The folks of the TORn message board Reading Room, the section of our forums devoted to discussion of Tolkien’s literary works, have just put out for a call for papers for the third TORn Amateur Symposium (also known as TAS3).
The first two TORn Amateur Symposiums last year published 22 essays on topics as varied as The Physics of The Hobbit, The Corrupting Nature of The One Ring, Concepts of Healing in Middle-earth, The Matter of Glorfindel, and Music and Race in Howard Shore’s Score.
TAS is an opportunity for those who love Middle-earth to share their ideas on Tolkien-related subjects in a longer written form. Continue reading “Call for papers: the third TORn Amateur Symposium”
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That mischievous little sneaker known as Gollum (or Smeagol, depending on his mood) has another notch in his belt (er, loincloth). Even 10+ years after making a splash in Hollywood, he just can’t stop picking up awards.
Yesterday, the 41st Annual Annie Awards were held. The Annies celebrate achievement in film and television animation. The award for ‘Character Animation in a Live Action Production’ was given to Jeff Capogreco, Jedrzej Wojtowicz, Kevin Estey, Alessandro Bonora and Gino Acevedo for their work on Gollum in The Hobbit: An Unexpected Journey. Continue reading “‘The Hobbit: An Unexpected Journey’ wins Annie Award”
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SoundWorks Collection recently took a trip to Wellington, New Zealand to speak with the wizards at Park Road Post Studios about their work on The Hobbit: The Desolation of Smaug. From these interviews comes a 10-minute video (which we’ve embedded below) detailing the tremendous process of constructing the sound design of the second film in Peter Jackson’s epic adaptation.
This profile comes on the heels of the Oscar nominations the film
received in both sound categories – Sound Editing and Sound Mixing (in addition to Visual Effects). The Academy Awards ceremony will be held on Sunday, March 2.
Interviews in this video include re-recording mixers Michael Hedges, Christopher Boyes, Michael Semanick, and Gary Summers, as well as composer Howard Shore and producer/co-screenwriter Philippa Boyens. Continue reading “SoundWorks Collection profiles ‘The Desolation of Smaug’”
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The Academy of Motion Picture Arts and Sciences announced their nominations
for the 86th Annual Academy Awards this morning, and The Desolation of Smaug received 3 nods.
Best Sound Mixing
Christopher Boyes, Michael Hedges, Michael Semanick and Tony Johnson
Best Sound Editing
Brent Burge
Best Visual Effects
Joe Letteri, Eric Saindon, David Clayton and Eric Reynolds
Congratulations to the nominees! The ceremony will be held on March 2nd. Continue reading “‘The Hobbit: The Desolation of Smaug’ nominated for 3 Oscars”
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The nominations for the 61st Annual MPSE Golden Reel Awards have been announced, and The Desolation of Smaug received two nods – Best Sound Editing: Sound Effects and Foley in an English Language Feature and Best Sound Editing: Music in a Feature (English or Foreign Language).
The films Gravity and 12 Years a Slave led with 3 nominations apiece.
The awards ceremony will be held on February 17, 2014. Continue reading “‘The Hobbit: The Desolation of Smaug’ receives 2 nominations from the Motion Picture Sound Editors (MPSE)”
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This past Thursday night, the Visual Effects branch of the Academy of Motion Picture Arts and Sciences met to vote for the five VFX nominees at this year’s Oscars. As expected, voters were highly impressed by the frontrunners Gravity and The Hobbit: The Desolation of Smaug. But the fellow potential nominees were no slouches either. Presentations of the special effects work behind Pacific Rim, World War Z, and others left quite an impression as well. Continue reading “‘Smaug’ Visual Effects wow at Academy Awards bake-off”
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