When director Peter Jackson asked Howard Shore to compose the score for “The Lord of the Rings” film trilogy, Shore studied J.R.R. Tolkien’s fantasy world before beginning four years of writing music. At a Master’s Tea Tuesday afternoon, Shore shared insights about composing, orchestrating, conducting and producing more than ten hours of music to accompany “The Lord of the Rings” films in front of more than 100 students in the Branford College common room. The Academy Award-winning composer, who also wrote the scores for “Mrs. Doubtfire” and “Doubt,” among others, also told stories about working on other genres of music before his venture into cinema. Shore began the talk by describing his first encounters with music. From the beginning, his clarinet teacher felt it was important that he learn music composition techniques such as harmony and counterpoint, he said. By the time Shore was 11 years old, he was already writing small pieces. Shore shares insights on ‘Rings’ trilogy

Elven x sends this in: This week’s guest on Fictional Frontiers with Sohaib is Michael Regina from TORN (our own Xoanon) And with lots to talk about and a full summary of what’s been happening in the realms of Middle-Earth Please feel free to comment on the show and the discussion! Fictional Frontiers is aired Sundays at 11am Philadelphia time. You can listen online at WJNC1360AM Philadelphia, listen to the podcasts, or visit the Fictional Frontiers website.

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Aaron writes: I have put forward a Naming Proposal to the NZ Geographic Board to name a stretch of the Upper Waiau River between Lakes Manapouri and Te Anau as “Anduin Reach“. This section was not only featured strongly in the Fellowship of the Ring but it is now a tourist attraction as well, soon to be more popular as a new Cycle Trail is destined to run down it’s bank. I need some assistance from the public in the form of feedback as part of the new naming procedure so I thought I should ask your team what they think. The “reach” is a two km (1.25 miles) straight stretch of river down stream of Boulder Reach 6km North of Manapouri Township. All I need is some public feed back to forward to the Geographic Board so they know that people value the need for a name.

It is said if you give a story a place name it lives in the real world and I think the Anduin Reach has got a fighting chance to earn a real place in New Zealand’s folklore. If any one else wants to add to this submission just comment at 2359510@gmail.com or on my YouTube Video Scrapbook Page.

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Gary Hunt writes: I worked on the trilogy and am still at Weta Workshop. I also have my own Pewter miniatures business, www.garyhuntminiatures.com. I’m just dropping you a note that your readers might be interested in: The Weta cave, (Weta Workshop) Miramar, Wellington, NZ now have a selection of my Pewter miniature kits for sale and on display. There are two ranges, my recently released 21st Century Amazons… Sci-fi Fantasy figures in the wargaming 28mm scale, (Girls with guns, and strange insect crosses, Zombies and Feathered Raptors etc) and a collectors scale, 54mm range that encompasses sci-fi and Historical characters and the Duke of Wellington mounted at Waterloo. The figures, as well as looking cool on your mantelpiece or part of a mass battle against aliens can provide some basic modelmaking skills that can lead to converting and sculpting your own characters (this is in fact how I learned to sculpt and gave me the desire to work in film). If you happen to be a long way from New Zealand you can view my Sci-fi, Fantasy and Historical ranges on my Website www.garyhuntminiatures.com and progress photo’s of new sculpts, hopefully i’ll have some of a dragon i’ve started going up soon on www.myspace.com/garyhuntportfolio

Kristin Thompson writes: Michael Semanick, who won an Oscar for sound mixing on The Return of the King and another for King Kong, has been nominated twice in that category this year. On “The Frodo Franchise,” I take the occasion to discuss his career a bit and recall watching him face a sound-mixing problem in a speech by Gandalf in Return. Sound Design with Michael Semanick