“Even the smallest person can change the course of the future.” So said Galadriel to Frodo in the film adaptation of Lord of the Rings.
It’s a line that resonates strongly with us as people. It offers hope that the little man or woman can, indeed, triumph.
At TheOneRing.net, we firmly believe it ought to be our motto for The Hobbit.
If Lord of the Rings made “bongo bucks” for New Line Cinema, Peter Jackson and a lot of other people, it was in no small part due to the passionate enthusiasm of Tolkien fans worldwide — lovers of JRR’s incredible story who saw something similarly magical in the vision of Peter Jackson and the people who worked with him.
Yet it seems as though the parties involved in the Hobbit have forgotten that it’s the fans who are the source of all the money they’re currently fighting over.
Since Peter Jackson’s and Fran Walsh’s open letter to fans, we’ve witnessed a mass outpouring of disbelief and frustration at the current impasse — and the thought that this might be the end of the Peter Jackson-New Line partnership. Jackson and Walsh proclaim that it is. But one wonders whether New Line is now carefully reconsidering its options.
Studios would be wise to listen to the rumblings of their core audience. After all, we saw what happened with The Hulk.
It might be that the number of fans who would actually boycott the Hobbit would be a small proportion of the total audience. Still, their influence on the merchanidise and DVD sales and repeat-viewing ticket sales is disproportionately large. Any studio – and director – understands that it’s these people who make films profitable.
Not that we are endorsing a boycott.
For one, there’s something to be said for New Line having the fortitude to commission Jackson to make a three-film series and – pretty much on faith – commit $300 million to the project. It was a gamble that, perhaps, could have left the company in financial difficulty had the films flopped. Indeed, considering the recent outcry, they must be considering the fiscal impact of not having Jackson and his people involved, and weighing that against their lawsuit with Wingnut.
In Jackson, they have a known quantity.
They have someone who has a strong rapport with the Tolkien community. They have someone who welded together a team of some of the world’s most creative people who undoubtedly were the backbone of Lord of the Ring’s success. And they have someone who turned an ‘unfilmable’ classic into a multiple Academy Award winning monster.
Not only would a new director have to expend energy building trust with the Tolkien community, a new director would have to build the film-making team anew as well. How much harder would it be for someone to involve Alan Lee or John Howe? To encourage Andy Serkis or Ian McKellen to come aboard? To convince Hugo Weaving to reprise Elrond? Would WETA even be able to be involved? Richard Taylor says that he sees no barrier, but would New Line be as sanguine?
All these considerations mean that an unwise choice by New Line could be very costly.
For these reasons we still hold out hope that the vision that New Line Cinema Co-Chairmen Robert Shaye and Michael Lynne showed with Lord of the Rings will prevail with The Hobbit.
However, we know that there are many bitterly disappointed fans out there who *are* endorsing a boycott.
That’s your right – even if we might not agree with it.
The fact is, there are many views among Tolkien fans about what ought to happen with The Hobbit, and what ought to be done to make it happen. There are those who are pro Peter Jackson. There are those who don’t care and just want The Hobbit made soon. There are even those who want anyone BUT Peter Jackson to direct.
TheOneRing.net is home to all these perspectives.
Which is why, as an editorial team, we feel it’s our primary role to act as a facilitator and an information source. How you should act is for you: the fans, the readers, to decide, not for TheOneRing.net to dictate.
Like you, the fans, all of us at TheOneRing.net would dearly love to see JRR Tolkien’s The Hobbit adapted into a film. And just like you, many of our staff hope to see Peter Jackson direct The Hobbit.
We don’t claim that another director couldn’t possibly do an amazing job with Tolkien’s tale. But we believe it would be difficult, if not impossible, to recreate the same look and feel that Lord of the Rings possessed. And we know that many, many fans will be disappointed if Jackson isn’t allowed to ëfinish’ what he began.
New Line and MGM should keep the feelings of fans in mind. Because you, the fans, are also a part of this partnership who ultimately cannot be ignored.
– The Staff of TheOneRing.net
So what do you think of our editorial? Vote on our homepage poll or join the discussion on our forum.
Xenite.org founder and Tolkien scholar Michael Martinez weighed in with his take on the Hobbit/PJ situation:
“I WOULD like to see Peter make the movie(s). It would be interesting to see his interpretation of THE HOBBIT, but I think it would be a neat experience for the same director to guide our cinematic vision of Middle-earth in one fell swoop. Although I believe there will eventually be more LoTR-based movies by other hands, I don’t think we’ll ever see another director given the opportunity to “sweep” the Tolkien books.
“As far as the settings for Middle-earth, much though I know many fans want to associate New Zealand with Tolkien’s landscapes in their minds, I would not care so much about a different country as a vision that didn’t remind me of Tolkien. Peter could have made Middle-earth look very different in his movies without changing settings. The magic is in part how the director moves through the landscape of the story.
“Maybe the hardest difference to swallow would be seeing another actor play Gandalf. I still have trouble thinking of Michael Gambon as Dumbledore. Not because he isn’t good as Dumbledore, but simply because Richard Harris defined the cinematic character for me. I’ve maintained ever since “Fellowship of the Ring” first screened that Ian McKellen is the perfect Gandalf.
“One more time with Peter, Ian, and whomever else could be drawn into the magic of Faerie from the first three movies would be good for me.
“Finally, if Saul Zaentz has figured out a way to explore more of the timeline, let him. I think we should see many, many Middle-earth movies. Some would be greater than others, but the material is there, waiting to be explored. We could erect no greater tribute to Tolkien’s Art than to help it evolve into a new Art shaped by many minds.”
I’ve had a bunch of people asking my opinion on the recent New Line / Peter Jackson / Hobbit news. These are my thoughts…
Before Peter made Lord Of The Rings all I knew of his work was that I really enjoyed his films. That all changed a few years ago. He’s not only a filmmaker, he’s someone that I now trust and respect.
Before the films were made I held massive reservations and fears that JRRT and LOTR would be used as merely a tool for producing revenue and would result ultimately in a substandard film. But it’s different now, and it’s different because of Peter.
3 weeks ago those feelings returned. Without him, The Hobbit will become what I had earlier feared LOTR was to become.
To find a new director after the time and dedication Peter and all his people put in would not just be wrong, it would also be a bad decision.
Now I know and understand that some purists would disagree with me, and whilst I again understand and agree with their right to have an opinion, just imagine how bad it could have been without Peter at the helm. Peter didn’t just direct a film, he brought together a highly impressive team.
Think about the different elements of his team; first there was the thoughtfulness and professionalism of Richard Taylor and everyone at Weta who realised the complex detail needed to make it believable; secondly the way Howard Shore’s beautiful music compliments and binds the film. In addition to this there is the wonderfully detailed concepts of Alan Lee and John Howe, both of whose insights helped craft the feel of the film. The fabulous costumes of Ngila Dickson, the photography and vision of Andrew Lesnie, and New Zealand, a country that lends itself perfectly to Middle Earth with its breathtaking and varied landscapes. All of these elements and many more were brought together by Peter.
How could a different director do what Peter has done? How would they find a similar team of people who have the knowledge, passion and understanding of a world they helped create?
Surely that doesn’t make any sense when Peter already holds the key.
I do understand and agree with Peter’s position, although I only know on the surface what must be a very difficult and frustrating decision for him.
I know it’s not simply a matter of saying yes. There’s a mountain of issues that lie between New Line and Peter, but there must be some way to resolve this.
I imagine there’s been an awful lot of letters and conversations between both camps, heels have been dug in and hair pulled out. If only there was some way to sort out the stalemate between them and find that common ground and resolution which is needed to do justice to such an important book.
Whilst I don’t know the inner relationship between New Line and Peter, what i do know is that they backed him, all those years ago, to produce LOTR. For that part and many more they played, I’m forever grateful.
When I saw the end result on screen, knowing that everyone had played a part in putting it there, and were all united in putting it there, it made me smile. I’m sorry but has everyone forgot those simple smiles? Isn’t that what making films is all about?
If Peter hadn’t made LOTR with the respect he showed to my Great Grandfather, I’d not have felt compelled to voice my opinion.
Welcome to the party! We – meaning fans of The Hobbit – have been sitting around waiting for you to show up since the minute The Return of the King ended at our local cinema and for many, perhaps longer than that. We have virtual balloons, streamers, banners, fireworks and of course, beer all prepared. We have just been waiting for you to arrive.
Variety makes it sound like a The Hobbit movie is going to happen and maybe relatively soon and as you may have guessed, we are thrilled. The little leaked tidbit – hidden in an MGM business story – poked the still very potent coals of the Lord of the Rings fandom. The heat that rests within these embers will glow white-hot for a good long time because the fires of passion for the works of J.R.R. Tolkien have been inspiring readers (and movie-goers) since there was only one World War. This bit of news gives us a little fuel for the fire, so thanks!
It is difficult for a studio or individuals in a studio to understand the real passion that readers have for the literary works of J.R.R. Tolkien. Thanks to the vision of New Line Cinema and the work of Peter Jackson and his team, a whole new audience of impassioned fans was created. The films were adopted into popular culture to a degree not witnessed since the days when George Lucas shocked the world. We know you noticed this. You saw it at the box office; you saw it on MTV, at award shows, at the toy and poster aisles at Wal-Mart and everywhere else.
But you may not understand that we are far more than a gaggle of ear-wearing fanatics – as short-cut journalists often like to portray us. We are school teachers and we use Tolkien in the classroom. We are computer programmers and website developers. We work in Hollywood, we are opera singers, we are environmental scientists, we are students, we are accountants, we are readers; we are everybody and everything, but we are bound together by a love for the works of J.R.R. Tolkien.
So while New Line and MGM hold the rights to make and distribute The Hobbit we feel that we own it too. It is our story too. For many of us it has been an old friend for decades now. Not only is it part of our childhood, it is part of our adolescence and our adulthood. So, take good care of our story and we know – from decades of experience and lots of readings – our story will take good care of you. If you trust it, so will its fans. Trust the story.
While it does come down to that ultimately, we have so much more to say to you here in the infancy of the film. Please listen.
And by the way, we know you better than you might think. We may not know the day-to-day realities of movie studio business in Hollywood (and like how to make sausage, we don’t want to know) but at the very least we have a sense, as consumers, of who you are. Few LOTR film-fans don’t have a soft spot for New Line Cinema. We know the story of Robert Shaye saying “Why only two films?” to Peter Jackson when the films’ ultimate fate hung in the balance. We remember well the perception in 2000 when ‘the fate of New Line’ hung in the balance, again according to those short-cut media types. We also know you are home to Freddy Kruger and we were tickled when your Snakes On A Plane was all the internet rage. New Line means something to us.
And MGM, old friend, we admire you as well. Your lion and towering presence in Hollywood’s history can’t be missed. We are also aware of the business of being bought and sold and we have even visited your theme parks and casinos. While fantasy films aren’t exactly your biggest staple, we surely are giving you the benefit of the doubt.
Let me be clear that I don’t presume to speak for all fans and I couldn’t with any authority because we never all got together and took a vote on anything but I think, from my frequent and quality interactions with many other fans, that I can speak in broad terms and represent a sizeable segment of fandom.
So first things first, would somebody please call Peter Jackson? Now! Today! New Line and PJ still have this sticky lawsuit left over from the LOTR films so we are a bit concerned. Jackson has made it very clear, over and over, even again this week, that he has not yet been invited to the table to have Hobbit discussions. Let the lawyers handle the lawsuit and please, please, get the creative folks together immediately. And by the way, when we say “Peter Jackson” we actually mean Jackson, Fran Walsh, Philippa Boyens and Richard Taylor and even include conceptual artists Alan Lee and John Howe. Taylor and his Weta Workshop are the gold-standard in the effects industry these days and not just among LOTR fans. Did you see the visuals in King Kong? Actually, we know you did.
It was Taylor’s crew, empowered by Jackson, who made us believe so strongly that we did indeed see Middle-earth – the same one we read about – on the screen. Tolkien purist-scholars and critics of Jackson’s films can find fault, but can’t touch the images that felt like home to most of us. We realize “Jackson” comes as a package with Weta and Boyens and Walsh, but it is still is worth mentioning. We want the old gang back to make a film that feels like it fits right with the others. It should organically feel the same but you already know that, right?
Still, having said all that, The Hobbit isn’t The Lord of the Rings. Fans will not be looking for even bigger battles or another ‘even more epic’ quest. Resist the idea that there should be even more special special effects and if 100,000 orcs are grand then 200,000 is magnificent. For us, it is the character and heart that will lend this film magic and make it majestic. And while we are addressing characters, please don’t Disneyfy the dwarves. We want our Thorin Oakenshield brave and valiant (if a bit greedy) and we have had our fill of dwarf jokes. And don’t try to simplify the story by cutting a few out. For this story and this audience, that just will not fly.
It goes without saying that Sir Ian McKellen must return as Gandalf and our Gollum must be Andy Serkis, without a doubt. Casting for Elrond should also be finished and if I were producing I would ask Orlando Bloom to walk through the screen during the battle of five armies. Remember that Cate Blanchett and Martin Csokas sit on the White Counsel. In short, give us the Middle-earth, and its inhabitants, that we already know. Save the fresh perspectives and ‘new take on Tolkien’ for the 20 hour HBO mini-series called “The Silmarillion” or the inevitable and even welcome remake in ten years. Oh and don’t let us hear that you haven’t read The Quest of Erebor.
Just in case you wondered, ‘Star Power’ is a pointless exercise for this film so please doesn’t feel the need to drop a Tom Cruise into the cast. The only ‘name’ needed on the marquee is The Hobbit. (Although Clive Owen as Bard does sound brilliant!) Cast the perfect actors, not the perfect marketing strategy.
Another issue for fans is trust. We realize the whole internet-looking-into-films makes studios nervous, but don’t treat us like the enemy because we are anything but that. We are the best marketing tool you can hope to have and the only pay we require is some respect, trust and inclusion. Keep us informed and let us have a voice, even if you don’t agree or follow our suggestions. We don’t want to tell anybody how to make a film, but it might be wise to consider our opinions and take our counsel before some decisions are made. Consider us a collective advisor. We are the scouts that don’t need to know the battle plan, but who are uniquely positioned to report on the landscape. Treat our internet reporters as the legitimate news hounds they are and as we demonstrate our fairness and accuracy and ethics (and I don’t mean reporting-as-directed or pandering) give us the same access that you give traditional media. When media gather for a press junket we hope for the same invites, access and courtesy.
A final point: this ‘two movie’ phrase has us a little divided. Some see the possibility of the story being properly told over two films while others see the dangers of stretching a plot so thin that it gets distorted and padded. Again we ask you to trust the source and serve the story first, however that happens. If it takes two films to tell the story as well as it can be told, then we will enthusiastically support two films.
In short, trust Jackson, trust us and above all, trust the story.
December 19, 2005 – The Hobbit still faces legal hurdles before Jackson can make the missing film in the Lord of the Rings saga. However, there’s still a chance we’ll get to see Bilbo’s first journey in a few years’ time. Peter Jackson explained the Hobbit situation to the media during the King Kong premiere gala: “MGM used to own The Hobbit and then MGM got bought by Sony a few months ago, and so now Sony have the rights — or half of The Hobbit rights, and New Line have the other half. Now, New Line and Sony have to talk to each other and I don’t think that anyone’s going to call me until those rights issues are resolved. That’s entirely between them, so…” [More]
