Illustration from Letters From Father Christmas 2023 ed – Christmas 1934

It’s that most wonderful time of the year again! If you’re looking for the perfect holiday gift for your favourite Tolkien fan, you’ve come to the right place. The staff of TheOneRing.net have put together a list of our favourite items of the year, with price points for every budget.

From our Fellowship to yours, TheOneRing.net would like to wish you all a peaceful and happy holiday season.

Please note, unless otherwise indicated, all prices are in US Dollars.

Demosthenes recommends the Letters from Father Christmas.

Letters from Father Christmas is always a good choice, I think. The illustrations are cute and there’s a dry sense of humour to the letters and I really like how a story gradually evolves over the years.

2020 Centenary Edition

Published to celebrate the first ever ‘letter from Father Christmas’ in 1920, this beautiful oversized edition of Tolkien’s famous illustrated letters from ‘Father Christmas’, includes a wealth of charming letters, pictures and decorated envelopes, and promises to be a festive feast for Tolkien fans of all ages.

The centenary edition of Letters from Father Christmas is available from Harper Collins Australia for AUD$39.99.

Kelvarhin recommends the 2026 Tolkien Calendar: The Great Tales of Middle-earth.

This is the must have, yearly gift for every Tolkien fan, and lovers of Alan Lee’s beautiful artwork.

The official Tolkien calendar, this year containing 13 breathtaking paintings inspired by J.R.R. Tolkien’s three ‘Great Tales’ of Middle-earth: THE CHILDREN OF HÚRIN, BEREN AND LÚTHIEN and THE FALL OF GONDOLIN. Featuring beautiful artwork by Alan Lee, including a selection of stunning new paintings and drawings appearing here for the first time.

It’s available from Harper Collins for $13.59

Kristin Thompson recommends a copy of Tolkien’s Medievalism in Ruins: Relics and Ruins in Middle-earth for your academically inclined Tolkien fan.

I just received my copy of TOLKIEN’S MEDIEVALISM IN RUINS: RELICS AND RUINS IN MIDDLE-EARTH, eds. Nick Katsiadas and Carl Sell. I haven’t had a chance to read it but it looks excellent. A good gift for the academic-minded Tolkien fan, but the giver has to have deep pockets and considerable affection for the recipient.

The structural and symbolic purposes of ruins in literary texts have a long history, yet few scholars explore their importance within J. R. R. Tolkien’s legendarium. From the ruins of Erebor and the relics of Gondolin appearing in The Hobbit to the various images of Amon Sûl, Moria, and Osgiliath in The Lord of the Rings, Tolkien constructs a distinct mood—one that captures characters’ awareness of the glories of the past and a desire to emulate them. The scholars who do engage Tolkien’s relics and ruins tend to limit the scope to Tolkien’s debt to the Middle Ages. While such scholarship begins important conversations, the full story of Tolkien’s relics and ruins is left untold. Tolkien’s Medievalism in Ruins takes corrective action and expands this historical and critical literary scope. This collection seeks to promote a more comprehensive approach to Tolkien’s legendarium.

It’s $150.50 hardback on Amazon and $86.40 for the Kindle version.

Wee Tanya recommends The Bovadium Fragments.

A version of JRRT’s The Bovadium Fragments was released in America on November 18 that includes a forward and context from Christopher Tolkien. TORn’s article about the book is over here. The short story is a satire about Oxford and how congested it was getting from vehicle traffic, as seen from the future, a piece that directly speaks to Tolkien’s nostalgia for an agrarian past and his dislike of the polluting elements of modernity. Here is the blurb: “The first-ever publication of a previously unknown short satirical fantasy by J.R.R. Tolkien, edited by his son, Christopher Tolkien, and accompanied by illustrations from the author together with an essay, ‘The Origin of Bovadium,’ by Richard Ovenden OBE. In this new edition, Christopher Tolkien provides notes and commentary that will enable the reader to enjoy at last this tale of an imagined Oxford viewed through the lens of future (and not wholly reliable) academic study.”

You can find it on Amazon: Amazon.com: The Bovadium Fragments: Together with The Origins of Bovadium: 9780063479081: Tolkien, J. R. R.: Books for $23.99. Or directly from Harper Collins:  The Bovadium Fragments – HarperCollins for $21.60.

Elessar recommends the Aragorn miniature from Weta Workshop.

What disembarked the great ships of Umbar™ were not the expected reinforcements; descending upon the docks was a man, an elf, and a dwarf. The dead soon followed, bound by oaths unfulfilled, their presence like shadow and fear upon the wind. Urged on by the thought of comrades hard-pressed under the siege of death, Aragorn unsheathed his blade and gave the cry of war. Thus, once more, he led the charge into the jaws of darkness.

The Aragorn Miniature is available from Weta Workshop for $129.00.

Or if you want to get in early for next Christmas, or your favourite Tolkien fan’s birthday next year, this miniature of Sharku on Warg is available for pre-order for $179.00 and will ship in early 2026.

An Orc of withered years and many wounds, upon his seamed visage lay records of long strife and harsh labour. Sharkû was a master of the great Wild Wolves, those fell Wargs, whose cunning and savagery few could tame. Long had he dwelt among them, bearing upon his flesh their piercing bites and tearing claws. Yet he endured and, honed by skill and scar, savagely led his pack of unrelenting hunters.

garfeimao suggests Doomed to Die: An A-Z of Death in Tolkien.

greendragon chooses goodies from Oscha Slings.

As ever, Oscha have so many gorgeous items – I’d be thrilled to find any of their treasures under my tree! I asked their creators what their own choices would be; they suggested:

For her – Trees of Gondor Ithildin Scarf
Elegant and ethical, this organic cotton scarf features the iconic Trees of Gondor—perfect for Tolkien fans who love style with a story.

For him – Treebeard Pine Mug
Start the day in Middle-earth style. This bone china mug showcases Treebeard and his classic quote: “The world is changing: I feel it in the water, I feel it in the earth, and I smell it in the air.”

For little ones – Shire Westfarthing Baby Blanket
Wrap them in warmth and whimsy with this super-soft organic cotton blanket, inspired by the peaceful Shire. Lightweight yet cosy, it’s perfect for naps, pram adventures, and treasured keepsake moments.

Oscha also have items perfect for stocking stuffers or secret Santa, with tote bags and tea towels around the $20 mark.

greendragon’s next choice is Geek Orthodox’s stained glass masterpieces

Artist Ian at Geek Orthodox creates the most gorgeous pieces. The great news is, if one of his pieces of glass art work is beyond your budget, he has window cling replicas (of a very high standard) of the stained glass; and he has lovely pins. So there is something to suit every pocket book!

greendragon adds: “And finally, I can’t very well NOT remind folks that there is Green Dragon whiskey out there, from our good friends at Syzygy Forge. To toast the holiday season – cheers, Gaffer!”

Here at TORn we were delighted recently to make a new friend: Ian Leino from Geek Orthodox. Ian is a glass artist who creates incredible stained glass (and window cling replicas), and who has recently become licensed with Middle-earth Enterprises. So he’s launching a range inspired by Tolkien!

Staffer greendragon recently had a chance to chat with Ian, to find out more about his stunning creations, and his passion for all things Tolkien. Here’s what he had to say:

What was your first encounter with the work of J.R.R. Tolkien?

My parents divorced when I was an infant, but when I was four, my Mom started dating a man who would eventually become my step-father. When he would come to visit, he would always read to be before bedtime – but none of those [little] children’s books; he launched right into The Lion, the Witch and the Wardrobe by C.S. Lewis, and introduced me to the world of fantasy. It took a few years to get through the entire Chronicles of Narnia, and by then they had gotten married and we’d established the routine of a family reading time. 

With Narnia behind us, the time was right to graduate to the world of Middle-earth, starting with The Hobbit and progressing through The Lord of the Rings, which captured my imagination in an entirely new way. That bond over Middle-earth is one of the things that bound our new family together, and it’s a common interest that we still share.

Why stained glass – is it a medium which particularly lends itself to images of Middle-earth, do you think?

My interest in stained glass started with my first job, which was sweeping up at a glass studio on the weekends when I was in middle school. And it intensified in college when I studied art history with an emphasis on gothic art and architecture. As a medium, stained glass has always been used to evoke a sense of wonder and grandeur. From the heroes of history to the religious parables in cathedrals – we use stained glass artwork as a way of venerating and celebrating what is important to us.

The world and characters of Middle-earth are such a foundational fandom for so many of us that I feel that they deserve a similar artistic treatment. From the sweeping vistas that call us to adventure, to the coziness of a pub sign where we know our friends are inside sharing tales, these moments and places absolutely shine through the medium of stained glass in a way that they can’t in any other medium.

Are there other Middle-earth artists/interpreters who have influenced you?

I likely have the same major touchstones as many other Tolkien fans my age – starting with the striking animation of the Bakshi films, later finding the stunning work of Alan Lee, and then being absolutely immersed in the world of Middle-earth by the amazing creative teams at WETA.

One of my absolute favorite sets of illustrations ever, though, is the 1976 Russian version of The Hobbit, illustrated by Mikhail Belomlinsky. The illustrations are bold and unique with a touch of whimsy, giving the entire book the feeling of a folk-tale. More than anything, I love the breadth of inspiration that is possible while still being true to the original text, and the huge diversity of artwork based around these stories.

How does it feel to be ‘officially licensed’?  

It feels amazing! I feel like I should have a more sophisticated answer, but it’s so overwhelming that all I can think is: “amazing!”. I’ve long enjoyed being part of a worldwide fellowship of artists who create original art that is inspired by these books. So it’s an incredible honor to know that the stewards at Middle-earth Enterprises have selected my artwork to help officially represent that world to fans everywhere. I feel a responsibility to be worthy of that trust – being true to the original text and my own vision – to offer a new way of experiencing the world that Tolkien created.

Discover Ian’s gorgeous work for yourself – and maybe bring home a piece to adorn your cosy Smial!