When director Peter Jackson asked Howard Shore to compose the score for “The Lord of the Rings” film trilogy, Shore studied J.R.R. Tolkien’s fantasy world before beginning four years of writing music. At a Master’s Tea Tuesday afternoon, Shore shared insights about composing, orchestrating, conducting and producing more than ten hours of music to accompany “The Lord of the Rings” films in front of more than 100 students in the Branford College common room. The Academy Award-winning composer, who also wrote the scores for “Mrs. Doubtfire” and “Doubt,” among others, also told stories about working on other genres of music before his venture into cinema. Shore began the talk by describing his first encounters with music. From the beginning, his clarinet teacher felt it was important that he learn music composition techniques such as harmony and counterpoint, he said. By the time Shore was 11 years old, he was already writing small pieces. Shore shares insights on ‘Rings’ trilogy
Category: Production
Linuxelf writes: It looks like the guys at WETA are up for another award, this time they have been nominated for the 2009 Children’s and young adults book awards, for their book ‘The Crafting of Narnia’.
Or a Tale of Two Towers: Art and Archetypes in Middle-Earth
Tolkien’s Middle-Earth is conspicious in that it contains no places of worship. Few fantasy authors resist the urge to have temples and gods (usually malevolent ones with slimy and unappetizing minions, against which the hero uses guile, good sense or solid biceps in contests of thinly-disguised allegory). Tolkien limits himself to places of portent or places of wonder – places where the gods or great personages of the past have touched the earth, but have never consecrated. Continue reading “John Howe’s Journal: FROM BABEL TO BARAD-DÛR”
Nadya Vessey lost her legs as a child but now she swims like a mermaid. Ms Vessey’s mermaid tail was created by Wellington-based film industry wizards Weta Workshop after the Auckland woman wrote to them two years ago asking if they could make her a prosthetic tail. She was astounded when they agreed. She lost both legs below the knee from a medical condition when she was a child and told Close Up last night her long-held dream had come true. “A prosthetic is a prosthetic, and your body has to be comfortable with it and you have to mentally make it part of yourself,” she said. Mermaid dream comes true thanks to Weta
She may have waited 15 years, but as Kate Winslet accepted her first Oscar for best actress, she didn’t forget to mention the person who helped launch her career Wellington director Peter Jackson. Winslet, who worked with Jackson in her first feature Heavenly Creatures, filmed in New Zealand, won her first ever Oscar yesterday for her role in The Reader. Down under featured throughout the ceremony, highlighted again when Australian presenter Hugh Jackman amused the crowd as he quipped about New Zealand. “Everything is being downsized because of the recession,” Jackman said. “Next year I’ll be starring in a movie called New Zealand…” Heavenly creature Kate Winslet wins
From Entertainment Weekly: When the news came down yesterday that a heretofore unpublished book by J.R.R. Tolkien will be hitting bookstores in May, I was a little surprised that I, an avowed Tolkien dilettante, felt a genuine twinge of excitement. Although I have never read Tolkien’s The Lord of the Rings or The Hobbit, I did love me Peter Jackson’s LOTR moving pictures something fierce, and I’m quite twitterpated to see what director Guillermo Del Toro and exec producer Jackson have cooking for The Hobbit. Maybe this new Tolkien story — which the good professor reportedly wrote before spinning his tales of furry-footed Hobbits and ring-seeking dark lords — would prove just as richly filled with fodder for a sweeping fantasy epic that wins oodles of Oscars. EW.com