The Huffington Post recently posted a story about why many critics currently savaging The Hobbit: An Unexpected Journey will regret it in the long run. It has more to do with the fuller history of Middle-earth, of which most critics are completely unaware, and less to do with them reviewing the first part of a trilogy that has yet to play out. This article gives a run down of the pertinent bits of Middle-earth history before The Hobbit, and the time between the two stories, to more fully connect them and give a proper perspective to character motivation.
Please note that there are some SPOILERS in this article for those who have not yet read the book.
The Hobbit: An Unexpected Journey. The Hobbit would be better subtitled ‘Great Expectations’ rather than ‘An Unexpected Journey’, given the spectacular triple-act it follows, and the accumulated anticipation in the near decade since the Oscar-sweeping The Return of the King. This presents a problem for judging the film, for we are none of us objective. Comparisons with the original trilogy are inevitable, and thus before we even look at the intrinsic merits of the latest addition to Jackson’s Middle-earth adaptations, we need to be aware of how much we take for granted in coming to this new trilogy, and thus how our critical faculties are skewed. Continue reading “Thomas Monteath critiques An Unexpected Journey”
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It is widely known that the novel called The Hobbit is supposed to be the journal, or autobiography of Bilbo Baggins, and his recollections of his adventures with Gandalf and the Company of Dwarves. In the beginning of both The Hobbit: An Unexpected Journey and The Lord of the Rings: Fellowship of the Ring, Bilbo is seen writing his story. That book is then passed along to Frodo to include his grand adventure, The Lord of the Rings, and then finally given to Sam to finish. But where does this love of storytelling come from?
Again, in the FOTR in the chapter called “Concerning Hobbits” not only does Bilbo describe every little detail of just what is a Hobbit, but he mentions their love of genealogy, biographies, nature studies and maps. And while it is made clear Hobbits do not like going on Adventures, they are not opposed to listening to stories of adventure. Later on in FOTR, in Rivendell, there is a Hall of Fire, where songs are sung and stories told and thus, it becomes clear that Elves love storytelling as well. And finally, in The Hobbit during the Unexpected Party, the Dwarves sing their own songs tell some tales of their own history. It is clear that while Professor Tolkien is telling us a tale, to make each culture richer and seem more real, he is giving them individualized stories of their own within his greater story.
As we’ve come to expect, Weta and Harper Collins have produced another sumptuous, richly-bound volume detailing the process of turning words and imagination into the films we see. It’s written by Daniel Falconer, who’s had a hands-on overview of the road to executing Jackson’s vision since the beginning of LOTR. Thus you see many sketches exploring the different concepts that inform the finished designs we see on screen, and a wealth of objects you only dream of studying at leisure and in detail. It’s full of insights into how the film’s creators saw the character and history of The Hobbit’s people, creatures and places. The actors get to speak about their characters too, so we learn for instance that Sylvester McCoy loves animals in real life – he whistles to birds and they whistle back! Definitely a book to treasure. It’s full of spoilers too promising scenes that we can hope to see in the extended edition DVDs if nowhere else – scenes with the Old Took and Belladonna Took, Gandalf’s first meeting with Bilbo when he was a young boy, and a closer look at more Shirefolk such as Lobelia Sackville-Baggins, Old Gammidge and Old Hob. Check out some scans below. [Purchase Today!] Continue reading “The Hobbit: An Unexpected Journey – Chronicles”
An insightful article appeared yesterday on “Heirs of Durin” about the appeal of Thorin, Fili and Kili beyond the physical response to the actors. It was originally written in German and then translated into English, but still makes for a good read. There are some minor spoilers at the end of the article regarding the end of the book and likely the end of the final film as well, so caution to those who have not yet read the book. So click on the link to read about Thorin Oakenshield and “the Sons of my Father’s Daughter, Fili and Kili of the Race of Durin”.
The Huffington Post recently posted a story about why many critics currently savaging The Hobbit: An Unexpected Journey will regret it in the long run. It has more to do with the fuller history of Middle-earth, of which most critics are completely unaware, and less to do with them reviewing the first part of a trilogy that has yet to play out. This article gives a run down of the pertinent bits of Middle-earth history before The Hobbit, and the time between the two stories, to more fully connect them and give a proper perspective to character motivation. 
I haven’t yet seen The Hobbit: An Unexpected Journey, but what I’ve seen and read of the White Council sequence has intrigued me. 
