TheOneRing.net Community Member Dagorhir is having an event this weekend. Here are the details:
Event name: Dagorhir’s Ragnarok War Event Type: World Event Dates: June 17-23 Where: Spring Valley Campground, Cambridge, OH Site URL: www.dagorhir.com/ragnarok Description: You’ve only read Tolkien. Dagorhir Battle Games lives it! Tolkien’s Middle Earth meets Dark Age Europe in this safe, action-packed national battle game. Dagorhir “Realms” from around the US all congregate for a national War every June in Ohio. This war is called Ragnarok, and it draws hundreds of Tolkien and medieval combat enthusiasts from all over the country.
Dagorhir weapons are padded, and minimum safety requirements are stringently enforced to ensure the safety of the participants. Minimum costume requirements are also enforced. Participants ages 16 and up may compete on battlefields across the country. The rules emphasize safety and playability, to keeping the game fast and fun. While Dagorhir is athletic, you don’t have to be an athlete to successfully compete. There is a niche for everyone. Dagorhir challenges the mind and body, and inspires the imagination. Dagorhir is a living, breathing, and growing celebration of Tolkien’s works.
Check out the latest Japanese NEWSWEEK for an article titled “A Glimpse of the Ring,” written by Naomi Saeki. Some really cool fan, that got to go to Cannes, is mentioned quite a few times! Okay okay, it was me…Hey, i’m just excited to see my name in Katakana.
Here’s the final news release from Sound Resources regarding Glass Hammer’s new disc “The Middle-Earth Album”:
The Hobbits of Bree have been working around the clock. Even the grumbling Dwarves of “Ironfist and Company” were called in to assist. There was rumor of a Dragon, but that didn’t stop ’em. Three Barrow-wights haunting the studio at Sound Resources? Didn’t faze ’em! What about that Troll that was seen lurking about in the shadows of Glass Hammer’s rehearsal hall? They barely took time to notice! How could they? For the day of reckoning is upon them!
No more time for tweaking the mix! No more time to run spell check on the text. Don’t stop for another ale, and whatever you do – don’t stop to pick a fight with the Goblins! Time is up! It is June the 15th and THE FANS WANT THEIR NEW GLASS HAMMER ALBUM!
Guess what? It is here!
Thus, the Hobbits, Dwarves, Wizards, and a few very tired Humans at Sound Resources are pleased and proud to announce the release of “The Middle Earth Album”. Songs about Trolls! Songs about Rangers! Songs about Dwarven heroes, Elven princesses! Wizards, Goblins and even Barrow-wights! It’s all here, including seven songs recorded live at the Prancing Pony!
Also…if you wish to explore the music of Glass Hammer in depth, and if you are in the mood for a great story set in Middle-earth, make sure to look on the site for details about “The Glass Hammer Adventure Pack”. This Special Offer is only available on the Glass Hammer website and includes “The Middle Earth Album”, “The Making of a Glass Hammer Adventure” CD, and a free copy of Steve’s story, “Rangers, Dwarves, Trolls and Maidens, or, A Halfling’s Holiday In Bree”.
ALKD, June 14, 2001 – The first instalment in New Line Cinema’s movie trilogy THE LORD OF THE RINGS will now release in cinemas around New Zealand on December 19, 2001.
The launch date for THE FELLOWSHIP OF THE RING in New Zealand was originally set for December 26, Boxing Day, but will now release simultaneously with the U.S. on December 19, 2001.
Roadshow Film Distributors General Manager, Lisa Hubbard, says “We are delighted to announce that the New Zealand public will now be among the first audiences in the world to experience THE LORD OF THE RINGS on December 19. The date change is an exciting move for New Zealand movie-goers who will now enjoy this epic cinematic event earlier than anticipated.”
New images from THE LORD OF THE RINGS trilogy were released via a second theatrical trailer to cinemas last week. The trailer, which debuted on cinema screens in New Zealand on Thursday 7 June, can also be viewed on New Line’s award-winning website www.lordoftherings.net .
Twelve years ago, travelling through the remote countryside of New Zealand’s south island, I was struck by the sentiment of having been there before. It was autumn, and yellow meadows running over steep hills were stippled here and there by slender, vertical golden trees. Steeple-like mountains dusted with snow rose in the distance. There was little sign of human habitation.
It looked a lot like the fantasy landscape of The Lord of the Rings, a trilogy of books I hadn’t looked at for 20 years. I was overcome by surprisingly deep heartache and longing, immediately soured by the certain knowledge that whoever did live here was certainly watching TV game shows and shouting at their kids and not giving a damn that it looked like Lothlorien outside the window.
It was no surprise to learn that the three-part, $270-million (U.S.) film version of John Ronald Reuel Tolkien’s trilogy, to be released over three years starting in December, was shot in New Zealand. Though the books were originally inspired by England’s West Midlands, whose hedges and mills and domesticated nature imprinted themselves on Tolkien’s four-year old mind when his family moved there in 1896, no film of The Lord of the Rings could possibly be shot there today.
Not possibly, because the West Midlands is now a mire of mass animal cremations, mad-cow paranoia, ripped-out hedges and desert-like expanses Of birdless, cricketless pasture land sterilized for the purposes of industrial agriculture. One hundred and fifty thousand miles of hedgerows have been destroyed across Britain since it joined the European Union. The English skylark “at break of day uprising” has lost 58 per cent of its population. Ninety-seven per cent of the meadowlands are gone. A “living tapestry,” says British writer Graham Harvey, has become “a landscape of the dead.” In a word, Mordor.
Tolkien, who died in 1973, was spared the worst of this. But what he saw in his lifetime upset him plenty. An early fan of the motorcar, he loved tooling around the country lanes until the late 1930s when the first motorways were being laid out. His imagination was a formidable tool, and it didn’t take him long to extrapolate what his beloved countryside would look like in a half-century or so. By 1939, if I recall accurately from his biography, he had gotten rid of his car, and never purchased another.
The Lord of the Rings was vividly loved and hated from the moment of publication. Critics of an idealistic persuasion like C. S. Lewis (The Chronicles of Narnia) defended the book; cynics like Edmund Wilson thought its popularity a good argument against teaching the masses to read.
It’s often said that Tolkien sprinted over critical disdain because the ecological movement of the 1960s jibed with his instinctive environmentalism. That, and a certain affinity with the stoned imagination, assured the popularity of the book with my college generation.
But Tolkien’s imaginings also had a Victorian flavour, and some of his more tremulous creations – consider the earth spirit Tom Bombadil dancing on hilltops and winking from under bushy eyebrows, not to mention his singing consort Goldberry – got up the nose of the Led Zeppelin generation. I can still remember an underground parody of Bombadil as a covert FBI agent: The last line was, “Hie thee hence, thou leafy nark.”
Of course, even that implied that flower children were elvish innocents while the forces of the “straight” world – builders of factories and freeways -were orc-like entities that could at best impersonate the wee nature-loving peoples. Usually, I recall, in order to get laid.
It’s no secret that the boomer generation betrayed itself. Who else is buying the cheap beef that has despoiled the British countryside? Not to mention tanking up filthy SUVs for a trip to the manicurist? They (we) thoroughly deserve the regular cannonades of moral condescension we receive from younger polemicists.
And just as the rising generation sees the boomer failure as an excuse to load up on its own SUVs, it reserves a special sneer for J. R. R. Tolkien. The legions of critics commenting on the upcoming film trilogy, after the obligatory swipe at Gandalf and Frodo, usually look about in bafflement for the crowds of fools who supposedly like these books. They’re nowhere to be seen, having slipped on the Ring in order to avoid embarrassment.
But they do exist. Somebody, after all, has bought 100-million copies of the trilogy. But they can’t read it the way Tolkien intended. The physical beauty of the pre-industrial countryside he knew as a child is gone. And if they want it back, they’ll have to pay for it. Will Cockbain, a British hill farmer, recently argued that the “farmers who keep the land so photogenic” will have to be offered more money to do so than they could make by selling out to agribusiness.
Keeping it photogenic. Meaning film set, theme park, tourist route. Tolkien-haters will see that as fair turnabout. The books are phony, why shouldn’t the landscape that inspired them be phony too?
And they’re right, so long as people think they can read Tolkien and vote Big Oil. Tolkien, the simpleton, would have shrugged and said, “Just sell the car.”
28 Days (2000) Walk on the Moon, A (1999) UK Psycho (1998) UK Thin Red Line, The (1998) UK Perfect Murder, A (1998) UK Albino Alligator (1996) Portrait of a Lady, The (1996) UK Ruby Cairo (1993) Young Guns II (1990) Witness (1985)
Liv Tyler (Arwen)
Cookie’s Fortune (1999) UK Plunkett & Macleane (1999) Can’t Hardly Wait (1998) Heavy (1995) UK Silent Fall (1994)
Ian Holm (Bilbo)
eXistenZ (1999) Alice Through the Looking Glass (1999) (TV) UK Sweet Hereafter, The (1997) UK Fifth Element, The (1997) UK King Lear (1997) (TV) UK Night Falls on Manhattan (1997) Blue Ice (1992) UK Henry V (1989) Return of the Soldier, The (1982) All Quiet on the Western Front (1979) (TV) UK Alien (1979) S.O.S. Titanic (1979) (TV) Shout at the Devil (1976) Severed Head, A (1971) UK Fixer, The (1968) UK
Sean Bean (Boromir)
How to Get Ahead in Advertising (1989) UK Stormy Monday (1988)
Marton Csokas (Celeborn)
Broken English (1996)
John Noble (Denethor)
Nostradamus Kid, The (1993) UK
Hugo Weaving (Elrond)
Strange Planet (1999) Matrix, The (1999) UK Bedrooms and Hallways (1998) Babe (1995) UK Exile (1994) UK Adventures of Priscilla, Queen of the Desert, The (1994) For Love Alone (1986)
Karl Urban (Eomer)
Heaven (1998)
Miranda Otto (Eowyn)
What Lies Beneath (2000) Jack Bull, The (1999) (TV) UK Thin Red Line, The (1998) UK Nostradamus Kid, The (1993) UK
David Wenham (Faramir)
Molokai: The Story of Father Damien (1999)
Elijah Wood (Frodo)
Faculty, The (1998) UK Good Son, The (1993) Forever Young (1992) UK Internal Affairs (1990) Back to the Future Part II (1989) UK
Cate Blanchett (Galadriel)
Ideal Husband, An (1999) UK Pushing Tin (1999) UK
Ian McKellen (Gandalf)
Apt Pupil (1998) UK To Die for (1994) UK Shadow, The (1994) UK Keep, The (1983) UK Alfred the Great (1969) UK
Sinbad: Beyond the Veil of Mists (2000) Secret of the Andes (1998) UK Bloodsport 3 (1996) Unnamable II: The Statement of Randolph Carter, The (1993) Perry Mason: The Case of the Fatal Framing (1992) (TV) Perry Mason: The Case of the Murdered Madam (1987) (TV) King Solomon’s Mines (1985) Naked Civil Servant, The (1975)
Sweet Talker (1991) Mad Max Beyond Thunderdome (1985) Mad Max 2: The Road Warrior (1981)
Sean Astin (Sam)
Kimberly (1999) Deterrence (1999) Icebreaker (1999) Bulworth (1998) UK Dish Dogs (1998) Low Life, The (1994/I) Encino Man (1992) UK Where the Day Takes You (1992) UK Toy Soldiers (1991) Memphis Belle (1990) War of the Roses, The (1989) Staying Together (1989) White Water Summer (1987) UK Goonies, The (1985)
Christopher Lee (Saruman)
Jinnah (1998) UK Tale of the Mummy (1998) UK Gremlins 2: The New Batch (1990) Safari 3000 (1982) Massarati and the Brain (1982) (TV) 1941 (1979) UK Return from Witch Mountain (1978) UK Nothing But the Night (1972) One More Time (1970) Scream and Scream Again (1969) Brides of Fu Manchu, The (1966) UK She (1965/I) UK Face of Fu Manchu, The (1965) UK City of the Dead, The (1960)
Bian Sergent (Ted Sandyman)
Braindead (1992)
Bernard Hill (Theoden)
Midsummer Night’s Dream, A (1999) UK Loss of Sexual Innocence, The (1999) True Crime (1999) UK Bounty, The (1984) Gandhi (1982) UK
Brad Dourif (Wormtongue)
Ghost, The (2000) Senseless (1998) UK Urban Legend (1998) UK Phoenix (1995) Death Machine (1995) Murder in the First (1995) Escape from Terror: The Teresa Stamper Story (1994) (TV) Body Parts (1991) Hidden Agenda (1990) Child’s Play 2 (1990) Mississippi Burning (1988) Child’s Play (1988)
Jim Rygiel (SFX)
102 Dalmatians (2000) Anna and the King (1999) UK Star Trek: Insurrection (1998) UK Starship Troopers (1997) Last of the Mohicans, The (1992) Alien³ (1992) UK Batman Returns (1992) UK
Howard Shore (Composer)
Cell, The (2000) Dogma (1999) Analyze This (1999) UK eXistenZ (1999) Crash (1996) UK Se7en (1995) Ed Wood (1994) Sliver (1993) UK Mrs. Doubtfire (1993) Philadelphia (1993) UK Prelude to a Kiss (1992) Silence of the Lambs, The (1991) Postcards from the Edge (1990) Dead Ringers (1988) UK Fire with Fire (1986) UK Places in the Heart (1984) UK Videodrome (1983) UK Silkwood (1983) UK Scanners (1981)
Peter Jackson (Director)
Heavenly Creatures (1994) Braindead (1992) UK
To get more information, use the sites I use like:
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Viggo Mortensen (Aragorn)
Liv Tyler (Arwen)
Ian Holm (Bilbo)
Sean Bean (Boromir)
Marton Csokas (Celeborn)
John Noble (Denethor)
Hugo Weaving (Elrond)
Karl Urban (Eomer)
Miranda Otto (Eowyn)
David Wenham (Faramir)
Elijah Wood (Frodo)
Cate Blanchett (Galadriel)
Ian McKellen (Gandalf)
Andy Serkis (
Craig Parker (Haldir)
Orlando Bloom (Legolas)
Dominic Monaghan (Merry)
Bruce Spence (Mouth of Sauron)
Sean Astin (Sam)
Christopher Lee (Saruman)
Bian Sergent (Ted Sandyman)
Bernard Hill (Theoden)
Brad Dourif (Wormtongue)