mean Gentleman Joe Letteri will be in Los Angeles so on Oscar night, after he attended previous parties, we will be sure to invite him to our celebration this year. Continue reading “‘The Hobbit: BOTFA’ and its shocking VFX exclusion from the Oscar race”
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Three Weta Digital artists have won one of 21 scientific and technical achievements awards that the The Academy of Motion Picture Arts and Sciences announced yesterday for their work on innovative hair manipulation software known as Barbershop.
Barbershop is hair-grooming software that enables digital artists to literally comb, brush and blow-dry CG hair. Its unique architecture allows direct manipulation of full-density hair using an intuitive, interactive and procedural toolset, resulting in greatly enhanced productivity with finer-grained artistic control than is possible with other existing systems.
Marco Revelant is being recognised for the original concepts and artistic vision, while Alasdair Coull and Shane Cooper are being honoured for the architectural and engineering design of the Barbershop hair-grooming system. Continue reading “Weta Digital wins scientific and technical Academy Award”
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It looks like, in addition to his work on the Extended Edition for the Battle of the Five Armies, Peter Jackson will be investing a bit of his time this year to launch a WWI museum. Is it too much to think this might be a pointer toward that Dambusters project?
Director Peter Jackson said Wednesday he’s putting his energy into helping launch a museum to commemorate World War I after finishing his “Hobbit” movie trilogy.
If he has any plans for future blockbusters, he’s not saying.
Jackson was speaking at his New Zealand post-production facility where he was helping host an event to promote the local film industry. Directors Jane Campion and James Cameron also attended.
Jackson is a World War I history buff who owns a number of planes from the era.
He said the plan for the Wellington museum was to open during April to mark the 100th anniversary of the Gallipoli battle.
He said more galleries would be opened over the coming four years to mark other battles in which New Zealanders fought.
The New Zealand Herald newspaper reported earlier that Jackson had been recruited by the government to curate the museum, and he was expected to gather aircraft, tanks and other artifacts from private and public collections.
[Read More]
TheOneRing.net’s One Last Party campaign hits $163,000!
Our One Last Party fundraiser on Indiegogo has now raised more than $163,000 — we’ve less than 17,000 to go!
We are so humbled by everyone’s support. More than 1,000 people have pledged and scores of people have reached out to donate items or their time to help our party fundraiser. You are all awesome!
Pledges of $10 or more could win this signed Battle of the Five Armies poster
One amazing TORn supporter has donated this Battle of the Five Armies poster (see the picture below) signed at San Diego ComicCon by:
- Dwalin — Graham McTavish
- Gollum — Andy Serkis
- Tauriel — Evangeline Lilly
- Thranduil — Lee Pace
- Legolas — Orlando Bloom
- Bard — Luke Evans
- Smaug — Benedict Cumberbatch
- Frodo — Elijah Wood
- Galadriel — Cate Blanchett
The poster (measuring 13′ by 20′), together with the holographic wristband that was needed to get it at SDCC, will be given away to one lucky supporter, chosen at random from all the pledges of $10 and above that we receive THIS WEEK (Monday 12th to Sunday 18th January).
However, the poster will only be given away IF we reach our goal! If we get to $180k by (or before!) the deadline on Sunday 18th, one name will be chosen at random to receive this amazing poster and wristband. Each new pledge of $10 or higher during this final week will be a separate entry into the draw. That’s right: the more times you pledge, the more chances you have to win!
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This is a really interesting — and sometimes provocative — interview from just after the premiere of The Hobbit: The Battle of the Five armies.
The Daily Beast chatted with Peter Jackson about his two decades exploring Middle-earth, his thoughts on Tolkien purists (controversial!), evading the MPAA’s initial R rating on the most recent Hobbit film (I hadn’t heard about that), and his plans for the future (still hoping for the Dambusters film, personally).
I found this quote really interesting…
I don’t mean to undervalue the battle, they could be holding a knife and fork with their hands and be sitting at the table eating, or they can have a sword in their hand and fighting for their lives, it’s still the storytelling and the narrative that these guys are on that you’re really focused on.
Don’t forget to follow the link to read the full interview. Continue reading “Peter Jackson: “no regrets””
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