Brian Sibley, whos credits include The Film Art Cover Box set of LOTR and The Lord of the Rings Official Movie Guide, recently held a small Q&A session and Shelagh has the transcript for us!

Irascian: Do you have any plans to do speaking in the US?

Brian Sibley: I was asked to go to Comi-con, but my publisher decided it was too expensive especially7 with my last book being almost a year old by then! However, I may be coming to the US in December (still not sure) to promote the NEXT book about the films.

Lithilien Quicksilver: Hullo, Brian. If you do come in Dec., do you know where you will be? I assume either NY or LA?

Brian Sibley (Irascian answering): Brian says If he comes it will be 6 cities including the two you mention. It’s basically one day in a city, one day’s flying for 12 days. But it’s a question of whether I can manage it because I should be working on the third book ROTK in December.

Primula: Brian, welcome! What started you in this – was it the radio adaptation work or something before that?

Brian Sibley: Long before the radio series! When I first read THE HOBBIT when I was 11 or 12 and then (ten years later read TLOTR): that – coupled with seeing the Ralph Bakshi film – kept my interest – no, PASSION! – for JRRT’s books on the boil — and then I heard that PJ was going to film the LOTR with MY Frodo as his Bilbo! How could I resist begging and pleading with HarperCollins to let me write the books about the film?

StefBaggins: How are the sales going for the Official Guide, and is it what you expected?

Brian Sibley: What did I expect??? Sixteen weeks on the New York Times ‘Best-Seller’ List getting to No. 2 was a very pleasing thing to happen – but I’m still waiting to earn some royalties: probably because my % is rather small — but who cares about Dragon-gold or Orc-hordes!

Goldilocks Brownlock: I very much enjoyed your book! It had quite a bit much more information and covered areas (such as the dialog coaching) that I hadn’t thought about. It was very well laid out too, quite easy to read, and lovely photos. Do you do your own layout or do you have a designer to work with at HM? I’m looking forward to the next book very much! πŸ™‚

Brian Sibley: I have a designer. And if you think the first book has a lot of behind the scenes information, you ain’t seen nothing yet. There will be a lot more stuff in the next book TTT.

Dandy: Before I bombard you with my questions, welcome to the PP Now Can I throw them at you. If there is one scene you would do over again- for the radio program what would it be and why.. If you could add a new scene what would that be. and a thank you for the wonderful book…and for the ones coming out in the future.. Sitting back with a Spatan to await the answers.. Welcome again Dandy Baggins

Brian Sibley: Yes! The final battle at Bag End. It was supposed to be the Battle of Bywater (as in the book). But the closing episodes were over-running and cuts had to be made – so, overnight, I re-wrote the episode to include the fight AT Bag End! It was never quite the way I wanted… And as for a NEW scene — why, yes! TOM BOMBADIL! Then people wouldn’t keep asking why I left him out!! Actually, I later dramatised Tom’s exploits in TALES OF THE PERILOUS REALM (See BBC Tapes), but I wished he’d been there to start with…

Tinidril: Concerning some of the content of future Movie Guides, Hi and welcome to this online madness!! It seems that most the basic topics of movie making were covered in the FOTR Movie Guide, will you be covering any of these same topics in more detail in subsequent uides since all three movies were filmed at the same time? Things such as the Weta Workshop, language and speech coaching, scenery, sets, etc… Or, will there be totally new topics? (besides the additional actor bios) Thank you so much and God bless! from a grateful 3-yr. charter member of the fan club, Tinidril

Brian Sibley: Some new topics… Some dealt with in OMG but now explored in greater detail: lots of stuff on make-up and costume (How do you give Grima dandruff? Why is Gandalf’s hat kept in a dustbin?) as well as such things as an account of Howard Shore’s music for TFOTR.

Hobbitlove: How much input did PJ have on the book, where you under certain restrictions as to what you put in the book?

Brian Sibley: Peter spared what time he could while I was in NZ . And, yes, of course there were limitations on what I coulkd talk about – or SHOW! Hence no pix of Gollum in the first book – or the Balrog. The next book will be quite different with much more info and (I hope) insight into the film-makinh process.

Yavanna Kementari: hullo Brian, i was wondering, about how long did it take for the BBC Radio adaption to be completed? I think that it’s brilliant!!

Brian Sibley: Years! Well from the day that I first read LOTR . But I took two or three months to write the sysnopsis for the original 26 (later 13) episodes and 6 months to write the episodes and another 4 to record. Glad you enjoyed it!

deliz: Do you have any sneak-peeks or news you can give us? Hints? ANYTHING? πŸ™‚

Brian Sibley: What can I tell you? You’ll love seeing the transformation of Smeagol into Gollum after the murder of Deagol as he goes further and further into the passageways beneath the Misty Mountains; you’ll love the Battle of Healm’s Deep and the transition of Gandalf the Grey into Gandalf the White – oh, yes, and seeing Grima Wormtongue and the fabulous scene in which Gandalf liberates King Theoden from Grima (and Saruman’s) power… There’s so much to look forward to – Treebeard… Well, you KNOW and, like me, can’t wait! The new book also tells you how Weta produced a ARTIFICIAL Boromir for that scene where he goes over the falls of Rauros! Loadsa goodies! Promise!

Sauron’s Truss: Do you think HM and yourself might include a ref to the incredible upwelling of fan support in one of the upcoming guides?

Brian Sibley (Irascian answering): Brian says there will be some public response and fan response in “The making of a film trilogy” (the title of the next book). It also opens with a description of the premiere in London and ends with a selection of critical responses from around the world.

Arwenbloomer: Do you know of any plans to have some convetions or talks in Toronto Canada??

Brian Sibley (Irascian answering): Brian says he doesn’t know of any conventions/visits to Canada

Eridana… What is it like watching someone adapting something that you did yourself?

Brian Sibley: Fascinating! I envied Peter Jackson being able to do things I couldn’t do in sound – the Balrog for example – but I was lucky in being able to include many of the songs and poems that would have slowed down the visuals!

Hobbitlove: How long where you in NZ?

Brian Sibley (Ironscan answering): How long was Brian in NZ? Answer: 6 weeks.

Garoc: Do you think Peter Jackson has drew some inspiration for his adaption from your BBC adaption?

Brian Sibley (Ian answering): Brian says Many of the cast, executives, technical crew etc listened to the series as a way of getting to know the story. Sean Astin told me that the two most helpful pieces of research in his process of getting to understand the character were Alan Lee’s illustrations and my radio version.

Rosie: It is such a pleasure to have you Brian. You must be getting hungry with all this typing!! ::offers a slice of fresh strawberry pie, and a mug of ale:: It is wonderful of you to take the time to visit us here in the Prancing Pony. Ian has been great to fill me in on some of the background into the making of the BBC production.

It has been an incredible experience to have another window into Middle Earth, via the BBC radio production. It is a piece of art in itself. The new
prologue done by Ian Holm, as well as the extra CD are fantastic, and I don’t go a day without at least listening to the music.

My question is: What was your first introduction to Tolkien, Hobbits, and LOTR, and how did it affect your life. Thank You again Brian!! (((((((((Brian Sibley))))))) It is an honor to have you with us!!

Brian Sibley: Hi, Rosie, and thank YOU! For your enthusiasm AND for the fab picture which you sent of the hobbits in the Prancing Pony. I love it! First read THE HOBBIT, the all the short fiction: Farmer Giles, Tom Bombadil, etc – but I found LOTR VERY hard to get to grips with. Then when I was 21, I was in hospital for 4 weeks and finally got to read The Big One! Yes, it has changed my life and I have been very, very lucky…
Brian

Primula: Do you have a background in journalism or writing – or was this a “new” career for you?

Brian Sibley: I started writing for radio 25 years ago and amazon.com will give a list of all my publications eg CS Lewis Narnia, Winnie the Pooh, film animation etc.

The Australian Ringers in Barliman’s are organising a get-together to see LOTR on an IMAX screen. Here’s the details:
Date: Saturday 11th May
Place: Imax Cinema, Northbridge.
Time: To Be Determined (The cinema couldn’t give us an exact time but it’s around 8)
Details: Wear a leaf on you (fake or otherwise) so we know that you’re a Perth LotR fan / Barlimans’ Regular! Fancy dress encouraged.

Ring-Leader will be wearing a hobbit dress and curly brown hair. If we get more than ten people the cost of the tickets will only be $7. Imax has a LARGE screen and huge sound systems, so this is a real bargain! Prime opportunity to see Fellowship of the Rings in a great cinema before its run is finally over!

Contact: Nancy (Periwinkle) at: tosh@opera.iinet.net.au or Eledhwen at elfsheen@hotmail.com

Ringer Spy Lee sends us these scans from Empire Magazine, take a look!

Much has been made of New Line founder Bob Shaye’s gutsy decision to bankroll the “Lord of the Rings” trilogy, but what hasn’t gotten enough attention is how much Peter Jackson helped his own cause by paying $50,000 to make a 30-minute short film.

It was a short that, by all accounts, was the deciding factor in his getting a greenlight from Shaye on what is now on course to become one of the most profitable film franchises ever.

Dish viewed the film, which until now had been seen only by Jackson, his reps, Shaye and Fine Line president Mark Ordesky. The short was a last-ditch effort to rescue “Rings” from the Miramax turnaround scrap heap and was enough to persuade Shaye to finance three films instead of the two Jackson asked for.

It also showed convincingly why Jackson was the right director for the “Rings” job even though he was coming off the failure “The Frighteners.”

After long developing “Rings” only to fail in securing a partner to make two films, Miramax gave Jackson back the film under prohibitive terms. He had three weeks to hook another studio, which would have to repay the $12 million spent by Miramax, and give up 5 percent of first-dollar gross.

Unbowed by those arduous terms, Jackson retreated to New Zealand bent on making promotional film that would show that the ambitious “Rings” movie was possible because of the $12 million that had been spent on rights, special effects and visuals to bring Middle Earth to life.

Narrating the short himself, Jackson introduced the artwork, models and computer imagery that would convincingly shrink actors to Hobbit size, make the Orcs grotesque by enlarging their eyes and make Herculean Uruk-Hai warriors believable through computer animation.

Jackson showed the armor, the architecture of the mines of Moria and the maniacal faces on the horses that would carry the black riders who pursue Frodo Baggins throughout the trilogy.

The film then featured storyboards coupled by dialogue read by unseen actors. What is most striking is how closely Jackson’s movie stuck to his initial game plan.

“So here we are,” he said at the close of the filmed pitch, “45 years after the publication of this book where finally the technology has caught up to the incredible imagination that (J.R.R.) Tolkien injected into this story of his. This movie can be made.”

In terms of salesmanship effort, Jackson’s film is reminiscent of the short made by Robert Evans three decades ago, the one that persuaded Gulf & Western not to fold Paramount Pictures and sell the backlot.

Evans, who headed production at the time, got Mike Nichols to direct him in an appeal that promised upcoming projects like “Love Story” and “The Godfather” would right the studio’s course.

“The lot was set to become part of this Jewish cemetery right behind it, and you don’t see any dead bodies there now, only a lot of soundstages,” Evans said. “I didn’t get a bonus or anything, but I walked out of that meeting with the autonomy needed to make Paramount a power.”

Viewings of Evans’ film have been limited to visitors in his private screening room, but Evans said the footage will be in the Graydon Carter-produced documentary “The Kid Stays in the Picture.”

As for Jackson’s half-hour film, New Line hasn’t yet decided whether fans will get to see it. It would be a worthwhile addition to the DVD, at the least.

Greetings — Quickbeam here.

Our very own Flinch helped us put together a great fund-raiser down in Irivine, California this past Sunday — all of the proceeds will help TheOneRing.net get a new server (thank you players)!

If you weren’t there you missed out on a lot of fun.

It was really cool that most all of our participants were women!  Whoever said that girls don’t enjoy a good trading card game was wrong.  I had a laugh at their expense, too.  Every time one of the young ladies played a Legolas card I would start warbling “Oh, ORLI…. you’re just so dreamy….”

Actually, everyone learned the game quickly.  Just spending a couple of turns showing the flow of the game was enough.  Soon the players were speeding off, coming up with clever strategies all their own.

It was a sweet deal for the new players who attended.  For only $10 we gave them a new Starter Deck, a couple of Boosters, and a GREAT draw-string bag filled with glass counters.  That’s a lot of swag for ten bucks.  On top of all that, we sold raffle tickets for an entire box of Booster Packs.  A very surprised 7 year-old boy was one of our lucky winners.  You should have seen him jumping and racing around the tables with his new cards.   πŸ™‚

Everyone then got to see “Fellowship” in all its theatrical glory.  A fine day indeed.

We will schedule another one of these demonstrations soon.  So all you folks located in the Hollywood – Beverly Hills – metro Los Angeles area be sure to watch this space for details.  It’s a great afternoon, you will get lots of cool stuff, AND you will learn the game from well-seasoned players (patting myself on the back with a leafy branch).

Much too hasty,

Quickbeam

Read Flinch’s notes here
E-mail quickbeam at quickbeam@theonering.net