Hi all – wondered if you could help us get the word out to Tolkein fans that the Auckland Wind Orchestra plays the only Lord of the RIngs symphony in Auckland on August 12. Written in 1988, it was an instant award-winner but has never been played in NZ. Here’s the press release – thanks in advance – direct any queries to me!

Thanks heaps

Julie

Auckland Wind Orchestra press release JULY 2000

LORD OF THE RINGS COMES TO AUCKLAND

As the world eagerly awaits the release of Peter Jackson’s Lord of the Rings movie, the compelling Lord of the Rings symphony is to take top billing at the Auckland Wind Orchestra’s August concert.

The symphony gets its first New Zealand airing at the Auckland Town Hall Concert Chamber on Sunday August 12 at 2pm. Conductor is Adrian Raven and among the guest performers are jazz saxophonist Lewis McCallum and the North Shore Youth Orchestra, conducted by Peter Thomas.

Written by 48-year-old Dutchman Johan de Meij in 1988, Lord of the Rings is a powerful and atmospheric five-part symphony describing in music, major events in Tolkien’s 1955 book. You can literally hear Tolkien’s tale.

I Gandalf (The Wizard), the first movement, is a musical portrait of a wise, noble but unpredictable personality.

II Lothlorien (The Elvenwood) paints an impression of the elvenwood with its beautiful trees, plants and exotic birds expressed through woodwind solos. The music tells of hobbit Frodo’s meeting with the Lady Galadriel.

III Gollum (Sméagol) describes the monstrous Gollum, a slimy, shy being looking for his cherished Ring, represented by soprano saxophone.

IV Journey in the Dark re-creates the laborious journey of the Fellowship of the Ring, headed by the wizard Gandalf, through the dark tunnels of the Mines of Moria.

After a wild pursuit by hostile Orks, Gandalf is engaged in battle with a monster, the Balrog, and crashes from the subterranean bridge of Khazad-Dûm in a fathomless abyss. The bewildered Companions trudge on, looking for the way out of the Mines.

IV Hobbits, the fifth movement, describes the Hobbits’ carefree and optimistic character.

The AWO is a 50-strong group of woodwind players from all over Auckland, many of them professional musicians and music teachers. In existence since the late 1960s,
the band has nurtured the early careers of many of the country’s top musicians.

WHAT: Lord of the Rings, Auckland Wind Orchestra
WHEN: Sunday August 12, 2pm
WHERE: Auckland Town Hall Concert Chamber
COST: Tickets are $15/$10 (students, seniors)
BOOKINGS: Ticketek, phone 307 5000 or online at www.ticketek.com.

For further information on the band, the concert, composers or soloists, contact

Hamish Arthur on 579-9366 or e-mail haccar@paradise.net.nz.

I’ve gathered all the Comic-Con 2001 reports here for easy reading, enjoy!

Comic-Con Day 1.5

Here we are in sunny San Diego (ok we’re inside most of the time πŸ™‚ )! The Comic-Con is under way in outrageous fashion, and Lord of the Rings is all over. [Day 1.5]

Comic-Con 2001 Art Pics

Ringer Spy Faie sends along these great scans of some LOTR related art from Comic-Con 2001. Check them out! [Comic-Con Art]

Rings figures straight from Comic-Con

The Action Figure Times have posted a hoard of new action figure images from Comic-Con. [Toy Biz Toys]

Comic-Con Caraaaaazy

Have I lost my mind!? What happened to the last four days? Hanging out with a Hobbit and an Ent, WETA wizards, Sideshow masters, Decipher gurus, TORN fans, and being surrounded by TOLKIEN TOLKIEN TOLKIEN all weekend was just amazing. [Comic-con]

Comic-Con Images

Check out some of the great images Tookish and Quickbeam captured during the festivities at Comic-Con 2001! [Comic-con Images]

Comic-Con Day Three

Ever since I was a Tolkien fan, three has been my lucky number. Watching New Line’s presentation and bumping into Eljah Wood (Frodo Baggins) was just the start! [Day 3]

Comic-Con 2001: Wrap and Review

Quickbeam has the last word from the San Diego Comic-con. You’ll REALLY want to read this one folks, as it holds the transcripts of what WETA President Richard Taylor said at our Thursday presentation as well as some *delicious* insights from the wise Ent. Another great TORN exclusive if I do say so myself!! [Comic-con Review]

Greetings — Quickbeam here.

Last year all us Tolkien fans were just scratching the surface of the San Diego Comic-Con. In contrast, this year we hit the radar like never before!

It’s a combination of things that makes this Con such a powerhouse event for people who love fantasy, illustrated fiction, great movies, games, and all the “Popular Arts.” It ain’t just comic books anymore, kiddo. In fact, today’s Los Angeles Times had an article about how the movie industry is much more aware of how this type of gathering, this Comic-Con in particular, is a unique promotional spring-board for Hollywood’s biggest “event movies.” Peter Jackson’s Lord of the Rings included.

In this scenario you can’t expect a studio to overlook its fans, and in San Diego it is the genre film that reigns supreme. Highlights included sneak previews of Spider Man, Planet of the Apes, the new DVD release of Robert Wise’s completed Star Trek: The Motion Picture, Harry Potter, and the crown jewel of all fantasy, LOTR. Lowlights that left a bad taste in the mouth included the painfully trite Smallville soon to premiere on the WB Network (beware viewers, your beloved Superman has been turned into Beverly Hills 90210 drivel) and John Carpenter’s Ghosts of Mars, which was ignored by a chilly audience.

The award for “Most Eye-Catching Display” goes to DreamWorks. They impressed many attendees with a massive floor exhibit from The Time Machine. The giant glass-and-brass apparatus was a marvel to see, nearly two stories high and about 3 tons of hardware, by the look of it. My friend called it, “A giant chandelier that was assimilated by the Borg.” The whole thing looked like an exhibit from the Smithsonian.

And where was New Line Cinema? Evidently they decided on a low-key approach, saving their big guns for the Saturday evening showing of Fellowship footage. As we have reported, it was a mind-blowing event with so many thousands of people jammed into the huge converted ballroom. Even though they didn’t pass out any free gifts or T-shirts (Tookish and I are quite fond of mathoms) you could not ask for more enthusiasm!

Remember last year when Sir Ian McKellen sprung out on stage and surprised the heck out of everyone? This time, as the video footage from Cannes played on the giant screens, you could tell from the look on his face that he wanted to be with us all in person, once more. You got the feeling he loved the passion behind the filmmakers’ work, and equally the passion that Tolkien fans have brought to this new project — and he said as much in a more gracious manner than I ever could. I recall him saying, “If it weren’t for you, and your love of these books, these films would never have been made.” From the heart of the wisest wizard comes a wonderful acknowledgement for all of us.

One shining moment during the Hobbiton footage made us stop and laugh. There were tables set with piles of food, wine, and delicious frosted cakes; and as the banners went up and tents were raised under the Party Tree, a rustic old hobbit was caught on film addressing someone off-camera. He defiantly declared, “Say what you like about Mad Baggins, but he sets the most bountiful table in three Farthings,” or something close to that. Tookish and I both debated this mystery Hobbit, and came to an early conclusion that it was the Gaffer himself! We shall see, we shall see.

Mr. Elijah Wood proved to be excellent and beyond patient. After the LOTR footage there were swarms of fans who piled up on him with flash bulbs, video cams, and pleas of, “Could you sign this for me?” I happened to be one of the culprits, so I must deeply apologize to Elijah for instigating the crowd. I just couldn’t help it. How often does one get the chance to meet the Ringbearer himself!? Later in the evening the whole dining company was in good spirits, as Tookish has already related. Elijah’s timing is quick and so are his wits; as the evening wore on he showed his gregarious side even in the late hours. No doubt it was great fun working with him in New Zealand for 18 months!

Last year we had lunch with Gandalf. This time it was dinner with Frodo. Who knows what might happen in 2002? The mind boggles.

But seriously, no star shined brighter than Richard Taylor, President of WETA, and his brilliant team of designers from New Zealand (and at least one of them from Australia, or else I’m a ninny-hammer!). All people around them are touched by their generosity. All discussions turn to quiet listening and wide-eyed wonder when they speak of LOTR. All doubts about these films wash away when you hear Daniel or David or Richard talk. We were thrilled to be part of their company and doubly lucky that Richard took part in our presentation. Here is a transcript of Richard Taylor’s eloquent words before a packed house, all Tolkien fans eager to learn more of WETA’s role in the filmmaking process:

“Hullo and this is obviously a great pleasure to even have come to San Diego and come to the Comic-Con, but ah a few of our guys from the workshop have just been invited and had the opportunity to have a quick word to you. We started on the film five years ago now; we’ve been in the film industry for 14 years so it’s over a third of our working careers have been commited to bringing the world of Tolkien to the audiences of the world. We chose at the very beginning to look after the five departments under the one roof of our Weta workshop. We’ve looked after the special make-up effects, the creatures, the armor, the weapons, and the miniatures, and in effect looked after all of the war and injury rigs as well. To look after the design, fabrication, and onset operation of so many departments on one film is obviously an unenviable task—but to be stupid enough to suggest that we could look after all three films was sheer madness. But there certainly is probably not a better audience in the world then those sitting before me now who will appreciate likewise (applause) what I say about this.

Tolkien –any individual author- writes a singular vision of their creativity; likewise did Tolkien, and when we came to make this film and Peter (Jackson) offered us the decision on what departments we wanted to look after we knew that if we didn’t take on as much as we possibly could and came to the world of Middle-earth with our own singular Tolkienesque brushstroke there was the possibility that the project would become fragmented. There is no more important thing to this film project than an integrity and a realism to the vision of his writings.

At no time did we consider we were making a fantasy. We considered this a piece of English folklore; we believed we were trying to bring the writings of Tolkien in the way he tried to bring modern folklore to the world of England and our world to the screen. So to that end we’ve invested a phenomenal amount of our time— our preproduction time— developing the cultures that you’ll come to discover in the filmmaking. We’ve entered a huge amount of effort to create the graphic design of Middle-earth so that every culture has its own iconic realization. We were fanatical at a number of levels. At all times I said to the guys in the workshop – we had 148 people working in the facility and another 38 on set – and I was absolutely adamant at all times that this wasn’t film-making, this was legacy-making and if all of us weren’t in the mental position that we would want our grandchildren to sit on our laps and remember this project with them then we weren’t worthy of the project. (applause) At all times we had to approach this with a level of fanaticism some people bring to the Christian religions. (audience laughs) Yes!

Alongside Peter Jackson obviously we’ve had the most incredible five years of our lives. We’ve been blessed to have been given the opportunity to do this. We have been touched at a level that we could never have considered at the beginning. We knew it was going to be special but it has been special beyond our wildest imaginations. I hope you all watch these three films that you likewise will be touched again after reading the books for so many years: you’ll be touched again by the visual imagery, the wealth and richness that we hope we’ve brought to your Middle-earth.

Thank you very much.” (loud raucous applause)

Again, we extend our gratitude to Sideshow Toys, WETA, and Decipher Games for giving us a chance to share our Tolkien fanaticism. Congrats to all on an excellent four-day showing.

It was a long ride. It was also satisfying. Beyond the many people and events we experienced (or collided with) during the Con, we were impressed above all else with one grand, unavoidable thing: the building wave of excitement! The Eyes of World will soon be turning to LOTR, and through the prism of our shared media J.R.R. Tolkien will come under a brighter spotlight than ever before. This is the just the overture, as the sweeping arms of pop culture embrace the Professor and his works.

And with that, we bring the 2001 Comic-Con to a close. See you all next year.

Much too hasty,

Quickbeam & Tookish

In today’s “Dagens Industri” (the Daily Industry), Sweden’s leading business paper, the columnist Jan Gradwall writes about the coming impact of LOTR.
“The Lord of the Rings&rsquo, which is now becoming a movie, will without a doubt be the biggest media event of the year. No other contemporary cultural event will influence the time we live in to such a degree. All corporations who depends on trends, from Ericsson to H&M, will be effected by the waves from “The Lord of the Rings.”

Then he mentions the internet buzz, increasing book sales, the movie budget and other popular subjects. Ha also states that this is not a passing phenomena like over hyped movies like “Pearl Harbour” (“-Who cares a month after the premiere?”), but something that will be around for a long time to come.

Thanks to Tomten

“In today’s “Dagens Industri” (the Daily Industry), Sweden leading business paper, the columnist Jan Gradwall writes about the coming impact of LOTR.

“‘The Lord of the Rings’, which is now becoming a movie, will without a doubt be the biggest media event of the year. No other contemporary cultural event will influence the time we live in to such a degree. All corporations who depends on trends, from Ericsson to H&M, will be effected by the waves from ‘The Lord of the Rings’.”

Then he mentions the internet buzz, increasing book sales, the movie budget and other popular subjects. Ha also states that this is not a passing phenomena like over hyped movies like “Pearl Harbour” (“-Who cares a month after the premiere?”), but something that will be around for a long time to come.”

Thanks Tomten for sending that one in.

Hullo TORNados!

Got three more in the box this morning. Here we go:

i heard a radio commercial yesterday promoting a boxing match (can’t remember who was fighting) that said “the real Lord of the Ring”. we’ll be deluged soon with all kind of Tolkeinisms. JM

I have several small children who regularly watch the program “Arthur” on PBS. On one episode, it is deemed ‘cool’ to have a toy called a “Woogle” or
“Poogle” or something like that. Anyhow, Buster Baxter names his “Bilbo”. No other reference is made to Tolkien; this is just a little Tolkienism.
Longbottom

This is straight out of Microsoft’s Visual Basic Help regarding Collections: (Yummy, spiffy, nerdy programmer stuff)

What Has It Got In Its Pocketses? Croda

An aside… I’ve been told that in much MS programing there are Tolkienisms built right in, using names like Gandalf and Legolas. How cool is that?!

More to follow…