Kristin writes: In recent days there has been news of DreamWorks ending its distribution partnership with Paramount and signing a deal with Universal. That change is affecting both Peter Jackson’s The Lovely Bones and his collaboration with Steven Spielberg on the Tintin films. I’ve posted an entry on The Frodo Franchise laying out the little that is known at this point about what the effects will be.

Del Toro Jackson
Del Toro Jackson

During an interview posted on the MTV Movie Blog, Guillermo Del Toro was asked if he would be interested in Peter Jackson directing a scene in “The Hobbit” should the LOTR director have an opportunity to do so. Del Toro agrees that Jackson has certainly earned that right but added a clarification by saying:

“We talked about it. I normally oppose fully the idea of second unit so my first instinct is no, we will not have second unit on this film,” Del Toro said of whether or not Jackson might at some point get behind the camera. “If there is a scheduling conflict or a problem of that sort, we may consider it, but right now the idea is I shoot everything.”

You can read the rest of the article on the MTV Movie Blog.

Empire Magazine has published their 500 Greatest Movies list gauged in a poll of critics, filmmakers and the public. I’m still scouring the entire list to get you some individual actor’s achievements, however the breakdown for the LOTR trilogy is:

The Fellowship of the Ring: 24
The Two Towers: 54
The Return of the King: 34

Peter Jackson’s King Kong clocks in at 450, Empire writes: Most remakes are exercises in money-grubbing cynicism, but Peter Jackson’s King Kong is all about love – for a film, a monster, a style of cinema and a child’s instant bonding with a screen icon.

Peter Jackson’s Bad Taste clocks in at 416, Empie writes: Filmed during four years’ worth of weekends by Jackson and his mates, this cheerfully psychotic tale of human-eating aliens had its micro-budget funded in part by a New Zealand government grant.

Guillermo del Toro’s Pan’s Labyrinth is 132: Guillermo del Toro fuses personal and commercial interests with a tale of the power of fairy tale, even against the grimmest of political settings: the Spanish Civil War.

You can see the entire list here.

From www.scifi.com: Saoirse Ronan, who stars as the doomed Susie Salmon in Peter Jackson’s upcoming adaptation of Alice Sebold’s novel The Lovely Bones, told reporters that the film’s events are heartbreaking, but that it’s ultimately a hopeful story. In the drama, Susie Salmon is a young girl who’s raped and murdered by a serial killer (Stanley Tucci). Following her death, Susie looks on from heaven as her parents (Mark Wahlberg and Rachel Weisz) and her sister (Rose McIver) grieve and as her killer sets his sights on a next victim. Ronan Sees Hope In Dark Bones

CANBERRA – Lord of the Rings director Peter Jackson is to produce a new sound and light show on World War I aviation for the Australian War Memorial. Jackson, who won three Academy Awards for the film trilogy, will produce a 10-minute big-screen extravaganza to help visitors experience the risks, action and drama of First World War aerial battles. “It is very exciting for the memorial to have Peter Jackson involved in the creation of the multimedia for Over the Front,” assistant director for public programs Helen Withnell said. Presented on a large screen – measuring 21m by 3.5m – a 6:1 aspect ratio – the 10-minute sound and light show will be screened each hour. Peter Jackson to produce short WW1 film

Universal Logo
Universal Logo
Nikki Finke writes: I just heard that Universal has declined to exercise an option to co-finance DreamWorks’ Tintin with Steven Spielberg and Peter Jackson set to begin filming in October. The decision was quietly made a few weeks ago. So now DreamWorks will look only to owner Paramount for the rest of the moolah in the same way the two shared financing on Dreamgirls and Transformers. Unfortunately, Paramount is presently without an overall financing deal to mitigate risk, but is arranging it on a film-by-film basis. I say Tintin — to be played by Love Actually’s Thomas Sangster — sounds like an expensive but safe bet, considering that the beloved Belgian boy is a worldwide phenomenon, and that the two great filmmakers are directing and producing even though also participating as huge first-dollar-gross players. This latest wrinkle would be more interesting if, say, Uni’s decision hurt its about-to-become-closer relationship with DreamWorks. But it didn’t. As I already reported, GE’s Jeff Immelt and Uni’s Ron Meyer dined with Spielberg and Stacey Snider Thursday night while NBC Uni’s Jeff Zucker spent the better part of that afternoon with Steven planning out the rebuild of the fire-ravaged backlot.