A decade ago, Matamata was a sleepy country town in the middle of the North Island, well-placed for travellers in need of a comfort stop and a takeaway snack. Today, it is better known as Hobbiton and is one of the country’s star tourist destinations, attracting 1.9 million visitors over the last 10 years. It is poised for a fresh invasion starting this Christmas which seems certain to top that number over the next decade.

It all began in 1998 when movie director Peter Jackson took to the sky in a small plane in search sites to film his planned trilogy of JRR Tolkien’s The Lord of the Rings.

His target was a piece of countryside untouched by concrete buildings, power poles and roads that he could transform into Hobbiton, the primitive village home of Tolkien’s small, hairy, Hobbit people.

A family farm outside Matamata, set about halfway between the provincial capital, Hamilton, and the tourist city of Rotorua, and complete with Tolkien’s so-called “party tree” and a lake, proved perfect. Continue reading “How a sleepy country town became Hobbiton”

Back in July I posted the first in this series of memoirs about my work on my book, “Researching THE FRODO FRANCHISE: Part I, Off to Wellington without a Handkerchief.” I’ve been all too long in following it up, but lots of travel, including attending the “Return of the Ring” event in England in August, has interfered. I’ve got at least a dozen of these entries planned, so despite the fact that so much attention is focused on The Hobbit, I’d better get going!

This entry begins my recollections about the places where The Return of the King was still being worked on when I showed up at the end of September, 2003. They are scattered mostly around the Miramar peninsula, which was and is sometimes referred to as “Wellywood.” I gradually visited all of them to interview filmmakers or to get tours to familiarize me with the facilities that Peter Jackson and his colleagues had built up. That process had happened during the 1990s, but it accelerated to a breathless pace as the infrastructure for accomplishing the three parts of The Lord of the Rings were built and expanded.

Those facilities have grown even further as King Kong, Avatar, and now The Hobbit have been made. This is the story of how I discovered them in 2003 and 2004. Continue reading “Researching THE FRODO FRANCHISE: Part 2, Arriving in Wellywood”

As we wrap up our “World Hobbit Day” festivities, we at TORn are pleased to bring you one final piece of our celebratory specials via an exclusive interview with Aivale Cole (nee Mabel Faletolu).

For fans of Howard Shore and the music of The Lord of the Rings films, Aivale (credited as Mabel Faletolu on the soundtrack of The Fellowship of the Ring) perhaps needs no introduction. For the rest, you probably recall that most heartrending of voices that engulfs the broken Fellowship as they emerge from the darkness of Moria and grieve over Gandalf’s fall into Khazad-dûm.

That piece was sung by none other than Aivale, a vocalist hailing from Wellington, New Zealand. Back in 2001, she recorded the solo piece with the New Zealand Symphony Orchestra.

Join us in this exclusive interview as we catch up with Aivale who, after more than a decade, takes us back to that “crazy but exciting” time when she worked with Howard Shore and Peter Jackson, and also shares a rather amusing anecdote involving Ian McKellen.

Continue reading “TORn “World Hobbit Day” Exclusive: Interview With Aivale Cole (nee Mabel Faletolu)”

From Stuff.co.nz: Sir Peter Jackson’s plans to build a world-class film museum in Shelly Bay were scuppered when Sir Ngatata Love’s partner sought $750,000 in consultancy fees to help secure the land.

Months before the Port Nicholson Block Settlement Trust gained the right to buy the former air force base on the Miramar Peninsula from the Crown, Jackson wrote to Sir Ngatata outlining a plan to create a permanent home for his vast array of Lord of the Rings props.

“I have always thought that Shelly Bay would be an ideal site for a state-of-the-art exhibition building of international standard,” Jackson wrote in March 2008.

[More]

Radio NZ National program The Arts on Sunday has interviewed Peter King who is the brains behind the make up design for the Lord of the Rings and The Hobbit.

King has previously won an Oscar and a BAFTA for his work on The Lord of the Rings, while his other film credits include Nine, the Nanny McPhee movies, King Kong, Thunderbirds and An Ideal Husband.

I don’t know how long the link will remain up so you should have a listen soon. Press play below to hear the interview.

If the above link doesn’t work for you listen [here]