Or the Statistics of Art, Parentheses Parity and Pencil Parings
Two years ago today, I stepped off a plane in Wellington and said to myself “Well, I’m back.” It had been a while, clearly, and in all honesty, I thought at the time that now, two years along, I’d be repeating myself, but back on the other side of the globe…
As it turns out, things have gone rather differently, but parentheses are undependable entities; you open them, and you’re never quite sure when you will be able to close them again. As it is, a few weeks into shooting, it’s already been quite a journey, albeit an essentially immobile voyage, from Bag End to Wilderland in spirit, though the only real traveling is done by pencil. More..
Welcome to our collection of TORn’s hottest topics for the past week. If you’ve fallen behind on what’s happening on the Message Boards, here’s a great way to catch the highlights. Or if you’re new to TORn and want to enjoy some great conversations, just follow the links to some of our most popular discussions. Watch this space as every weekend we will spotlight the most popular buzz on TORn’s Message Boards. Everyone is welcome, so come on in and join in the fun!
As promised not but two days ago, Peter Jackson’s very first video from the sets of The Hobbit is now up on his Facebook page.
Needless to say, our message boards have exploded with excitement, awe, wonderment, and questions that need answering. Believe us when we say this, you don’t want to miss out on the discussion of this much-anticipated video. Join in!
Peter Bradshaw at The Guardian has an interesting article today about what the future holds now that Peter Jackson is filming in 48fps:
The cinema, said Jean-Luc Godard, is truth, 24 times per second. That’s not truthful enough for some people. This week, Peter Jacksonannounced that he is shooting his new version of The Hobbit at 48 frames per second, a massively more expensive process that captures movement and detail with far greater accuracy. In his blog, Jackson says that we have tolerated the sprockety old 24fps speed for far too long, and this is like “the moment when vinyl records were supplanted by digital CDs”. Jackson calls for cinemas worldwide to switch over to 48fps projection speeds to show his Hobbit, which is of course in 3D; he dismisses “purists” unhappy at the consequent textural loss of blur and strobing – comparable, perhaps, to art historians who lament the cleaning of an Old Master canvas, which removes its grainy, characterful darkness.
Are we witnessing that most unreliable phenomenon: the game-changer?
[Read More] (Thanks to Ringer Irfon and QuackingTroll for the tip!)
here’s a great way to catch the highlights. Or if you’re new to TORn and want to enjoy some great conversations, just follow the links to some of our most popular discussions. Watch this space as every weekend we will spotlight the most popular buzz on TORn’s Message Boards. Everyone is welcome, so come on in and join in the fun!