In an interview with BBC’s HARDtalk, Sir Ian McKellen shares his thoughts with show host Stephen Sackur on reprising his role as Gandalf the Grey, on whether he’s going to find his return to the role fresh and challenging, and on working with director Guillermo del Toro.
Linuxelf writes: Peter Jackson talks about the beginnings of the making of the mammoth task which became the lotr trilogy. Plus some personal insights from Peter Jackson. Peter also reveals that’s Gandalf’s voice is based on Tolkien’s voice!
Jason Killingsworth writes: Wayne Barlowe gets paid to make your eyes pop out of your skull. The wildly talented science fiction and fantasy artist/author designed the creatures for James Cameron’s Avatar. He’s done concept art for a number of other Hollywood blockbusters, including Harry Potter and the Goblet of Fire, Hellboy and most recently Peter Jackson’s two-part, big-screen adaptation of The Hobbit. But even though he’s done reams of work for the film industry, it was his vivid reimagining of Dante Alighieri’s Inferno—the appropriately titled Barlowe’s Inferno—that made him the perfect candidate to work on Visceral Games’ new hack-and-slash action title, which also just so happens to be inspired by the late Italian poet’s masterpiece. We jumped at the opportunity to talk to him about his artistic journey into the underworld, his approach to creating the wildest mythical beasties imaginable and what we can expect from The Hobbit films. More..
The director used the Venture II in his 2005 remake and later sold it to a property development firm in Wellington, which kept it moored at a wharf in the city. Ownership of the vessel has now passed to Wellington Regional Council after the company went bust, and local authorities plan to scuttle the ship in the Cook Strait on Tuesday (09Feb10), reports Radio New Zealand.
The plans have proved unpopular with residents after it was revealed the sinking will cost tax payers $23,800 (£14,875), but council officials insist the ship is becoming a safety hazard and can no longer be moored at the wharf. More..
Take a look at our Scrapbook collection of ‘Venture II’ here and here
Peter Jackson has revealed he didn’t want to direct The Hobbit, because it would be too much pressure. The Oscar-winning filmmaker, who directed the films in the Lord Of The Rings trilogy, chose not to direct the two-part prequel of Tolkien’s novels but will be revising the script with wife Fran. More..
As Peter Jackson told us earlier, his vision for Susie Salmon’s afterlife in The Lovely Bones (which Paramount Pictures opened wide last weekend) was a surreal, in-between journey to heaven predicated dreams and metaphoric symbols. A house in the dead cornfield represents her murderer, Mr. Harvey; the blooming flower suggests Susie’s life force and her ability to communicate with her father; the Gazebo in the barley field signifies unfulfilled love, with the field turning to mush as she runs toward it.
Interestingly, the vfx challenges for Weta Digital were more artistic than technical, even though the CG imagery of the In-Between world necessitated abandoning the laws of physics. More..