The internet’s already buzzing like Beorn’s beehives with images and clips from the World Premiere of the new Fox Searchlight movie “Tolkien”! If you have not been looking at social media to spare yourself GoT spoilers (which is sensible) let us bring you some good early buzz as the FIRST FAN REACTIONS to the film are now pouring in!
We have a sample from the lucky audience who attended a special advance screening at Wonder*Con in Anaheim; attended by the film’s director Dome Karukoski where I moderated audience Q&A afterward (but honestly I was so emotional by the end of the film it was hard to collect myself). The Premiere in London also is producing some amazing responses.
But ours was the FIRST AUDIENCE IN NORTH AMERICA to see the finished film — these are first gut reactions (not spoilery at all):
I had no idea that I would be taken on such an emotional journey generating both out-loud laughter AND tears. It instantly reframed my reading experience of Tolkien’s works and made it even more poignant for me. I can’t recommend this film highly enough. Don’t forget to bring a hankie! I give this 5 master Rings! – David Baxter
TOLKIEN is a beautiful, graceful movie about one of the most influential authors of our time. It’s made with intelligence and compassion, and is a deeply moving tribute to a great man.” — Ellen Monocroussos
It’s a tribute to the power of languages and storytelling and the surprising friendships that change one’s life. I can’t think of a better person in history than J.R.R. Tolkien who could illuminate this subject, and I’m thrilled with the results. Here is how an orphaned, penniless child became the greatest author of the 20th Century by finding strength and love from a kindly Priest, the lads who became his “found family” in the T.C.B.S.; and Edith Bratt, the love of his life that he could never give up on. Overall feel and look of this film rests perfectly at the intersection of DEAD POETS SOCIETY and THE THEORY OF EVERYTHING. The final scene with Nicholas Hoult and Genevieve O’Reilly was exquisite with pure emotion! I was floored at end, but in that bittersweet way you feel uplifted yet don’t know exactly why you are crying. — Clifford Broadway “Quickbeam”
Hoult did an excellent job of giving us Tolkien’s mind at work – the final scene in Barrows cafe absolutely floored me (I felt like I cried through every other scene)! My husband liked the fact that the film did not glorify the horrible side of war. The bit we both loved was the walking conversation Tolkien had with the mysterious Professor Wright about the importance of language. To us, it hinted at so many important influences in JRRT’s life; Sean said it made him think of the walk Tolkien would have with C.S. Lewis at Magdalen. — Laural and Sean Armster
TOLKIEN is a tasteful glimmer into the life of the man who brought many of us joy, wonder and a family of friends through his imaginative writing and intricate world building. To see that Middle-earth was inspired by transformative relationships like the one’s we’ve all formed by simply being Ringers felt full circle. From the cinematography to the chemistry of the cast, TOLKIEN is just a beautiful film. And while it’s only a small peek behind the curtain of J.R.R. Tolkien’s life — I love the insight we’re given and mystique we’re left with. — Chelsea Schwartz
This movie humanizes the legend of J.R.R. Tolkien, and shows that the father of fantasy dealt with all the trials every human goes through. I respect the man even more after seeing TOLKIEN. — Justin Sewell
Watching the movie was like falling in love with Film again. The scenery and characters were so beautifully intertwined that all of it made amazing storytelling. So I’m glad to be able to share this with TheOneRing.net and the director, Dome Karukoski. Thank you, truly. — Abie Ekenezar
TOLKIEN is a very beautiful film to look at, from the cast and set locations to the costumes and decor, but what really sets this film apart from a more historical narrative is the subject. JRRT was not just a brilliant linguist, but a masterful storyteller who really understood what words mean in a culture, the impact that words and phrases could have to a reader or orator. My favorite sequences in this film are when we see Ronald exploring a word and deriving a story from that word. It is the act of creation, of an artist working out if the word is a Person, Place or Thing and deriving a story from the evolution of that word into meaning. Both Director Dome Karukoski and actor Nicholas Hoult do a wonderful job conveying this concept. — Cathy Udovch
Film is well put-together and does have the right “feel” to it, all credit to Dome Karukoski on that. Casual viewers will get a lot from this TOLKIEN movie. Excellent music and sound. Wasn’t expecting that but very well done. Good amount of humour. Also wasn’t expecting that but pleased it was there. Tolkien the academic is a bit peripheral here. The chronology of his life and some details are just wrong. The War crowds out a lot of other influences on him. I think the Tolkien movie is a nice film, and I expect casual viewers will enjoy it (although they may struggle with lack of Middle-earth references). Performances are good and sound well done. But hardcore Tolkien fans will struggle with historic accuracy and balance of influences. Solid performances by Nicholas Hoult and Lily Collins. — Shaun Gunner, Tolkien Society Chair
That’s just the first smattering of opinions coming through – and we will add more soon!
EDITOR’S NOTE: This opinion piece by 20-year veteran contributor Clifford “Quickbeam” Broadway comes from a personal perspective. TheOneRing.net strives to maintain an open dialogue amongst fans.
Just a week ago, U.K. based The Guardian let loose a ham-fisted distress call to get unsuspecting Ringers to click over to their site. Yahoo News regurgitated the story with even worse distortion. We’re here to tell you – don’t fall for it.
T’was a misleading article about how the Tolkien Estate “have fired a broadside” at the upcoming TOLKIEN biography film which is soon to be released theatrically by Fox Searchlight on May 10th (special advance screenings on May 7th). The movie, though not made under the auspices of the Estate, is an elegant ode to Tolkien’s early years, weaving swaths of memory and time together into a tone-poem portrait of a unique life.
Just one look at that click bait story and you’ll get the wrong idea right away; as if a darkly serious antagonism or threat against the filmmakers was underway when that’s just….. not….. true. Here we get a quick lesson on spin. Let’s get to the simple context of what the Tolkien family REALLY said.
As most may already know, the Tolkien Estate is comprised of direct descendants of J.R.R. Tolkien who have control over the body of works written by him. They are simply doing what they have always done. It is their duty to make a clear position on what is and *what is not* authorized by them. Here is the language of their statement:
“The Family and the Estate do not endorse the film or it’s content in any way. It is our wish to make clear that they did not approve of, authorize, or participate in the making of [the film].”
This is no big deal – we’ve seen this type of thing before. They are simply saying they weren’t involved in the production because people would naturally jump to that conclusion. This is pretty much an expected response for them to say ‘we are not involved.’ No need for the tabloid treatment of it, so come on Guardian, stop with the click bait. This is basically the Estate’s way of saying: “Hey out there! If you’re seeing that film but want the REAL story, get a copy of Humphrey Carpenter’s “J.R.R. Tolkien: A Biography.” which we are behind 100%.”
Even Tolkien scholar John Garth who wrote “Tolkien and the Great War” said that the Family’s response to this biopic was “sensible.” We’ve seen the Tolkien Estate’s general disapproval of Peter Jackson’s six Middle-earth films before. They want people to appreciate the books on Professor Tolkien’s terms – a profoundly effecting literary journey we have all loved and appreciated.
The Guardian dug up Christopher Tolkien’s comments out of mothballs from a rare personal interview to further stir the mud – and it just makes me uncomfortable when they use this man’s words in such a way as to create a schism between fans and the author’s legacy.
Christopher has been such an intelligent, cautious caretaker of his father’s works. I also acknowledge his dismay at the sweeping commercial embrace of same. I get it. While writing and filming our documentary Ringers: Lord of the Fans, I learned first-hand how the difficult dance of Art and Commerce was underway within this breathtakingly large fandom. As newer generations of fans join the fold of Tolkien readership, the movies’ viewership also grows (and vice-versa), the community of players enjoying LOTR video and boardgames also grows, attendance at conventions and surprising cosplay also increases, and though Christopher may have been dismayed at such an embrace by popular culture, this has become something of a symbiotic relationship. I foresee very healthy book sales of Tolkien’s works and on the horizon I still see his place never changing among the rarified air of beloved authors (even as Amazon Prime prepares the world for a new embarkation to Arda).
Now Christopher has stepped down from his post. We have younger scions of the family watching over things now; and the grandson of the Professor, Adam Tolkien, is one of several people at the Estate guiding decisions and working out new licensing deals. In 2012 he said: “Normally the Executors of an Estate want to promote a work as much as they can. But we are just the opposite. We want to put the spotlight on anything that is not The Lord of the Rings.” What does this mean? They’re interested in steering your attention to Tolkien’s life, to his many other great works, The Silmarillion and beyond, and to his artworks and scholarship.
This upcoming TOLKIEN movie will do just that. It will bring general viewers to an emotional space of understanding the man himself in a very human way. It’s not a historical documentary. It’s a dramatization. Hardcore Ringers can nitpick at the historical accuracy but still appreciate the breadth of emotion and insights offered by a cinematic take on a scholarly life. And it will make people want to learn more about him and the T.C.B.S., the youthful friends who impacted Tolkien so much.
We talked about this on our livestream show TORn Tuesday just last week. Come join the live chat – every Tuesday at 5pm Pacific Time – we will have special guests from the TOLKIEN movie coming soon to embrace more thoughtful discussion on the life of the man, the linguist, the war veteran, the author.
Waaaayyy back in time in the late 20th Century, four creatives lurked about the wild frontier of the internet, pursuing their disparate interests, unknowingly united by a common passion. The internet was undiscovered country in that time, fertile ground for those with the right ingredients to plow, till and toil. This passion – a love of the works of J.R.R. Tolkien – brought together in an unlikely alliance a visionary, a musician, a server lord and a coder from three nations and two continents who would make history and launch the greatest gathering, collection and expression of Tolkien fandom as yet seen on this Earth.
Since TORn’s beginning early in 1999, Corvar (William R. Thomas) has been the mystery man behind the scenes working on TheOneRing.net’s server from where he lives in Wisconsin. A computer programming professional who, along with Calisuri (Chris Pirrotta), is the guy responsible for making sure that everything runs smoothly and the lights stay on. Corvar’s vast programming knowledge in the ever-changing computer field ensures that TheOneRing.net keeps clipping along without a hitch. But when we do hitch… he’s the one they call.
I recently visited “Tolkien – Maker of Middle-earth”, an exhibit at the Morgan Library and Museum in New York City, which runs through May 12. The exhibit is the most extensive display of original Tolkien material gathered in one place for several generations. It includes pieces from The Morgan, The Bodlein Library archive at Oxford University, the Marquette University Libraries in Milwaukee, and private lenders. It takes you on a journey through the life of John Ronald Reuel Tolkien (or as we know him – J.R.R.) with photos, letters, text, and Tolkien’s own work. For me, it was a truly awe-filled and emotional experience.
To enter the exhibit, you walk through the round green door of Bag End to behold a wall-sized mural of Tolkien’s painting of Hobbiton. There are other murals throughout the exhibit, and it is cool to see his work so large because things that are usually seen as tiny details are suddenly more apparent, and you are drawn in to the landscape. But the real attraction of the exhibit is Tolkien’s actual work.
On display is an extensive selection of his original drawings, paintings and hand-written manuscripts. I can’t possibly describe in words what it is like to stand in front of the original hand-painted dust jacket for “The Hobbit”, replete with Tolkien’s handwritten comments in the margins; to view “Conversations with Smaug” so closely that you can see J.R.R’s brushstrokes; to revel in the light of “The Forest of Lothlorien in Spring.” One of my personal favorites is “Bilbo Comes to the Huts of the Raft Elves”, the image chosen for the exhibition’s catalog cover. If you can’t make it to the museum, I highly recommend this book with the same title as the exhibit. It is available online and includes full color images of every piece in the exhibit along with the accompanying text.
Exhibition catalog available online
There are early sketches for The Doors of Durin, which were a special treat for me because I recently painted a life-sized version of the West-Gate of Moria (Speak “Friend” and Enter) at Scum and Villainy Cantina in Hollywood, where Torn Tuesday is broadcast from. There are even pages Tolkien created to look like they were from The Book of Mazarbul – the book that the Fellowship finds besides Balin’s tomb – hand-calligraphed, painted, torn and burnt. Tolkien the artist could have found himself a place on the team at WETA.
Page from The Book of Mazarbul
There were many manuscript pages filled with Tolkien’s tight, flourishy handwriting, written first in pencil, then erased and crossed-out, then written over in ink. It’s amazing to me that these were able to be deciphered and included in the books.
There were quite a few different, and often large, hand-drawn maps of Middle-earth; original book jackets for LotR; some of the charming drawings and letters from Father Christmas that Tolkien sent to his children. And there were illustrations I’d never seen before – beautiful pieces expressing Tolkien’s vision of Fairy and his ideas about how creativity flows. There were even full-sized newspaper pages crammed with his colorful doodles, some quite Elven in style.
One thing that really struck me was a hand-calligraphed
letter that was meant to be reproduced and included at the end of the Lord of
the Rings, but unfortunately, the publishers nixed the idea. The letter was
from Aragorn to Master Samwise, letting Sam know the King would be stopping for
a visit outside the Shire. The letter has two versions side-by-side written in
Tengwar – one in Sindarin, the common tongue, and one in the high-Elven speech,
Quenya.
Aragorn’s letter to Sam
And there was mention of an epilogue for LotR that Tolkien wanted to write. In it Sam was to tell his family what happens to all the characters after the end of the Lord of the Rings. When I researched this further, I found a snippet of his intended conclusion, which appears in the ninth volume of “The History of Middle-earth”:
‘… said Elanor. “A story is quite
different, even when it is about what happened. I wish I could go back to old
days!”
“Folk
of our sort often wish that,” said Sam. “You came at the end of a great age,
Elanor; but though it’s over… things don’t really end sharp like that… There
are still things for you to see, and maybe you’ll see them sooner than you
hope.”’
It makes me think Tolkien knew that his epic story would go on and on, even if he could never have imagined the film-making technology that would become available to make it happen.
I hope you have a chance to see the
exhibit, for it is truly incredible and a joy to behold.
Welcome to The Great Hall of Poets, our regular monthly feature showcasing the talent of Middle-earth fans. Each month we will feature a small selection of the poems submitted, but we hope you will read all of the poems that we have received here in our Great Hall of Poets.
So come and join us by the hearth and enjoy!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
The Walk to Bree
by David McG.
I met a wise old Hobbit on the winding path to Bree.
And as we strolled down woodland paths he began to sing to me.
He sang of high adventure, of friendship and of woe.
Of how he’d helped to save this world, many years ago.
The song it told a stirring tale as we seemed to float along.
Down ancient paths and long lost towns now living in his song.
He sang of safe security and days of endless fun.
And how that changed the fateful day his friends were forced to run.
From Hobbiton to Gondor’s halls his song it told the tale.
Of the greatest Hobbit who ever lived and a mission seemed doomed to fail.
The lifelong friends he came to make and those he’d come to lose.
And the terrible fate that haunted them all, and dark paths they had to chose.
The song unfolded a wondrous tale of his life spent in the Shire.
From farmers fields to Dragon’s Inn and feasting round a fire.
A long expected party, to honour a life long friend.
And the forming of a Fellowship, that stayed true to journey’s end.
He sang the tale of the Crownless King whose rule had long seemed lost.
A Captain who had saved them all, but paid a terrible cost
The mighty Ents, the Shepherds of Trees. White Wizard with a dark desire.
And a ring of gold that consumed all will, forged in a mountain of fire!
The pathway grew much darker as he sang of battles grand.
Hard fought by all the free folk assailed throughout the land.
The horrors at the Hornburg, Osgiliath overrun.
The last ride of the Rohirrim and the beating of the drum.
The Battle of the Pelennor, the fight to seal all fate.
The last march of all Free Folk to tear down the Dark Lord’s gate.
The shadows they all lifted and the sun shone brightly down.
Then a beaming smile lit the Hobbits face as we came into Bree town.
Into the Prancing Pony, a bustling, ancient Inn.
And he toasted as he raised his beer “Let adventure new begin!”
And there stood the ‘Citadel Guardian’ And there stood the ‘Fool of a Took!’ And there stood the ‘Defeater of Wizards’ As told in the Westmarch Red Book.
~~ * ~~
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Mae Govannen! Greetings all!
