A transcript of the live chat with Guillermo del Toro even that occurred this weekend is now online at universalhidef.com. Unfortunately you need to register and login to view it, however it is free to register. Enjoy!

Participate in an exclusive premiere live chat with Hellboy II: The Golden Army director Guillermo del Toro, powered by BD-Live™ and only on Blu-ray™ Hi-Def, this Sunday, Nov. 23, starting at 6pm PST — log on to www.UniversalHiDef.com to register and find out more in this exclusive video. The fate of mankind hangs in the balance when a ruthless prince awakens an unstoppable army of creatures and wages war with the human world. It’s up to Hellboy (Ron Perlman) and his team of paranormal outcasts to face off with the forces of darkness in the ultimate battle of good versus evil.

A Samoan composer and conductor whose CV includes working as choirmaster for the first The Lord of the Rings movie has been recognised for his contribution to the performance and promotion of Pacific music. Igelese Ete received the $7000 Senior Pacific Artist Award at the Creative New Zealand Arts Pasifika Awards in Manukau last night. Ete, who worked on The Fellowship of the Ring alongside Oscar-winning composer Howard Shore, was also conductor for the America’s Cup opening ceremony in 2002 and conductor/composer for the South Pacific Games in Samoa last year. ‘Rings’ choirmaster honoured

As a director, Guillermo Del Toro is accomplished at utilizing high-tech special effects in his films. As a communicator, he’s comfortable in chat rooms and message boards. When adapting a book to a screenplay, however, he prefers good old-fashioned “low tech” methods that include highlighter pens and 3×5 index cards:

“In the age of computers, the CARDING system for structural purposes may seem like an archaism. I have actually used it most every time I adapt a BOOK. It is a GREAT second exercise in excerpting AFTER the Highlighter pass…

…I promise to scan and make accessible the entire card set and EVERY available piece of adaptation paperwork we generate and can clear with the DVD department when The Hobbit is finally released in the home video format.”

As Guillermo has found bits of free time, he’s been kind enough to share this and other exciting revelations with us on our Hobbit Movie Discussion Board. Go here to read the rest of his entry on adapting books, and go here to register on the Message Boards and join in the discussions with Guillermo!

Today’s nearly 3 hour long chat with Alan Lee was filled with questions about Alan’s involvement with the Lord of the Rings movies, his future endeavors, and his art in general. We had an open, unmoderated chat, so I’ve edited the log for continuity and reading ease. Questions for Alan have been italicized and his answers are in bold type. We’d like to sincerely thank Alan and Houghton Mifflin for giving us this opportunity to bring another live guest chat to you, the fans of JRR Tolkien. Enjoy! Continue reading “Alan Lee Chat Log Transcript”

Or Putting A Few Things in Perspective

The things we accept visually, rapidly and at face value, are legion. All those things we recognize, that “jump the synapses directly as a code” (as the folks in advertising just love to say), make up probably the majority of what we encounter in our daily lives. (One of the main attractions of travel is to satisfy the yearning to see rather than recognize; conversely, no familiarity at all would probably end up being very tiring or far worse.) I got to wondering about all those things of a varying nature, which we manage to identify effortllessly (likely the product of an umpteenth belated attempt to understand « Kant and the Platypus» by the ineffable and avuncular Eco, effort hardly effortless on my part, at least until I gave up trying yet again…) More…