

In a recent interview with stuff.co.nz, Sir Ian McKellen revealed that scenes including Gandalf and a young Bilbo…
Continue ReadingNeil Finn talks to Andrew Dickens of News Talk ZB about recording “The Song of the Lonely Mountain” for the end credits of The Hobbit: An Unexpected Journey.
Choice quote regarding the “anvils” used in the song:
“I’d love to paint a picture of a big, blacksmith’s anvil sitting in the middle of the studio but, in actual fact, it was my son Liam […] poised over an electronic keyboard.”
Listen to the interview here.
Peter Jackson and his production team have provided TheOneRing.net the following statement refuting allegations by People for the Ethical Treatment of Animals that a horse named Shanghai was hobbled during the making of The Hobbit because he was too energetic for his rider. The statement includes a declaration by Shanghai’s owner that the horse has shown no signs of ill-treatment. Continue reading “Statement from Peter Jackson and the producers of The Hobbit about animal mistreatment allegations”
Confused about HFR 3D? Not convinced it’s the thing fr you? Peter Jackson explains what it is, why he’s chosen to employ it, and why he believes you should check it out in this short question and answer article. Continue reading “HFR 3D: Peter Jackson explains what and why”
Via our Russian friends at Henneth Annun we have the following exciting report.
News from the Russian distributor Karo Premier: The editing of The Hobbit is almost finished; the Russian dub as well. The final assembly will happen the day after tomorrow in London.
Boyens owes much of this to her screenwriting debut with Sir Peter Jackson’s The Lord of the Rings. She went on to co-write King Kong and The Lovely Bones with Jackson and Fran Walsh, as well as co-produce both films.
So with the fruits of her most recent labour, the US$500 million trilogy The Hobbit, soon to be revealed to the world with the release in December of An Unexpected Journey, we’d be forgiven for assuming Boyens was keen from the very beginning to return to Middle-earth.
When asked, there’s a long pause before she answers. “I loved the world. I loved [JRR] Tolkien’s writing. [But] I think there was a quality about myself where I felt like ‘I’d done it’,” she says while in Wellington.