Peter Jackson delivered the images and Howard Shore’s delivered the unforgettable musical score for “The Lord of the Rings.” Music and film lovers haven’t forgotten, voting in the favorite film score fro the sixth consecutive year at Classic FM.
The site, that calls itself the world’s biggest classical music radio station in the world, plays such music including film and video game scores. It is said to be the UK’s only 100 percent classical music radio station that includes radio on all platforms including streaming world wide on the web.
After thousands of votes, Shore’s score edged John Williams’ effort for Steven Spielberg’s “Schindler’s List,” and Hans Zimmer’s music for Ridley Scott’s “Gladiator.”
Those who have been with TORn from the early days will remember that a Burger King tie-in commercial was the first time Shore’s score was heard by the masses, as the “Fellowship” theme showed off flame-broiled goodness along with the miracle of in-scale Men, Hobbits, with a pony, a Dwarf and Wizard.
The score carried themes from “Fellowship” into the following movies, earning an Academy Award for “Return of the King,” after a snub of even an nomination for “The Two Towers.”
There are many highlights, and different fans would have different favorite moments.
You can read Classic FM’s story here and find more links to more of the top 100.
Doug Adams’ book, “The Music of the Lord of the Rings Films,” stands as the definitive word on the score but is also one of the finest books written on musical scores anywhere. You can read our review of it here.
Shaun Gunner, Chairman of the Tolkien Society has let us know that they’re currently offering this must have addition to our Tolkien bookshelves for the wonderful price of just £10. So, if you’re looking for something extra special for the Tolkien fan in your life, or for yourself, grab yourself a copy of “Celebrating 50 years of The Lord of the Rings“.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Ringer-friend Sampo alerted us to this well-done and informative article, published by Finnish Broadcasting Company, about how J.R.R. Tolkien’s career started thanks, in large-part, to his interest in the tragic Finnish hero, Kullervo. “When J. R. R. Tolkien, the father of Hobbits and fantasy literature, was in his twenties, he took a keen interest in the Finnish epic poem Kalevala. So much so that he wanted to rewrite the story of Kullervo. Now, this early work of his has finally been published.”
The article goes on to compare and contrast the various characteristics of Tolkien’s Kullervo with the Kullervo of the Kalevala. A delightful aspect of the article is that it contains bits and bobs of Tolkien quotes such as: “The gem of my attempt to write legends of my own to fit my private languages was the tragic tale of the hapless Kullervo in the Finnish Kelevala.” Another great quote, of reading about Finnish grammar: “It was like discovering a complete wine-cellar filled with bottles of amazing wine of a kind and flavour never tasted before.”
Another great thing about the article is that it’s in English! So, check it out here. In the mean time, The Story of Kullervo, by J.R.R. Tolkien, edited by Tolkien scholar, Verlyn Flieger will be available on April 5, 2016. It’s available for pre-order from Amazon here.
Today sees the release of an exciting new publication from Houghton Mifflin Harcourt. It’s a beautiful book of Tolkien’s art: The Art of The Lord of the Rings by J R R Tolkien, with text by well-known scholars Wayne G Hammond and Christina Scull.
All of the art in this amazing book is by Tolkien himself, and more than half of it has never been published before. Included are maps, inscriptions, plans and sketches, all printed in colour. Through rough drafts and early ‘jottings’, we see the development of designs such as the inscription on Balin’s tomb, and the wonderful Doors of Durin. It is fascinating to see, for example, an early idea for Dunharrow become a beautiful ‘finished’ illustration – on the back of which, as his ideas changed yet again, Tolkien wrote, ‘no longer fits story’.
There is so much to see and learn in this edition – it is crammed with riches! At the very end of the book, for instance, is an Air Raid Warden’s Report Form, on which Tolkien has sketched some kind of contour. It wasn’t only exam papers which the Professor used for notes and ideas!
This gorgeous publication, filled with details and insights, is a must for any Tolkien collection. It is available for purchase online; but thanks to our friends at HMH, you can WIN a copy! The publishers are giving one lucky winner a copy of the book, and a mug which reads ‘Second Breakfast is the Best Breakfast’. Just click here to enter.
(Sorry, everyone outside the US – this competition is for US mailing addresses only. You must be 18 or older to enter.)
Yet more opportunities to win with TheOneRing.net! This time, it’s our good friends at Harper Collins who are giving away TEN copies of the newly published The Story of Kullervo– Tolkien’s first piece of prose fiction.
According to Harper Collins’ official press release, The Story of Kullervois ‘a previously unknown work of fantasy by J.R.R. Tolkien, which tells the powerful story of a doomed young man who is sold into slavery and who swears revenge on the magician who killed his father. This is its first appearance in book form; 2015 is the centenary of its creation.’
This beautiful new publication is illustrated on the cover with one of Tolkien’s own paintings. The press release goes on to say:
‘Kullervo son of Kalervo is perhaps the darkest and most tragic of all J.R.R Tolkien’s characters. ‘Hapless Kullervo,’ as Tolkien called him, is a luckless orphan boy with supernatural powers and a tragic destiny.
Brought up in the homestead of the dark magician Untamo, who killed his father, kidnapped his mother, and who tries three times to kill him when still a boy, Kullervo is alone save for the love of his twin sister, Wanona, and guarded by the magical powers of the black dog, Musti. When Kullervo is sold into slavery he swears revenge on the magician, but he will learn that even at the point of vengeance there is no escape from the cruellest of fates.
Tolkien himself said that The Story of Kullervo was ‘the germ of my attempt to write legends of my own’, and was ‘a major matter in the legends of the First Age’. Tolkien’s Kullervo is the clear ancestor of Túrin Turambar, tragic incestuous hero of The Silmarillion. In addition to it being a powerful story in its own right, The Story of Kullervo – published here for the first time with the author’s drafts, notes and lecture-essays on its source-work, The Kalevala – is a foundation stone in the structure of Tolkien’s invented world.’
We have ten copies of this book to give away to ten lucky readers – and the competition is open worldwide! To enter, all you need to do is complete the form below, including answering the following simple question:
How many years is it since Tolkien first created The Story of Kullervo?
Simply write the answer in the ‘special note’ box. Please also NOTE YOUR SHIPPING ADDRESS in the ‘special note’ box. Complete the rest of the form and hit ‘enter now’! The competition is open until Thursday 10th September. Good luck!
Available for pre-order now is allegedly one of Tolkien’s darkest stories, which (if any of you are familiar with my books) has me all kinds of excited.
Here’s the official press release we have received:
THE STORY OF KULLERVO
The world first publication of a previously unknown work of fantasy by J.R.R. Tolkien, which tells the powerful story of a doomed young man who is sold into slavery and who swears revenge on the magician who killed his father.
• The Story of Kullervo is the first piece of prose fiction that J.R.R. Tolkien wrote
• This is its first appearance in book form
• 2015 is the centenary of its creation
• Illustrated on the cover by one of Tolkien’s own paintings
Kullervo son of Kalervo is perhaps the darkest and most tragic of all J.R.R. Tolkien’s characters. ‘Hapless Kullervo’, as Tolkien called him, is a luckless orphan boy with supernatural powers and a tragic destiny.
Brought up in the homestead of the dark magician Untamo, who killed his father, kidnapped his mother, and who tries three times to kill him when still a boy, Kullervo is alone save for the love of his twin sister, Wanona, and guarded by the magical powers of the black dog, Musti. When Kullervo is sold into slavery he swears revenge on the magician, but he will learn that even at the point of vengeance there is no escape from the cruellest of fates.
Tolkien himself said that The Story of Kullervo was ‘the germ of my attempt to write legends of my own’, and was ‘a major matter in the legends of the First Age’. Tolkien’s Kullervo is the clear ancestor of Túrin Turambar, tragic incestuous hero of The Silmarillion. In addition to it being a powerful story in its own right, The Story of Kullervo – published here for the first time with the author’s drafts, notes and lecture-essays on its source-work, The Kalevala – is a foundation stone in the structure of Tolkien’s invented world.
The book will be released in the UK on the 27th of August 2015 and is scheduled for release in April 2016 in the US.
While I doubt the rights will be released any time soon, this sounds like an edge-of your seat read that would make a fantastic film. With stories like this kicking around in his desk drawers (or wherever the Professor kept them!), one has to wonder what would be his chosen medium if alive and publishing today. Would he be like J.K. Rowling and write not only novels, but for the stage, and the screen as he expanded his magical world? Or do you think he would’ve just stuck to books? Before you go into a lecture about Jackson’s films “ruining everything,” remember that Tolkien willingly sold the rights to The Hobbit and The Lord of the Rings, knowing full well their stories would be told on the big screen with all kinds of changes to match the cinematic storytelling medium.