Could Dominic Monaghan be the next Steve Irwin? “Wild Things with Dominic Monaghan” series premier is Tuesday, January 22nd at 10 pm EST on BBC AMERICA.
Category: LotR Movies
The Gwaith-i-Phethdain, or the Fellowship of the Word-smiths, is a part of the Polish website Elendilion.pl, run by our friend and Tolkien geek Richard “Galadhorn” Derdzinski. Since the early days of the internet when information was hard to come by and to share, he has led the effort in analyzing the languages in the Lord of the Rings films from 2001 through 2004, and beginning last year, he’s once again embarked on analyzing the languages in The Hobbit films.
To quote Richard:
The way to find the texts in the languages of Middle-earth was difficult. First of course was the careful and watchful hearing in the cinemas. Richard traveled far from Poland to Ireland to watch the movie 2 weeks before the Polish premiere. The first results were published thanks to the work of Miriam “Niranare” Simon of the German forum Mellyn Lammath and Cerebrum of the Hungarian website Parf-en-Ereglas. Then the international community of the Tolkien linguists with Helge K. Fauskanger (of Norse Ardalambion) and Andrew Higgins (of Elfling list) helped to find the detailed explanation of David Salo’s conlang forms.
The dialogues, together with lyrics and inscriptions, in the languages of Tolkien were created for the movies by David Salo, an American linguist. Richard’s analysis is a work in progress, continually updated based on suggestions from fans contributed via comments to his blog-style posts, and the results of his work on The Hobbit thus far can be found as follows:
- Analysis of the Sindarin dialogues.
- Analysis of the Quenya, Khuzdûl/Neo-Khuzdûl, and Orkish/Gundabad dialect of the Black Speech dialogues.
- Analysis of the lyrics in the soundtrack can be found here and here.
- Analysis of the runic inscriptions (scroll down to the section titled INSCRIPTIONS).
The analyses of the dialogues, lyrics and inscriptions in the Lord of the Rings films can be found at Elvish.org.
Elendilion.pl is also famous for the investigation of the oldest ancestry of the Tolkien family. This family name emerges for the first time in the mediaeval sources of the German Order in Prussia, in small village in today’s Poland, Tołkiny, cf. http://www.elendilion.pl/2010/02/02/tokiny-in-warmia-a-nest-of-the-tolkien-family-ii/
“Then at last his gaze was held: wall upon wall, battlement upon battlement, black tower of adamant, he saw it: Barad-Dûr, Fortress of Sauron. All hope left him.”
—The Fellowship of the Ring
How do you follow-up one of the coolest environments you’ve ever produced? Well, you go ahead and produce one of the next most coolest environments of course! Shortly after Comic-Con 2011 senior model maker David Tremont began the momentous task of transforming the original model of Barad-Dûr for The Lord of the Rings into a collectible we could all own. Finally, after a year of slaving, fans of Middle-earth got to see the result at Comic-Con 2012 when Barad-Dûr was unveiled to the world.
Sauron began work on Barad-Dûr during Middle-earth’s Second Age, when he chose Mordor as the place his dominion over Middle-earth would begin. Barad-Dûr was finished in the year 1600 of the Second Age and during that period Sauron would go on to create The One Ring, which would only help to make the fortress even stronger. During the War of the Last Alliance fortress was destroyed with the exception of the foundations as they could not be destroyed as long as The Ring was around. In 2951 of the Third Age Barad-Dûr’s reconstruction was started, but it would not last when Gollum fell into the lava of Mt. Doom destroying the Ring and the fortress.
PACKAGING
The graphics on the front of the box for Barad-Dûr have kept virtually the same design we’ve seen with previous environments from Weta. On the front of the box a screencap of Mordor with an image of Barad-Dûr completes the scene. Of course, you also have the beautiful The Lord of the Rings logo in the upper right-hand corner with the name of the environment under the picture of Barad-Dûr. One side of the box contains images of Barad-Dûr while the other side features images of other Weta Workshop products. The back of the box contains a great picture of the environment along with a background story about the collectible.
SCULPTING
Over 1,500 hours were put into Barad-Dûr to ensure the collectible on your shelf matches what you saw during The Lord of the Rings trilogy. I believe fans, once they have a chance to see the detail in this piece, will agree all of those hours paid off in spades. David Tremont and his team made very sure every window, spike, tower, ledge, bridge, and rock is included on this piece. Gazing upon this collectible, you can almost imagine Sauron or any number of his minions looking out upon Mordor from any of the many ledges and balconies. It truly is a great representation of the model we saw on film. What’s even more amazing is because of the material used it allowed these details to be captured and safely arrive to our homes. Rivendell had its beautiful river running through it and Barad-Dûr has something similar with its lava river flowing from Mt. Doom into the cavern surrounding the fortress. Even the rock areas of Barad-Dûr are exceptionally realized with the plains of Gorgoth looking like a place you don’t ever want to visit. Like Rivendell, this collectible is an achievement for Weta in showing off the amazing talent of their artists.
PAINT
The paintwork on Barad-Dûr is fairly simple compared to say Rivendell, and much more in-line with that of Orthanc. It’s all black and the shading for the different levels in different places are all really well done. The color of the tower does not match the color of the rock within the piece. That was going to be the toughest part of the paint I think and they were able to create the proper level of separation. The lava looks really good and stands out like lava would with an all-black world of Mordor.
Overall
Barad-Dûr costs $700 but the level of detail you get and the size of this piece allows you to truly get value for money. This piece is a limited edition piece with only 1,000 of the fortress being produced. Barad-Dûr does not come with a flaming eye but if that is a potential issue for you all you have to do is download the iPhone or iPad app. Then you will have the eye of Sauron. Finally, I cannot implore you enough if you are a The Lord of the Rings collector to find a way to get this piece into your collection.
Also, if you’re truly interested in what it took to bring this collectible to life check out the three articles by David Tremont. In these articles he explains the ups and downs of making sure we got one of the best environments ever created.
SPECIFICATIONS
Barad-Dûr is limited to 1000 pieces world-wide.
Barad-Dûr’s specs are as followed: 20.9″ x 18.1″ x 12.2″ (H x W x D)
53 cm x 46 cm x 31 cm Weight: 22 lbs
PHOTOS
Unconfirmed rumours are circulating that Universal is talking with Tolkien Estate about creating a Middle-earth theme park. The rumours emerged on New Year’s day on the Orlando United forum where a user reported claims that Universal Studios asked Warner Bros. to raise the topic with Tolkien Estate. At this point, it is unclear whether the user has insider knowledge, or is simply reporting what others have said.
From the source post:
“…here is how I heard that it played out. Universal asked Warner Bros. to approach the Tolkien family since the Tolkien’s trust WB with the success of the LOTR series. WB described how Universal was willing to work with JK Rowling and how the 2 of them (WB and JK) held Universal’s feet to the fire to uphold Rowling’s vision of the IP. And I believe that the Tolkien’s may have actually talked to JK Rowling. This was before Universal said a word to the Tolkien’s. So after WB stoked the fire, Universal entered the picture with an impressive plan.
As of now there is a lot of hammering out to go, but Universal has gotten a lot farther than Disney ever did.”
Tolkien aficionados would recall, of course, that the professor had a notoriously low estimation of the creative works of Walt Disney. Letter #13 in Letters of J.R.R. Tolkien makes his position clear:
“It might be advisable […] to let the Americans do what seems good to them — as long as it was possible […] to veto anything from or influenced by the Disney studios (for all whose works I have a heartfelt loathing).”
That’s not to say that Universal would fare any better with Tolkien Estate in any quest to create a Middle-earth theme park. The Estate is well-known to be wary of merchandising, and is currently engaged in a legal stoush with Warner Bros. and Saul Zaentz, alleging that the companies are merchandising beyond what was contractually agreed upon in the 1969 rights deal.
Micechat, a site that specialises in theme park news, claims Universal “is very close to acquiring the rights to develop and produce attractions based on the successful Lord of the Rings franchise of films”. So we might see whether there’s anything to this rumour quite soon.
Marlborough was not among the filming locations in the first Hobbit movie, but the tourism officials still hope the region can cash in on the buzz created by the film franchise.
The films seem set to bring another tourism boost similar to that from The Lord of the Rings trilogy as travel websites reported significant growth in searches and bookings for New Zealand after the worldwide release of The Hobbit: An Unexpected Journey last month.
Air New Zealand bookings from the United States were reported to have nearly doubled on the day before the November 28 world premiere in Wellington, and increased by a third in Japan after a Hobbit promotion there.
Scenes for the The Hobbit (Ed note: the barrels out of bond scenes) were filmed at Pelorus Bridge last year, but the decision to split the story into three films means Marlborough will not feature until the second film, which is scheduled to be released on December 13.
The Huffington Post recently posted a story about why many critics currently savaging The Hobbit: An Unexpected Journey will regret it in the long run. It has more to do with the fuller history of Middle-earth, of which most critics are completely unaware, and less to do with them reviewing the first part of a trilogy that has yet to play out. This article gives a run down of the pertinent bits of Middle-earth history before The Hobbit, and the time between the two stories, to more fully connect them and give a proper perspective to character motivation.
Please note that there are some SPOILERS in this article for those who have not yet read the book.