Kristin writes: In recent days there has been news of DreamWorks ending its distribution partnership with Paramount and signing a deal with Universal. That change is affecting both Peter Jackson’s The Lovely Bones and his collaboration with Steven Spielberg on the Tintin films. I’ve posted an entry on The Frodo Franchise laying out the little that is known at this point about what the effects will be.

From www.scifi.com: Saoirse Ronan, who stars as the doomed Susie Salmon in Peter Jackson’s upcoming adaptation of Alice Sebold’s novel The Lovely Bones, told reporters that the film’s events are heartbreaking, but that it’s ultimately a hopeful story. In the drama, Susie Salmon is a young girl who’s raped and murdered by a serial killer (Stanley Tucci). Following her death, Susie looks on from heaven as her parents (Mark Wahlberg and Rachel Weisz) and her sister (Rose McIver) grieve and as her killer sets his sights on a next victim. Ronan Sees Hope In Dark Bones

Universal Logo
Universal Logo
Nikki Finke writes: I just heard that Universal has declined to exercise an option to co-finance DreamWorks’ Tintin with Steven Spielberg and Peter Jackson set to begin filming in October. The decision was quietly made a few weeks ago. So now DreamWorks will look only to owner Paramount for the rest of the moolah in the same way the two shared financing on Dreamgirls and Transformers. Unfortunately, Paramount is presently without an overall financing deal to mitigate risk, but is arranging it on a film-by-film basis. I say Tintin — to be played by Love Actually’s Thomas Sangster — sounds like an expensive but safe bet, considering that the beloved Belgian boy is a worldwide phenomenon, and that the two great filmmakers are directing and producing even though also participating as huge first-dollar-gross players. This latest wrinkle would be more interesting if, say, Uni’s decision hurt its about-to-become-closer relationship with DreamWorks. But it didn’t. As I already reported, GE’s Jeff Immelt and Uni’s Ron Meyer dined with Spielberg and Stacey Snider Thursday night while NBC Uni’s Jeff Zucker spent the better part of that afternoon with Steven planning out the rebuild of the fire-ravaged backlot.

Ain’t It Cool News contributor Icaddy had the chance to see the unreleased trailer for Peter Jackson’s ‘The Lovely Bones’ at a Paramount press screening in London. This is what he had to say.

“Finally we got to see the trailer for lovely bones – have not read the book myself but my girlfriend ensures me that from the footage I described the film should be a massive hit. Trailer is very upsetting but in my mind give away WAY too much of the plot.”

Park Road Post Logo DMN Newswire–2008-8-18–The Neo panel will be brought straight into front line service to carry out the full DI on Peter Jackson’s forthcoming film ‘The Lovely Bones’. Three further full DI projects are already booked in before the year end, including Alex Proyas’ feature ‘Knowing’, which is shot entirely on the RED camera. Adam Scott, Head of DI at Park Road, is enthused with Neo: “It’s a beautiful piece of kit, the clients will love it,” he says. “Neo will make the whole color grading process more time-efficient, streamlined and faster too. Having all the color tools instantly available just one touch away makes this a true colorist control surface and it will look extremely impressive in our ‘hero’ DI theatre. It’s all about improving the client experience and Neo is central to that.” Park Road Post Production purchases Neo

Christian Rivers and Peter Jackson With a trademark eye for detail, film-maker Peter Jackson has hired an astronomer to ensure the moon’s position in his movie Dambusters is spot-on. A full moon was key to the May 1943 Dambusters raids, in which Allied planes bombed German dams at night. Former Carter Observatory senior astronomer Brian Carter, not related to the founding Carter family, was asked to research the moon’s position over Germany at the time. “Somebody just rang up. I didn’t realise it was for Peter Jackson until later.” Mr Carter has since been made redundant from the observatory and has set up a paid service providing information about celestial events. Computer software allows him to find where the moon was at any time, anywhere on the globe. Moon gives light to Jackson film