In a recent interview with stuff.co.nz, Sir Ian McKellen revealed that scenes including Gandalf and a young Bilbo were filmed for “The Hobbit: and Unexpected Journey.””Sir Ian says during the film’s development [he] has been forthcoming with Jackson and his co-writers Fran Walsh and Philippa Boyens. For one, he felt that the relationship between Gandalf and Bilbo needed a little history. He suggested a scene showing the wizard being introduced to a baby Bilbo and his mother Belladonna Took and it was shot. He’s not sure if the scene will make the final cut of The Hobbit: An Unexpected Journey, but his suggestion was taken seriously. ”We see Gandalf observing this little boy who’s full of beans and full of adventure. And I let him play with [a] toy dragon that I’ve got.” And, when he’s thinking, ‘Who should we get? Oh, there’s that little boy.’ And he goes back to Hobbiton to meet this little boy who’s now grown up and is a real stodgy, dull, settled, unadventurous person. And he’s so disappointed. ‘What happened to you? Come on! You’ve got to go on an adventure, it’ll be good for you. Get back your childish enthusiasm!”’ Read More…
Neil Finn talks to Andrew Dickens of News Talk ZB about recording “The Song of the Lonely Mountain” for the end credits of The Hobbit: An Unexpected Journey.
Choice quote regarding the “anvils” used in the song:
“I’d love to paint a picture of a big, blacksmith’s anvil sitting in the middle of the studio but, in actual fact, it was my son Liam […] poised over an electronic keyboard.”
Confused about HFR 3D? Not convinced it’s the thing fr you? Peter Jackson explains what it is, why he’s chosen to employ it, and why he believes you should check it out in this short question and answer article. Continue reading “HFR 3D: Peter Jackson explains what and why”
Via our Russian friends at Henneth Annun we have the following exciting report.
News from the Russian distributor Karo Premier: The editing of The Hobbit is almost finished; the Russian dub as well. The final assembly will happen the day after tomorrow in London.
Philippa Boyens. Photo: KENT BLECHYNDEN/Fairfax NZ Wellington’s Philippa Boyens is one of the most successful screenwriters in the world. She’s won an Oscar, a Bafta and has been a nominee for many more, including a Writers Guild of America Award.
Boyens owes much of this to her screenwriting debut with Sir Peter Jackson’s The Lord of the Rings. She went on to co-write King Kong and The Lovely Bones with Jackson and Fran Walsh, as well as co-produce both films.
So with the fruits of her most recent labour, the US$500 million trilogy The Hobbit, soon to be revealed to the world with the release in December of An Unexpected Journey, we’d be forgiven for assuming Boyens was keen from the very beginning to return to Middle-earth.
When asked, there’s a long pause before she answers. “I loved the world. I loved [JRR] Tolkien’s writing. [But] I think there was a quality about myself where I felt like ‘I’d done it’,” she says while in Wellington.